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Page 25 text:
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Patty Bane, ia the predicament of 2 brother Mike Bane. painfully pleads to the public her pitiful plight. White giving his annual company report, the trea- Ina the Six Million Dollar Man (Rod roret Gon Fiediy), auntie, uak, rambi on Morgan) leaps from the operating table as the cast and generally makes a mess of things. ws wwe and wonder. 21
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Page 24 text:
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Mio,ne, “Tonight on the Money Program we're going to look at money—Iots of it. Some of it in nice piles. Some of it neatly coun. ted into fat little hundreds. Nice, crisp checks—purged pieces of copper coins thrust deep into trouser pockets Thus began Memorial's annual Read ¢f's Theater Production, “Money Talks”! There were three dance numbers, “Pen- nies From Heaven.” “Big Spender”, with speaks ont: ! , Carol Hansing singing a solo. and “Money Makes the World Go Round™ from Cabarer, which was the finale. Some of the highlights were “How to Make Money”, with the entire cast being printed, checked and cut; “The Market.” with excerpts from the musicals “Porgy and Bess,” “Brigadoon and Oliver; Cam Findlay giving a company financial report: and Bruce Dean (as Judas), Don was the most dramatic in Weaver. Dede Forester, Linda Krause (as Pharisees) doing a scene from Jesus Christ Superstar. Mrs. Jack Strain, director, said “Read- er’s Theater gives me a chance to do something different and gives the kids a 5) chance to be in theater that they otherwise wouldn't have. And it’s fun. And they're (the cast) creative.” 1 don’t want your blood pleads Judas 10 the Pharnees This piece trom 2 fesus Christ, Superstar show. Neale Alick is asked “Penny for your thoughts™ by Karen Onowski ax they ple of “one-liners™ money. ‘on slage. This is an exam-
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Page 26 text:
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Evenone in wep and misc towne It'S more than song and dance That was what the audience saw and heard during the performance of Kaleido- scope. What they didn’t see or hear was all the practice that went into the making of the show, the hours spent planning it, along with all the work that went on back- stage Varsity Singers, who were featured in Kaleidoscope, had a class in which they learned song and dance routines for school productions. Although the Varsity Singers used the class, it was not enough There were also hours of practice after school and on weekends. Adding to Kaleidoscope and backing the Varsity Singers, the Jazz Ensemble orchestra, and drill team put in a similar share of hard work to make Kaleidoscope a success. Costumes in Kaliedoscope had to be sewn and alte red. Mrs. Mary Lou Massey and Mrs. Betty Beaver did the sewing Crew workers set up the lighting and sound for the big event Lighting played an important role in Kaleido m Goldy and Rowe work with the li make sure everything is perfect. also played backgi tainment” section of Kaleid Working with the drill team, Roberta Litherland explains ep to be used later in the Star W
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