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Page 21 text:
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fs fefvfw as nmifzzcffzz swag fe S-N 1... .2 fl- aa.: ' V S Glass fprophesig We went down by Pluto's inferno, To see our classmates there Some were shovelin' coal in the furnace How we laughed to see 'em cuss and swear. The first person we encounter is Russell Evans. He was usually first in every en- terprise on earth and he keeps up his record. He was such a good student back at E. C. H. S. that we fail to see why he should be made to answer silly questions till the end of time. His blond, bespectacled questioner looks strangely familiar and many of the questions are en francais. What horrid deeds did Teen-da, Maret, Glenna and Susie commit? Our sweet candy girls must stand here eternally and implore little boy spirits to stop snitching candy. But all their pleadings are in vain. Next we see through the mist and steam, Hugh Sawyer, known on earth as Tubby. As soon as we come within his range of vision he greets us as joyfully as a spirit could greet mortal visitors. His punishment, he tells us is lending notebook paper to boy spirits. Not a single girl among them! He drys a furtive tear at this point. Dora, Margaret Simpson, Ida Catherine, Mary Frances and Mary Heath play a never ending game of basketball with some Hertford spirits who have the lead by only a few points. What a punishment! This looks pleasant. It seems to be a banquet scene. Not the one from Macbeth but the one of J. A. Jones. Honey Johnson is making an after dinner speech and he does not look exactly happy. Pauline Deans and Leon are among those seated around the festive board and they are supremely miserable because of their inability to interrupt. Rennie, Mary Raper and Ruth Davenport are as inseparable in spirit as they used to be on Burgess Street in the old days. As they pass we overhear allusions of Ubumming to Hertford. We stop them and they tell us that for the last ten years they have been trying to hook a ride to that fair metropolis but so far they have been unsuccessful. What is this fearful clamor? Thru the steam and mist gallops Pluto's mighty black steeds in gay trappings. They have been borrowed esp-ecially for this occasion. the driver, Sybil Alexander, tells us. She wields the powerful seven passenger chariot as if she were accustomed to it. She is accompanied by the girls upon whom we always depended to keep the class of '30 upon an even keel. Oh, how they have changed! ! Wilma Tillett greets us effusively and wants to know what we are doing in Hades in our mortal forms. We tell her that for years we have sought trace of our former classmates and seem to have at last found their rendezvous. Martha Berry sits in the back of the chariot, swinging her feet, and singing in a high squeaky voice that old favorite 'Tm No Man's Mama Now. Thelma Cartwright and Millicent Harris jump out and give us a demonstration of The Hades Hop which they have just mastered after a thirty day course. Hazel Silverthorne sits quietly on the floor of the chariot and slyly eats all the cakes from the lunch baskets. We think her punishment rather light until we remember that she didn't like pink frosted cakes. At this juncture Rachel Miller comes puffing up. She declares that Martha pushed her off the chariot as they were rounding a sharp curve. But her same old sunny nature overcomes any hard feelings and Everybody's Happy. with many good-byes and a couple of ancient Ntoodle-oos thrown in, they take their noisy departure. We proceed on our journey in a thoughtful mood. More than ever before we realize that it never pays to be good all the time. Just see what they received! As we stroll along Asbestos Alley we peruse the guidebook and find that the pun-
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Page 20 text:
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... - J ffoEfe5Yf2QefoiQffci51ffz6fEzVrfQ6t6fsfs .y c .y sy.e S i 1 ' l ..s W ' i ffff ' +' t -iff not fr ..l,..,:. 'A 'YN M LIU I ',,s'a ff- ' ' . '-iff'- If - ff -.-,X 'P..1 ..40fY?4f U.,-, ,-X I - N n 1 ,- Class Poem I The Good Ship '30 has conie to port: Its four year voyage has seemed so short. Our mates of the voyage are anxious to see How the haven of Graduation will be. II Our first year of sailing was peaceful and calm As lowest of gobs we labored along Taking our orders from higher men, And consoling ourselves with Just wait till when III Then we were promoted to second place And could meet our superiors face to face. IYe walked around like we owned the boat And made the fresh, green gobs our goat. IV Heave ho! me hearties we're almost on top, This advancement to third place will be our last stop Before we're shipmasters. Now heed each mistake Of those whose places we soon will take. V Then we began the east lap of the sail, Giving orders with strong voices, hearty and hale. And we almost regret that our voyage is near done, For it seems as though it has just begun- VI And now that our first voyage is complete, XYe've another to make that's a far greater feat. Behold, fellow shipmates, the Sea of Life! lYe must sail it in spite of its storm and strife- p VII So here's power to you all and of voyages the best Good shipmates of '30 of E. C. H. S.
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Page 22 text:
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Y, ,f -, .f Wea N U . 1' X f f L! Q X 'V,.!A I N, V my I xi.. grlrwrn vv'. V. '-,Ax' ' Y M A AY A A -Lx-AL Likilivi in Y 4' -HK? .345 ff:,,,.-nip, an V3 F -Ns Class Prophesq-Continued ishment influted on Mary Johnson and Clarine Bunch is that of typing exercises cor- rectly down to the last word and then, making an error, are not allowed to cuss a single damn, Now we reach old P1uto's kingly grotto. He is seated upon his throne, his sceptre in his hand. We are just in time for the kings entertainment. It is in the form of an acrobatic and dancing troupe. We are acquainted with many of them. There is a chorus of six consisting of Alice Woodell and Fish Harrell, Alice Barrow and Rayford Provo, Alice Davis and John Shannonhouse. Evidently ole Pluto favors the f'Alices. The King's favorite is seated on his right. She smiles and winks at us and then we recognized her as our class beauty, Isa Moran. From here we go on down Asphalt Avenue and at the intersection of Brimstone Boulevard whom should we see directing traffic but our own Rives Taylor. He is trying to settle a heated argument between two excited lady motorists. Upon closer scrutiny we find them to be Dorothy Hicks and Camilla Foreman. Paradise Park is the label of one of the busses passing. We catch it, interested to see if any of our classmates were able to make the grade to Paradise. We peek in the gate and over the wall, because for some unknown reason we are barred. We see two beautiful statues standing with crossed hands and uplifted eyes. No, they move. Bless our souls, if it isn't St. Nina and St. Bessie. We knew they'd get to Paradise eventually. Gee, there comes one of the keepers. Hope he wont chase us off the wall. He throws someone out on his ear. Sympathetically. we clamber from our perches to help raise the fallen brother. It turns out to be no other than Ruth Lane. But just why she should be thrown out of this heavenly place we fail to see. She carefully explains that she was only trying to get her some angel wings. She had been caught in the act of breaking into Wright Bros. Wing Co. We resume our seats on the wall and discern two spirits walking slowly toward us. They are reading books and pull little express wagons filled with books. Maret Winder is the one with glasses and the one munching potato chips so thoughtfully is her ole pal, Augusta Walker. Here comes a buxom milkmaid. She is singing Down on the Farm in a cheery voice. Yes, that's right it's Bessie Markham Lowry. Hearing a fluttering of wings above our heads we look up to see Helen Garrett and Margaret Lassiter flapping their great white wings violently. They are trying to set an endurance record for angels. They seem to have no trouble in staying aloft and look as if they weigh only a few ounces at the most. How different are the shapes which we assume when we dispense mortal upholstering. Elizabeth Greenleaf now claims our attention. We had failed to recognize her before because of her solemn features and her immobile position in a chair. We yell over the wall to her and inquire after her happiness and well-being. She informs us that because of her good works she was allowed entrance into Elysuuim but that she had been deprived of her giggling and still worse, she had to keep still. At this point she almost wept but we threw her a box of Animal Crackers and thus averted a calamity. We consult the guide book once more and, to our surprise, find that we have seen all the members of the class of '30. Our curiosity satisfied, we turn our weary footsteps toward the elevator. We punch the button marked, Upper World and soon we find ourselves once more upon the hotel corner. Feeling that we need refreshments, we repair to drugstore for well earned dopes. HELEN HILL SUZANNE MELICK
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