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Page 46 text:
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MAKE-UP CREW, FRONT ROW: Anne Carroll, Julie McLandress, Jennifer Hull, Jill Kerr. SECOND ROW: Rachael Mullett, Raleigh McGee, Trinna Frever, Amy Bowen. STAGE CREW, FRONT ROW: Sue Lamson, Becky Taunt, Jenny Voorhis, Lynn Willhite, Nancy Walsh, Pat Williams, Carol Sonquist, Julie Jollife, construction crew head Kevin Salley, Keri Mangiapane, co-paint crew heads Liz Salley and Brenda Wine, Elaine Glotzhober, non-member, Hugh Sullivan, Yuko Maeda. SECOND ROW: Bill Bird, Vicki Upham, Beth Zorn, Julie Reilly. Maria Karibean, Sarah Trerice, Ann DeLorenzo, Miranda Beebe, John Sucher, Christina Doyle, non-member, Lynn Sherwood, Ann McElfresh, Sarah Babb. THIRD ROW: Joel Walter, Brian Shepard, Mike Winters, Stephanie Ritchie, Peggy Phelan, Patty Grant, Brian Mackey, Mike Beliasov, Sue Bust, Cherie Bert, Liz Krebbs. FOURTH ROW: John Tholen, Wendy Lofgren, Erica Eichleay, Sue Holmes, Karen Moscow, Karen Hasenflug, Wendy Miller, Missy Schneider, Ann McIntyre, Cheryl Yardley, Alison Crabtree. Mary McCrae, Mary Osswald, Beth Snyder. FIFTH ROW: Wayne Laakko, Cynthia Deck, non-member, Peter MacGregor, Jeff Branstrom, Alan Neally. 42 OKLAHOMA! VICKI UPHAM MEASURES the width of a flat covered with muslin in order to cut some wood to use for extra support. t ff' .ft 1 , I ML S'E,,,:,, ,
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Page 45 text:
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,,, X at NNI-It g R .M W Xe - was I. 42515, 5 . sae is 1 x ' x . . I Q, ng X N XX sx DAN YURAGAITIS WHO HAS di- rected Oklahomal many times before works closely with student director Sue Mazer whose main job is communication between direc- tor and cast. PRINCIPALS, FRONT ROW: Lynn Sherwood, Andy Jordan, Doug Netzloff, Pat McHugh. SECOND ROW: Lynn Hansen, Matt Hook, Melanie Hansen, Jim Link, Tom Fiscella, Jenny Whorf. SINGING CHORUS, FRONT ROW: Ted Halbert, Christina Sica, Adelle Crawford, Martha Kamp, Becca Bahr, Greg Jones. SECOND ROW: Sheri Metz, Rocky Roland, Shari Meisel, Maureen McLaughlin, Kathy Lichty, Kristin Matthews, Lisa Tanke. THIRD ROW: Heather Braun, John Krietz, Mary Emerson, Linda Clayton, John Skinner, Kirsten Agresta, Amy Mayhew. FOURTH ROW: Ed Neally, Jaema Hook, Karen Finkbeiner, Charlie Frederick, Pat Williams, Dan Jackson, Sue Macey, Laura Stapleton, Pat McHugh, Steve Wiczek, Peggy Rehfus. 1 DANCING CHORUS, FRONT ROW: Sandra Wente, Alice Zaehringer, Elise Nigro, Amy Shell, Ann Hess, Michele Bacon. SECOND ROW: Brad Kasselman, Ben Davis, Steve Schutte, Julie Chiodo, Judy Petrella, Justin Mirro, Maureen Cavanaugh. THIRD ROW: Pat McHugh, Ted Halbert, Judy Schlussel, Glen MacDonald. Kristen Hoke, Buffy Martin. FOURTH ROW: John Krietz, Charlie Frederick, Jaema Hook, Dave LaMarsh, Frank Plonka, Kurt Kruger, John Skinner. OKLAHOMA! 4 1
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Page 47 text:
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FIRST YEAR STAGE CREW member John Tholen receives instructions from construction crew head Kevin Salley to build what will be the front porch of Laurey's house. THE USE OF MUSLIN makes sets lighter and easier to maneuver. Junior Sue Holmes sews together some strips of muslin that will later be stretched over a frame and painted. What really goes on behind the scenes of Oklahoma? Hammering, sawing, drilling, painting and a whole lot of fun. It's not the hard work that brings me back every year, comments co-crew head Liz Salley, it's the fun. the people and the feeling of accom- plishment on closing night that make the time and effort worthwhile. The 1984 stage crew blended together with the props crew to form one large group. In charge of construc- tion was Kevin Salley, and paint and design were taken care of by Liz Salley and Brenda Wine. Each of the three co-stage crew heads returned for their second year as leaders. This is very unusual since only once before has a student become a crew head before his senior year. As Brenda Wine put it, 1 feel last year was a great learning experience, and we'll be sure not to repeat any of our mistakes. A PRIME CANDIDATE for ap- pointment to crew head in 1985 is junior Wayne Laakko who showed great potential for leadership from the first day to the last. USICAL The major set this year was Laurey's farmhouse with a large front porch and second story windows in the back. Other large projects were a surrie with fringe on top, and Life size, realistic trees and cornstalks. Two members of last year's props crew, Stephanie VanHorn and Mindy Chew, returned to organize the props for Oklahomal. Butter churns, brooms. picnic baskets, and schythes and houes are just a few of the props that needed to be collected. Supervisor Mr. Tall added artistic sophistication and fresh ideas to bring a little bit of Oklahoma to Wagner Auditorium. Make-up crew is another important factor of the musical. The crew meets several times to learn how to turn high school students into elderly citizens of Oklahoma or love- struck farmhands. Like the entire cast and crew, they get a couple of dress rehearsals to practice what they've learned and then are put to the test on opening night. It takes alot of cooperation between cast and crew but it's worth all the work to carry on one of Seaholm's finest traditions. O BERS 6' . . . it's the feeling of accomplishment on closing night that makes all the time and effort worthwhile. ' ' OKLAHOMA! 43
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