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Page 77 text:
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CLASS PROPHEOY Continued Again we are blest with a change of scene. Because of the romantic atmosphere and the hushed stillness of the crowd, we realize that we are in the Grand Theatre. On the screen are Hollywood's greatest lovers, Betty Trom- peter and Kenneth Breneman, playing a passionate love scene, Charles La Jambe and Malcolm Watson with their dates in the balcony, just can't seem to Keep their minds on the picture. Outside of the theatre we see Bob Hill- stead picneting the place because he didn't receive the starring role. Over there in a store encasement, we see a sign read- ing: WDon't fly, stay safe with a streamlined deluxe motorcycle from the Dessin Motor Shop. A free ride for every prospective customer.N Nice going, Jerry. There way up high in the clouds we see another victim. This time it's Mary Headsten out testing her new plane with the able assistance of her flying instructor, none other than Merwin Peterson. Look! They're going into a dive-- the plane is out of control and heading downward, downward! But we have nothing to worry about as here comes Daniel Geer speeding forth in his ambulance truck accompanied by his two pretty nurses, Edith Francis and Helen Boyum. The scene vanishes. Through the mist come dancing our two tango artists, Eunice Darval and Norman Jornlin, professionally Known as Elita and Sven O'Toole. Their name as well as their danc- ing attracts a crowd. Speaking a crowds, we are now in front of an Alaskan entertainment parlor with the juke box playing, HThe Doors Swing In and The Doors Swing Outn. Here we see swinging out Kenneth Bangen, Eugene Earley, Robert Hultman, Bob Sny- der, and Leonard Gordon. It looks like a stag party, but let's go in. Glancing around we spot an office door and written in bold type is HJean Radosevich, Belle of the Yukon--proprietoress. And in her employ are Bernice Zur- ick the busy but efficient barmaidg Emma Costley and Thelma Kleppe as head cigarette girls, and last but not least, Roy Johnson as the financial manager. Where there is a crowd there are familiar faces, and those that we now recognize are Jerry McCormack, Aldo De Marcki, and Archie Villalta who are persistently whis- tling at the four new chorus girls: Hulda Nelson, Marian Brunette, Harriet Gordon, and Jeanette Carrier. But we also notice they are not the only ones. Having nade the rounds we go to collect our wraps and as the check girls turn we recognize Helen Shewchuk, Grace Swenson, and Pauling Buchnolz. The vision becomes fainter and we awake with a start to find we were only dreaming. So keep your spirits high, seniors, for what we prophesy afternoon only you could bring into reality.
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Page 76 text:
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Page 78 text:
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