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Page 19 text:
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Through Practice FRONT ROW: J. Johnson, S. Whitaker, K. Keller. ROW 2: J. Blough, J. Cole, li. Smithhurg, B. McKimmy, K. Andersen, l. M. Hemm. ROW 3: R. Rizor, D. Sam- uelson, J. Pogfemiller, P. Kayser, D. Short, E. Jewell, S. Teetc-1', J. DeHaan, J. McClain, P. Winfrey, C. Abbott. ROW 4: ll. Swan, Y. Metz, R, Lawson, C. Motz, M. Clrew, K. Smith, M. Gei'ling', M. Wz1llei'ic'h. STANDING: C. Manley, D. Myers, J. Wood C. Peck many, Semper Fidelis , played in The True Sousa sTyle. ATTer successTully compleTing Their TirsT concerT oT The year, The band members Turned all ThoughTs Towards preparing Tor The April Con- cerT, and also STaTe Music ConTesT. The Sunday aTTernoon concerT on April 20 had a wide varieTy oT selecTions, The enThusiasTic audience was appreciaTive oT The souTh'oT-The-border songs, AmpariTo Roca , and Calypso JoinT , also oT The novelTies and marches such as, Pop Goes The Weasel and lvlarch l:orTh . l-lighlighTing This aTTernoon's periormance was an ouTsTanding selecTion CalTslcin CalisThenics , which TeaTured The percussion secTion. To prepare sTudenTs Tor STaTe ConTesT, The individuals and ensembles perTormed Their solos Tor music auxiliary, band, and also The annual Spring ConcerT. Talcing parT in This concerT and also STaTe ConTesT were The Tollowing: Janice Cummings, alTo saxo- v phone: CaThleen Peck, snare drum: Carol Church, corneT: Jean Johnson, TluTe: Denny Kemp, cor- neT: Virginia Langner, bell lyre: and Bob Mcliimf my, Bb clarineT. Also parTicipaTing in Class A STaTe ConTesT, which was held aT DavenporT on April 25-26, were: l.eore lnluTT, bassoon: Roianne Miller, TluTe: Nancy Earley, TluTe: Janice l-layward, TluTe: Jill Johnson, French horn: Ann MonTgomery, alTo saxophone: Daryl Timrnerman, alTo saxophone: Susan Evans, Tenor saxophone: and Bruce Bowen, bass horn. While mainTaining This busy schedule, The mem- bers also had Time To sell band TiclceTs, and Tor The Third consecuTive year, They sold personalized candy bars. The proTiT Trom These moneyfmalc- ing acTiviTies made band Trips To oTher Towns possible, and also provided Tor numerous oTher acTiviTies. 15
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Page 18 text:
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Tune und Rhythm FRONT ROW: J. Hayward, N. Earley, R. Miller. J. Reynolds. ROW 2: S. Howrey, M. S. Horton, L. Huff, E. Boyd, J. Johnson, R. Robinson. ROW 3: J. Cummings D. Timmerman, R. Prince, A. Montggomery, J. Winter, S. Evans, D. Kemp, K. Davidson v 1 C. Church, D. Hornbeck, D. Hill. ROW 4: W. Church, R. Rower, A. Johnson, K. Ray- mond, J. Pogemiller, J. Sheets, B. Campbell, C. Coop, M. Griffin, S. Krane, J. Cum- mings. STANDING: V. Langner, L. Robison, P. Hirschler As The winTer season approaches, The lvlarching Band puTs aside iTs OuTdOOr rOuTines TO malce way Tor The enThusiasTic sTudenTs who will par, TicipaTe in The COncerT Band. AlThOugh The year is very young, The members realize ThaT long hours OT pracTice are a necessiTy in prep- araTiOn Tor TuTure public cOncerTs. ln Order To achieve advancemenT in The arT OT playing, a challenge sysTem was used as in previous years. According TO This sysTem any player in The band may challenge anOTher player in his Own secTiOn. Mr. Lowell selecTs The music which The sTudenTs will be required TO play. A weelc's prac- Tice is granTed TO prepare Tor The presenTaTiOn beTOre The day OT iudgmenT arrives! Each nerf vous sTudenT plays The crosen selecTiOn, Then The One who does The besT is awarded TirsT chair, one OT The highesT honors in band. This sysTem OT challenging encourages a sTudenT's iniTiaTive and individual pracTice. 14 This year progressed guicldy and soon iT was January l9, The daTe seT Tor The TirsT concerT. The snappy sTrains OT The opening march, Gloria , gave an inTrOducTiOn which seT a pace Tor The lvlidfVVinTer COncerT. Special TeaTures OT The concerT were Two Trios Trom The band. The Two groups were The corneT Trio, cOnsisTing OT Denny Kemp, KenT Davidson, and Don Same uelson, who played Bubbling Brass , and The TluTe Trio, composed OT Jean Johnson, Janice Hayward, and Nancy Earley playing l:anTasy Tor FluTes . A march eccenTric enTiTled Gun Smoke changed The mood wiTh The sound eTTecTs OT gun shoTs, galloping horses, and wesT- ern rhyThm. The sOlOisT Tor The aTTernOOn was Janice Cummings, who played a saxophone solo enTiTled Saxene . The mOsT diTTiculT number pe-rTOrmed was a band TranscripTiOn by Bach, Prelude and Fugue in Bb Minor . The lasT number OT The concerT was a TavOriTe march OT
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Page 20 text:
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As voices raise in ioyous singing, the many hours of practice and hard work of choir members are revealed to the public. Membership in a Cape pella choir is an honor and privilege given to 'lhose who show special interest and talent in vocal music. Participants desire to learn more about tone and pitch qualities: however, these basic interests are only a part ot the entirety oi music. Better character trails developed and mainlained throughout the year are seriousness ot purpose, initiative, and perhaps the most vital, the feeling ol responsibility for the choir as a whole. Special robes are worn by members, malcinq the music of this closely knit group even more impressive. The choir lakes part in all productions of the vocal music department and usually presents the highlight ol the various programs. This is illus- trated by the choir's interpretation of the Christ- mas story, given during vespers in December, and the Song of Easter , composed ot Negro Spirituals, which was presented at the March Show. FRONT ROW: M. Smith, C. Messer, D. Samuelson. M. Stewart. ROW 2: P. Kayser, J. Stewart, C. Russell, D. Morrison, M. Solheim. ROW 3: T. Cook, M. S. Horton, E. Boos, P. Lee. ROW 4: V. Langner, D. Luckman, L. Davisson. ROW 5: J. Russell, J. Cummings, S. Sheckler. ROW ti: C. Abbott, C. Riggs, D. Bekel. ROW 7: D. Allen, J. Cole, J. Reynolds. ROVV 8: B. Swanson, J. Orncluff, L. Beckman, D. Stc-wart. ROW El: IB. Campbell, I.. Robison, D. Hornbeck, C. McCabe. i ll? lx mums.-. ss
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