Emmerich Manual High School - Ivian Yearbook (Indianapolis, IN)

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SS W Sm MT. ETNA. FREE-HAND DRAWING. [From Virgil ' s iEneid, Book 111,570-582.] Close to the roaring Charybdis and all its dang ' rous surroundings Shores of the workmen of Vulcan lie low ' midst their turbulent neighbors. Here is a peaceful port far from the access of wind storms, While in the distance Mt. Etna groans in crashing con- vulsions; At times it sends forth clouds wreathed in absolute blackness, And glowing balls of fire which kiss the stars in the heavens. Then, after brief recreation, it bursts forth again with great splendor, And, in its thundering upheaval and tumult of angry destruction, Rocks and melted lava are cast to the earth in their ruin Till the huge mass of the mountain seems boiling from ' neath its foundation. Here, from report of the ancients, entombed by the missile of great Jove, Lies the large frame of a giant coiled round in the fur- nace of cinders, While lofty Etna, enraged, breathes forth dark smoke from its nostrils, Veiling the face of the heavens and making it droop in its sadness. Then in its loud fits of laughter it quakes both the land and the ocean, Passing a farewell greeting before it in silence reposes. John F. Engelke. fTMTE drawing department is splendidly X located. It occupies three rooms on the second floor of the technical building, taking in the whole northwest wing. The north room is for the beginners. It is well lighted by five large windows on the north and two on the west, all equipped with shades. This room is splendidly furnished. There are a multitude of casts, most of which are of the simple kind, such as be- ginners would use. At this season of the year, however, natural plants and flowers take the place of casts; studies in nature being preferred even to our fine models. On the walls hang the drawings and paintings of the pupils. They serve as decoration, and at the same time show the visitor the character and excellence of the work done. Across the hall, on the south side, is the room for advanced students. The thing that strikes one most forcibly on entering this room is the profusion of casts. Although there are so many, they have been placed with great care and taste, and

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24 MIND AND HAND. of sight translation, when every member trembles as he thinks the next turn may be his. The teacher, however, thinks this the best of all drills, to which the pupils reluctantly assent. The question often arises as to Avhat good the study of Latin does, and many persons doubt its benefit. But he who has entered it with the right spirit feels that nothing is of greater value. It gives a wide knowledge of the world ' s life and history; it furnishes an insight into the beliefs and customs of the classic age, and the character of its people; it also brings that refinement and culture which the study of any great masterpiece ever must bring. In addition to this, Latin is a valuable aid in the study of English, as almost half our words are derived from Latin roots. The study of this language, which is much more accurate than our own, furnishes an excellent drill in the concise and accu- rate expression of English, since there is constant practice in rendering its idioms in clear and polished English, and care and judgment are required in the choice of words to express the exact thought and to avoid awkward repetitions. Aside from these incidental benefits, the chief reason for studying Latin is that which is gained from the Latin itself. Barring the pleasure which it gives one, the study of Latin is as efficient as that of mathematics in developing the mental power and promoting clear and sound rea- soning, while no other subject plays so im- portant a part in training and strengthen- ing the memory. Katie Kiefer. SEWING ROOM.

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26 MIND AND HAND. the room has a genuinely artistic appear- beautiful Venus; Michael Angelos ' Moses, ance. a majestic head with high, noble brow and These easts, scattered about so profusely, face, half hidden by the long beard. represent the best in ancient and modern art. The Winged Victoiw stands high over our heads, as if in triumph, with one foot slightly forward, her draperies floating about her, her whole form instinct with life and grace. There is Donatello ' s Madonna, with the sweet, sad face; the There are the wonderful Greek statues, the Dying Gladiator, Hercules, Discobolus and others, embodying the Greek ideal of a pei ' fect human form. Our collection of casts, both in number and artistic finish, are said to surpass those of most schools. In this room, where there are the more difficult studies, the arrangements for light