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Page 22 text:
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Mama Comes To Life 1 hen director ludith McLaughlin selected I Re- ' ' A memberMamaforthis year's fall play, she was not fully aware of what was in store for her. However, she replied, there was an artistic challenge for every actor to bring their part to life. As the scripts ar- rived, she then noticed the numer- ous scene changes, thirty to be ex- act. The talents of the technical crew had to be put to the test, for the many scene changes posed a few lighting difficulties, all of which were resolved. The properties also had their work cut out for them as they had to deal with moving sets around between scenes. A change was made in the number of performances given. Usually the play runs three nights, but due to the amount of work put into the pro- duction Mrs. McLaughlin added two more nights. Also a factor in this de- cision was that in the past the fall play has drawn sold out audiences, so with the addition of the extra days, attendence would be even better. When asked her views on the play, Mrs. McLaughlin replied that the cast did a remarkable job and had the highest praise for props and characters. Sam Pantalone, who portrayed Uncle Chris had this to say about Mrs. McLaughlin, Her atti- tude of professionalism makes us feel like we really accomplished something. QV. Above Center: Iohn Meyers listens intently to the overbearing Uncle Chris, played by Sam Pantalone, Far Above: john Meyers and Nancy Shimonc-k exchange hugs after a suc- Activities ' Fall Play cessful performance. Above: Sue lazbec ex- pounds on the virtues of a cat during one of several performances. The fall play ran on No- vember 12, 13, 19,20 and 21, gi.:
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Page 21 text:
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The Marching Band lines up to entertain Euclid fans at a,Friday football game. O Q C D G 5 n FV 6 , .5-jill-ii!! . V-Y'-rr. 1- 1 . ,,!,x,' in 1. . 4 I-4 L fqsg '::f': Zu- my L lrfnhf ll,1lv:'QYrA I . 'fi .Y Aqsei 'vit' 1 . 1. - 5 f? 1 f Q ,lf f 1 f1' -f s. ' I ' ' 'IAA lftl A lay N F1 1 3' .I J 1 V 1 . X . F . . wax fi fi , A s 'fri L Where. Q .' i jx i p :, LX .1 l,... , Y 1 -L 4 ' yi Ax It it .. A .1 ' H M ., Q V v H I .K .H b ' Nj' A A A A A ls I M I' . 'v V . v uv 11-u -wfdbb Vw bw' 'u 'QU '14 21.1 - W , X Above. MARCHING BAND. Bottom row. Q 'N ' 4 I. Bisbee, S. Pantalone, R. Solnoski, D. Kos- I N - 5 5: ye ten, M. Stokes, M. Spehar, I. Broa, G. Bro- ,K S .. x ,QM-iw 5 chak, I. Evans, I. Tekanic, M. Price, D. Swi- ' 4 W hart, G. Sari. Row 2: L. Haverlock, C. 0 QQ: X li QA Thomas, C. Hoppert, M. Segulin, I. Stevko, 5 , i i ,L Q R. Virant, S. lvancic, I. Vislocky, R. Bierer, . ' t-- N S Q by 4 N. McCourt, I. Davis, R. Mazzaro. Row 3: 'I X, 2 E f S?3l E. Noble, I. Stokes, A. Serra, W. Grubb, D. .Q Hitt-'Re ' X - Katcher, E. Wilson, D. Myles, B. Kelly, M. we X' ' v , 5 -A Kristoff, E. Lackner, R. Braidich, P. loksmo- I 4 A '-'- Va vich. Row 4:F. Taddeo, R. Englebrecht, D. X--N ' W QF ' jf' -ff -:gm 5' Svigel, M. Risko, V. Penny, A. Mulraney, S. 1 in -, . .X .,., , , Xb:'b 5 Burton, T. Furlan, M. Bratton, C. Erdelac, sr , .Rx 1 Q .,-. ' D. Spaur, E. Martin. Row 5: A. Sydow, A. W . I , Powaski, S. Hoffert, D. Theodosion, E. Te- ' W 3 pley, D. Francetic, R. Cubitosi, B. Spaur, C. ' ' Benedum, L. Testa, M. Minerd. Row 6: A. l A Geddes, S. Archacki, A. Yuhas, S. Miller, R. Scherbarth, C. Coyne, C. Penny, 1. Sustar, R. Meyer, C. Brocone, I. Cable, M. Lausin. Row 7: M. Penko, L. Burtyk, K. Pickel, K. Cook, I. Davis, L. Ziehm, L. Leeper, 1. Of- ferle, R. Mazzaro, S. Tucceri, A. Hennesse, K. Harrah. Row 8: A. Ohanessian, L. Elze, L. - t ,,- Galer, K. Davis, M. joyce, M. Senitko, G. ' lf. H' Holland, S. Drienka, L. Wudy, V. Ukmar, I. Minerd, S. Tice. Row 9: S. Schieman, K. Mihok, M. Ubic, T. Zakraysek, H. lones, D. Kacperski, S. Braidich. Row 10: S. Ochoa, R. Ochoa, B. Thornton, L. Brisbine, Z. At- kins, l. Larkins, S. Campbell, C. Trevarthan, 1. Sauerman, A. Chanakas, B. Champa. Left: Sam Pantalone leads the band in a practice section. Marching Band ' Activities I7
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Page 23 text:
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Far Below: As Chris Montana looks on, Keith Lexa, Randy Salter, and Pat McLaughlin, busily construct one of the many props used in the Fall Play. Below Left: Shirleen Nurmi's job was made harder by the increased number of per- formances. But with solid memorization and ,,lBL W-mimi-it hard work, her portrayal was successful. Be- low: Much hard work at dress rehersal had to be done to produce the play. Actors Al Pon- sart, Maria Silhammer, Chris Montana and lu- lie Powaski stayed for at least 212 hours alter school each night practicing lines and Coordinating the scenes. .4 . X 's . - ,xx-w .1 Q . K, f Y l ,f- K
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