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Page 33 text:
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KEY s mm ssfsisfsgigig Sas sewage ess 35 925552 s 5 55 Qs: 2 aaa 'li ll lil 175 S25 E5 if 'ses ,f srsssssssn ,ff Q? O 1 -sr , R595 su ji HI jj -yggsm, 3 Y swf: ki 4- 7 --p JN he if ,N , 'Q f ws H J Q f 'flm S-'-:NICK MDR,-XL, OF lf Evander s famous lsbrary murals depscfsng fhe hssfory of csvslszafson are soon fo be rsvalled sn fhe College Offsce by colorful and modernssfsc new pasnfsngs by Evander s famous Arf Deparfmenf The sfory begsns on fhe soufh wall where we see groups of boys and gsrls sn orange and black head gear exclasmsng enfhussasfscally over small phofos whsch we recognsze as ORIOLE proofs Then we are shown fhe collecfson of dues sn a fypscal Sensor class The freasurer walks up and down fhe assle wsfh oufsfrefched palm apparenfly pleadsng and calolsng wsfh sndsvsdual class members Please pay up' she seems fo beg fhem They furn fhesr heads lower fhesr eyes or concenfrafe on solsd geomefry A gayer scene follows Sensors sfruffsng along fhe corrsdors recesvsng looks of homage and awe from lower classmen Sensors laughsng af fhesr own brsghf responses fo fhe frsghfened querses of Freshses There follows a group of Sensors sn com msffee meefsng Some are ssffsng falksng fo fhesr nesghbors a few are sfandsng ome are rasssng fhesr hands whsle ofhers seem fo be shoufsng The chasrman franfscally pounds for order The sfory confsnues on fhe wesf wall where solemn scenes follow Seniors benf over exams: Sensors, yellow reporf cards sn hand, wasfsng sO fhe Guidance Counsellor: Seniors crowding info fhe C-5.0. sfore fo buy Regenfs Review Books: Seniors wifh worried faces and fired eyes: Seniors inferviewing fhe College Adviser: Senior parenfs waifing for fhe Dean. The easf wall is gayer. Seniors in cosfumes, fhe resf of fhe school wafching wifh admirafion. Nexf, Seniors dancing gaily in fhe gym: fhen Seniors on fhe audiforium sfage presiding wifh dignify af fheir own as sembly. And here is Class Nife players, aufhor and composer faking applause. And fhen fhe Senior Prom, wifh boys in dinner iackefs and girls in fashion plafe evening gowns frying fo look sophisficafed. And now we see ORIOLES being handed ouf and passed around fo be signed. And af lasf Seniors in caps and gowns marching up fo fhe plafform fo receive fheir diplomas from Dr. Alpern himself. 0 if-5::1f 1 p 'ildx i E I:-.1 I' L--P L iff Z A4-ls ' ,.,, , ' 5? v- e rse Es, as ss-Jw sm . l' ,M El El s ' ' Es HA Q4 ' H... - 2 - - . ,, Lu: 11 .. -H I' -.ssssssssms K2 N- N. E 9254! 'ff 5 21 qi -JE., L1 E 1 Ea F53 -J 17.-5-Tau z .wifi . -f... K 'waz E :gg-z:::: 1 A i E t5,R,',29.. 1 1.-, Tm' 5 s ,7,-,ir-4.3 Y' 'a rg,-ig . '.., --5 if , s ,sighs-55:5fzmgism-yn ... liilayssy -.,.,sl, - , 'EZ 4,5 .Af If :-' . .' my 2' - .wen N 1 5 v, , y a-V'--1 JW , f . df , ,E N . ,EI B -2. Q 5 5- 2 ,QQ M, f if ' qf . fl. , ,: V W . L , -1 . s' sts. -.5 sf f or ' z' 'S' : sbt WST , v.'-inks f -A is ,T 'A V s '.,,,' 9, , , s JA' 1 J,fqillf1,' ff5s .fs -! 'N' R l g fsffffgii g .j il ,Q . fglj ' L, 4 If 5. 4, -:j ' T , , s' . ' 'P -V ' ' ' 1 . s , A ,JV 's J ,sw ax s--- as l.,C,-,h9s ., ,J s , 5 . y y I ,.xg T Sk ' fs s-- . 1 W N , 1 ess, I I' 1 P' P S 5 x x 1 , . . . . . . . . . . . . . . . I . . . . . . . . . . . . . . . . . , . ll ll l I . . , , . . . . . . i . . . . . . . . . . . . ' I . . . . . . , S , . . . . . , . . . . . f r
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Page 32 text:
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'rhey are In a marble +rIo wI'rh lra Lyman who In days gone by was Ari' EdI'ror of fhe Brldge The +rIo IS enhlled Crealors Thelr fruends Elyce Nafhan and Phyllls Schaff recogmzed by arhsls and arf crIl'Ics 'rhe world over are here In sculplure 'foo Nohce our Mlchael Bonan+e good old Muke of +he llcorlce shck who domIna+es 'rhe corner He s now famous In Cafe Socuely for has muslcal abIlI+y The graceful dancer near hum IS Naomu Semsker composer and choreographer for fhe Muslc Hall Thar Imposmg figure over fhere IS Elame Flshman Semor Class Secrefary whose perennlal nofebook and pencll are now parl' of The bronze cas'I' Lookmg over her shoulder IS Lydla Morra Class Hlsforlan for whom an exlra hugh pedesfal had 'lo be made +o enable her 'ro be seen by her fellow OHICSFS Poor Lydua shll of fhe wrmkled brow' Her presenf gob IS lookIng up hIs'rorI cal fac+s for +he AAA s yearbook And here IS fhe sfalue of Eddue Hol lander noled ac+or posmg as In has semor play w fh lovely Sylvua Glasser a+ hIs sIde They sfarred lasi' season you remember In 'rhe Greal' Amern can Drama Tolerance whuch was wrIHen by Renee Knower once edI+or of fhe BRIDGE Thus handsome por+raI+ In marble IS Marzo D Onofrao lhe wrI+er Thousands vIsI+ 1'hIs gallery every week Iusf +o VIEW hls face and figure as you see 'rhem on 'rhe pedeslal Thai' s Dale Nash In +he nex'r nook a amous columnusl now ln +ha+ alcove IS The marble grouo enh+led The ElI+e Carol Goldberg and Cen' ochnaplk renowned s novellsls wI1'h +heIr Illusfrafors Glorla Chambers and Helen Schwarlzberger Look a+ fhls group of women alhlefes Selma Grosskoff Selma Schneuder and Ann Johnson demonsfrahng arm movemenrs And lhere In regal lookmg robes IS Marguerlle Maur gIf+ed sInger and orafor Thus conspucuously beauhful and well proporhoned young lady In a Sherlock Holmes hal carrymg a magmfymg glass In her hand IS +he sculp+or s Inrerprefahon of Elame Klebanoff our F B l agenl' who won her fame In 'rhe Hervey Bureau al' Evander They say she plans fo s+ar'I' a defechve Bureau of her own There s Rosalmd Wennfraub In doclor s cap and gown presIden+ of 'rhe Alpern Dnefehcs College Malor Evelyn Pllsknn IIQA In charge of our Army Nurse Corps srands saluhnq General Frank OI6mm6f+IhO Chvef of S+aFF Enough for 'rhe sculplure of fhe Alpern Peruod And now ladnes and qenflemen lei us pass on lo fhe Cublsl' and Surrealvsf Schools I I I I I I I I I II II I I I I I I I I I II I I I I I I - I I I I I I I I I ' v I I I II I I I I I , I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I ' ' I I I . - I I I I I I I I I I ! I I I I - I I ' ll ll - - - I I I I I I I I ' I I II I I I I I I I ' I I I I I II i I I I II I Iv- I I I I . I , E- I I I I I I I I I I I I I - I I I I I I I - I . I I I I I I I I I I I I I I I I I. , I I I I I I I I I I I I I I I I I I -- I I , I I I - I U 1 I I ' I I I . I '
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Page 34 text:
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