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Page 13 text:
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Page Twelve THE CHALLENGE May, 1936 'SENIOR CLASS WILL We. the members of the Class of 1936, being in a super-eminent state of mentality and the proud possessors of such fine qualities as per- severance and high ambition, before leaving this beloved school with all those so dear to us, do, with all humorous intentions, draw up this document as our last will and testament. Because of extreme necessity, and in the light of the passing fantasies which will fade as we leave these dear portals, we wish to make this document public. Article I-To our Alma Mater we leave our beautiful pennant, symbolic of a desire for higher goals of achievement. Article II-To the Juniors we leave the hope that they may have a prosperous senior year and one as significant as ours. We also leave them the spirit of enthusiasm C75 present in all our classes and comfortable seats to sleep in P. O. D. The Senior girls leave the Junior girls their ability to talk in Senior home room and get away with it. Aritcle III-To the Sophomores we leave that sense of dignity necessary for business trans- actions in their pre-graduation days. To them we also leave a spirit of enjoyment to the nth degree of all school fun and recreation, and that spirit of generosity in which we find them lacking. Article IV-To the Freshmen we leave our exceptionally pleasant manner and mien, and the hope that they will not be stricken with a shortage of the male sex as We were. Article V-The following are personal be- quests of the class members: Virginia Anderson leaves her daring exploits to I. Edwards and her art of making-up to Grandma Hartley. Bob Barron leaves his way with the women to Jack Holland, and his dancing ability to be distributed among the needy members of the Junior Class. Betty Getz leaves her brains to anyone who's dumb enough to take them. Evelyn Getz leaves her dieting to Agnes Rettger, and her typing ability to Mr. Hauck. Harold Goodenow leaves his accounting abil- ity to Ernie Leopold. Edna Leffler leaves her quietness to Wilma Furber and her marks to Bud Weislogel. fYou'lll need them, Bud.l Betha Lewis leaves her piano playing ability to Doris Pieper and her walk to H. Carlson. Esther Light leaves her sweet smile to Mar- garet Essick. Erma Locke bestows her snappy comebacks on Katherine Ruhl and her limberness on Helen Hartley. Hon McCray leaves her ability as an all round basket ball player to Gladys Baur and her dancing ability to Owen Grubbs. Irma Muller leaves her curls to Elsie Gus- tafson and her car to the fast-moving W.P.A. workers. Charles Rood leaves his ability to get along with Miss King to David Schwartz, his argu- ing with the teachers to Junior Place: and his laugh to John Bardsley. John Ropach leaves his quiet way to Gladys Walter and his modesty to Peachey Dushole. Alice Sisson leaves her ability as a conversa- tionalist to Katherine Ruhl. Harriet Swalley leaves her ski pants to Mar- abelle Barron. LeRoy von Treptow leaves a dent in the orchestra, because he furnished all the windg and leaves the length of his name to Max East. Ellinor Weislogel leaves her tired disposition in P. O. D. class to be divided among the Sen- iors of 1937 fjust in casel. Catherine Williamson leaves her ability to blow up the Lab to the next Chem class and her red hair to Jack Holland. Kenneth Young leaves his neat waves to Mr. Moore and Alton Skelley, and sadly parts with Charles Rood. SENIOR CLASS PROPHECY As a reporter on the New York Sun, I've met a great many people and enjoyed it all tremendously. But during this past week, I've had more than my share of pleasant surprises in that I'Ve seen or heard about all of my old classmates from Fairview High School. The unexpectedness of these meetings made them all the more enjoyable. Last Thursday evening was the opening night of a much-advertised musical comedy, and I was assigned to get an interview from the star, Virginia Gable fMrs. Clark Gable, Jr.l Rather calmly and indifferently, I rapped on the door of her dressing room. A trim maid let me in: and after I had stated my business I was told to wait just a few minutes. Finally, I was shown into another room, and there, amid a sea of flowers of every hue, I saw Vir- ginia Anderson! We chatted a while of this and that, and Virginia told me that she had had dinner just the week before with Esther Light who is married to a Hollywood motion picture producer. It was nearly time for her to go on, and so I wished her luck and depart- ed. Incidentally, the papers the next morning gave very complimentary reviews of the show, and from all indications it will have a long run on Broadway. But to get back to my story. Just as I closed the door of her room, I saw a man running towards me pell mell. All at once, he t1'ipped and fell. I went over to help him to his feet, only to discover that it was Leroy von Treptow. Virginia had mentioned talking with him, but she had forgotten to tell me that he was the director of the orchestra for this particular show, and I had to learn that important fact while he was brushing back his hair and regaining his poise. Although it was almost time to start, he couldn't find his batong and that had been the reason for his
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