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Page 33 text:
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Class Prophecy seem to be listening, is softly humming Abadaha Honey- moon. We recognize these two immediately as Barbara Cook and Barbara Ritter. Now we turn to another familiar face, a very well-dressed, glamorous woman walking beside her distinguished looking husband and surrounded by their six children. As she draws closer, we recognize her as the former Sally Naylor, now the wife of the U. S. Ambassdor to South Africa. In the rear of the theatre, a chorus of Happy Birthday, rings out. It seems that .Ioan Franklin is having another of her fabulous birthday parties and has brought her guests to the show. She is now a well-known fashion co-ordi- nator, and the originator of the newest new look, baggy skirts and sweaters and turned up socks. The orchestra begins to play, and the curtain rises revealing Slim Horney, the red-headed torch singer, who has every man in the U. S. sighing. A popcorn vender hops up and down the aisle selling her product and yelling, C'mon, folks, buy your popcorn heref, The voice is recognized as that of Ann Tucker, who has graduated from the baseball field to the theatre. And now the play is over and everyone is going home. As I step into my cab, I hear a familiar voice. It is Judy Yeaton, who rushed up to tell me that she has just received her fifth degree. So far, she has at- tended Vassar, Wellesley,' Smith, Bryn Mawr, and Dartmouth. My companion for this evening, Barbara Roop, has followed in the television footsteps of both Ed Sullivan and Milton Berle. She gave up her world- syndicated column to become the new Tuesday night hero of the kiddies, Aunt Barbie. Be sure to tune her in next week. E291
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Page 32 text:
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Class Prophecy It is the year 1970, and Broadway is bright with the lights heralding the opening of a new hit comedy, starring Betty Seibert, the lively comedienne, who in real life is married to her third and, she says, last husband. As the curtain rises, Miss Seibert and Miss Bobby Hood are doing a duet, a sister act. They were once told that they looked alike, and have been acting together ever since. From the orchestra pit is heard a brilliant piano duet by Misses V. Byerly and S. Egan. They have been playing Jamaican Rhumba by request for so many years that it is now the only thing they can play, but a great many people still seem to like it. And now a new comedy act comes on. It is billed as Hinkel and Silvis, and as a starter Betty Lou crawls onto the stage with her eyes crossed singing Ellis Hear Us. Pat covers her face to hide a grin, and they begin their sad little song, The Whole World Hates Me. Sud- denly a hush falls over the audience as down the aisle walks the renowned artist, Madame Claire Fredette. She has just returned from France, where she witnessed the hanging of one of her paintings in the Louvre. She is now very prompt and would have undoubtedly been on time if it had not been for her protege and lady-in- waiting, Cisty Blair. She has the distinction of never having been on time for anything in her life, and it is rumored that she was so late to her own wedding that her tall English fiancee gave up, left, and was never heard from again. During intermission, we overheard the conversation of two slightly greying old maids. I had a friend who sang that same song much better at the Met, the baby- fa-ced old lady is saying. Her companion, who doesn't i281
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Page 34 text:
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Class Will We, the Class of 1951, do hereby make our last Will and Testament, and revoke All Wills by us at any time heretofore made. We give and bequeath our personal effects as follows: Clara Blair and Barbara Ritter leave a box of Saltines to Mrs. Zirkle. Ginny Byerly leaves her Latin notes to Roberta McSorley. Barbara Cook leaves a broadcasting system to Margot Copeland to use on mornings. Susie Egan leaves the remains of the poor driving pool to Becky Byerly. Joan Franklin leaves her parties to Marilyn Crawford. Claire Fredette leaves her free week-ends to Ann Copeland. Pat Hinkel leaves her calorie counter to Becky Byerly. Bobby Hood leaves her Tech stickers to Marion Clifford. Monday Carolyn Horney leaves a dog to Louise Mulert to keep her company on the way to the dentist next year. Sally Naylor leaves a magnifying glass to Gretchen Gantner to help her fi for the Patchwork Barbara Roop leaves her Fox Chapel taxi service to Norina Dorbritz. Betty Seibert leaves her over-sized shirts to Carol Kumer. Betty Lon Silvis leaves her cheery morning rides to Louise Mulert. Ann Tucker leaves her picture of Liz to Judy Cohen. Judy Yeaton leaves her conquest of English to Norina Dorbritz. Signed by the above named testators by their mark, the testators having declared their inability to write their names. 4 X E301 nd gossip
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