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Page 45 text:
musicians that New Orleans has pro-
duced, there is one that should not
be omitted in a discussion of New
Orleans music. Louis Moreau Got-
tschalk of Creole descent was born
here in 1829. Taken to France whenf
he was only thirteen, he studied in
Paris with Berlioz, and soon made
his debut, achieving immediate suc-
cess for both his virtuosity and his
compositions. The immortal Freder-
ick Chopin once predicted that Got-
tschalk would become the king of
Orleans the musical center of the
Southern -States, disappeared into
flame, smoke, and ashes.. It was
destroyed by a fire just a few
months after the death of Adelma
Patti the singer who was so closely
associated by Orleanians with the
old French Opera House.
At the beginning of the twentieth
century, a new type of music was
created in New Orleans by Negro
levee workers. This style, which be-
came popular about 1915, was origin-
ally named jazz. However, it might
have been called the "slang" of
musical expression, for like slang it
. .- N, is 'PST'-:-T..r' . " -"F
By Julia Hamrlck 4
EVERAL of our McMain girls had
the privilege of attending the
Opera Comique version of "Carmen"'
in an easily understood English trans-
lation. The Municipal Auditorium
was packed that April 19, and the
visiting troup of Columbia Concert
artists was well applauded .and en-
thusiastically received. The Bizet
music was beautifully rendered by an
orchestra of one-half local talent and
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pianists and be long remembered.
His compositions, like those of Chop-
in, are similar to the "local-color"
works of literature, for as their sub-
jects he took songs expressive of his
period-the Louisiana Negro and old
Creole melodies, and French-Cajun
folk songs. There are a great many
others who deserve mention--Ernest
Guiraud, the opera-writer Whose first
work was presented when he was
only sixteen 5 and Emile Johns, a
salon-music composer who won con-
siderable recognition for his "Album
Louisianaisn-but for the Amoment,
Gottschalk, the best-known, is suf-
Ten years before Gottschalk's
death in 1869, a building was erect-
ed five blocks from Canal Street, at
Toulouse and Bourbon Streets, that
was destined soon to become the
center of the social- life of New Or-
leans, and the most fashionable opera
house in the land. The French Opera
House Association, erected in 1859,
brought to New Orleans many fa-
mous European artists, who usually
remained here the entire season.
Adeline Patti, who toured Europe
successfully several times and who
was the favorite of everyone, was
just one of the many famous' sing-
ers presented-Mme. Urban, Mile,
Hitchcock, and Mlle. Calvee. Mlle.
Patti's brilliant debut, when she was
only seventeen, was made at the
French Opera House--not at Lon-
don, where she won international
fame a year' later, as it is so wrongly
stated. Among the many outstand-
ingkworks given their American pre-
miers here were: Bizet's "L'Arlesien-
ne," Massenet's "Herodiade" and
"Werther", and' Saint-Saens "Sam-
son et Delilah". After sixty years
that held war, peace, prosperity and
poverty for the South, the French
Opera House, which had made New
li-C-H-O-E-S ' Q. '
is constantly changing-first jazz,
then rag-time, the blues, boogie-
woogie, and swing, as it isnow called.
Popular American artists like George
Gershwin, composer, and Paul White-
man, conductor, have done much to
better jazz and its derivatives. Per-
haps some day it will be classed as
ffolkj music typical of the restless
spirit during the First world war
andthe depression which followed it.
In any event, jazz will leave its trace
on American music. ,
As a final word in this discussion
of New Orleans music, it can be said
that New Orleans is rebuilding its
reputation as a music center. For
ten years, the -New Orleans Sym-
phony has been giving winter concerts
to music lovers, and during this pe-
riod it has been constantly improv-
ing, both in musicianship and size.
The Opera House Association has
been giving many delightful per-
formances of grand opera with guest
singers of Metropolitan rank. The
location of the Summer Pop Con-
certs, which were given in Elk Place
just off Canal Street, has been chang-
ed to an even larger and better place
-Beauregard Square. All three of
these musical organizations have unit-
ed under the Community Music
Fund, which at present has reached
only sixty per cent of its goal of
S150,000. This winter season, New
Orleanians are looking forward to a
brilliant series of operas and con-
certs with many famous artists. No
longer will one recall ,the "good old
days", speaking of the French Opera
House, with sadness. The conversa-
tion will be of the coming perform-
ances, instead of the past ones, or
perhaps it will be of a new star from
New Orleans-indeed, the conserva-
tion might be of a new opera written
by an Orleanian.
one-half visiting musicians, and the
singers well-typed to their respective
roles. The cast included Mona Pau-
lee of the Metropolitan in the title
role, Edward Kane as "Don Jose",
Donald Dickson as, "Escamillo", and
Frances Yeend as "Micaela". The
distinguished Leopold Sachse was
stage director. "Carmen" herself
was lovely and talented, and gracious-
ly answered many well-deserved cur-
tain calls. Supporting artists, the
orchestra, ballet, costumes, and
scenery-all deserve a special word
of praise. 'As one of the world's
great masterpieces, "Carmen" is as
modern in spirit and as vital in music
today as it was the day it was writ-
ten, and its charm has not suffered
in the English translation.
Orchestra Notes i
Kathryn Kirst '46
MCMAIN'S orchestra under the di-
rection of Professor Carl L.
Kirst gave a concert on May 15
for the public. Such numbers as the
well-known "Voice of Spring" by
Strauss and a special string arrange-
ment of Dvorak's "Humoresque"
were included in the selections for
that night. "Le'Fileuse", a delightful
harp solo by Hasselman, was artistic-
ally rendered by Rosemary Stockton.
Viotti's Violin Concerto performed
by Master Carl Kirst was an added
attraction. Catherine Scblueter, the
featured vocalist, sang the very pop-
ular "It Had To Be You" and "You
Belong To My Heart". A chorus of
two hundred voices directed by Miss
Weiss gave Victor Herbert's "Thine
Alone" and Rob' Roy,Peery's "Amer-
ica, My Wondrous Land". Both pro-
grams were thoroughly enjoyed by
all. , i . K
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Page 44 text:
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ltriowing lt That night they quietly
slip the logs one by one out of the
lagoon, while the guard sleeps. O
awakening he sees Chris plowing
nolselessly through the water with
the last log. A flerce water battle
follows, but Chris is victorious and
the logs are saved
Q " Cornelia Meigs' keen interest in
United States history is manifested
in this novel as in many of her other
books. Although the main purpose
of the author was to entertain the
much interested reader, one also
learns a great deal about the hard-
ships of a steamboat captain and his
crew. In the conclusion, Chris re-
ceives his hard earned money and re-
turns to his waiting grandfather in
Vera Wright, 47.
Among the numerous characters IS
a tall heavily built man who had
beerrreared among the Indians and
who later struggled with the white
men to force the Indians to search
for new land on which to live. Angus
McDermott the light blue-eyed man
was hardly ever seen without h's
musket which to him was his only
means of protection while living' his
rugged life.. When he fell in love
with a young girl, his life did not al-
together change, but he did become
a little less adventurous.
An inspiring scene is one in which
McDermott searches for the girl for
whom he had a deep affection.
Earlier, she and her family were im-
plored by McDermott to leave their
home because of a neighboring un-
- " if
Nancy Phillip ' '46
NEW ORLEANS Amelica's most
- interesting city was once the
cultural center of the New World-
musically, the little Paris of America.
As, early as 1837, the first perform-
ances of serious opera in New Or-
leans were given at the Theatre d'O1'-
leans starring Mlle. Julia Calvee and
scoring immediately a 'tremendous
success. Yet even before this, light
opera, opera bouffe, and drama had
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, , ,Forty-1199 ' ' '
Shadow Of The
. Thomas Boyd A
ACCOUNTS of the early settlement
conflicts between the white men
and the Indians are revealed in
numerous booksg among this vast list
is "Shadow of the Long Knives." In
each absorbing chapter, we find a
story of fierce struggle between 'the
white men andthe Indians, and, ac-
cording to the author, the entire story
is a true history of early American
life, V 1
Nancy Phillips, '46
MR. WALTER HERBERT, general
director of the New Orleans
Opera House Association, has an-
nounced the soloists and operas se-
lected for this coming 1945-1946 sea-
son. The operas will be "Traviata,"
November 8 and 10g "Barber of Se-
ville,'?fNovember 21, '22, and 243
'fRigoletto,'? December 6 and 83
'iflanselland Gretel," December 22
and 235 "'Manon,-" January 3 and 53
"PagliaeEi" and "The Old Maid and
the.Thief,'l .January 17 and 195 'A'Car-
men," January 31 and February 23
friendly tribe, the Shawaneseg how-
ever, on their refusal to heed his
warning, they were subsequently
captured by the tribe. In his search
for Charity, the young girl of the
family, he was successful: she was
released to h-im from the Indian tribe
on an agreement. '
Thomas Boyd, the author of this
enjoyable book, probably wrote it to
improve the knowledge of those who
know little about early Americans
and to recount the feelings regard-
ing land settlements between the
white men and the Indians during'
those pioneer days of America. In-
deed, the romantic lives of two main
personalities prove to be most ideal-
istic and satisfying to the reader.
"Abduction from the Seragli0," Feb-
ruary 13, 14, and 165 and "Faust,"
February 28'and March 2.
The soloists include- a group of
Metropolitan Opera-singers: Licia
Albanese, Lily Djanel, Raoul Jobin,
Thomas Hayward, and Nicolo Mosco-
no. Others signed were Hilde Reg-
giarii, Ivan Petroff, Charles Good-
win, Eugene Conley and Jess Walter.
The latter three are returning from
last year's presentations. These fa-
mous artists combined with the
operas selected shall make these win-
ter concerts a notable 'season musi-
cally. ' ,
been presented. In the 1840's sev-
eral famous opera companies were
brought from Europe and gave at the
orleans, si. Philip, and st. Charles
Theatres, as they are now called,
many performances of creditable
opera. Records today show that
many an opera received its New
World premier at these theatres.
Three of the best-known of these
"first-performances" were Donizetti's
"Lucia di Lammermoorf' and Ha-
levy's "La Juive," which were pre-
sented respectively in 1841 and
to Lyle Saxon, New Orleans' favor-
ite. This is indeed ia remarkable
showing for the early eighteenth cen-
tury. ' '
Many concerts were given at the
St.- Charles Theatre from 1840- to
1855. Jenny Lind, the "Swedish
Nighiiiigiilf-i," and Ole Bull, the
violinist who was a friend of Edward
Grieg, were among the most success-
ful artists presented. Miss Lind's
success is evident, for the tickets to
her first concert were auctioned off,
the first one selling for 5240! In'
1853 Maurice Strakosch, who was
appearing with Mr. Bull, introduced
Adelina Patti, his protegee, who was
then but ten years old! But the best
and most famous of these musical or-,
ganizations had not yet been formed,
for the French' Opera House wasfnot
to come into .existence until 1859i-, Q4
Among the many' fine' recogniaeld
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Page 46 text:
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1 ' e rt Students Make Murals For Arm Air Base
THE art department of McMain
4- - -
1 .7 '-.
Q. f '
.Q , .
,rex .- fu
.. High School has always willingly
co-operated with requests of the Red
c Cross or any other similar organiza-
tion. Therefore it was not unusual
that, upon the request of the New
Orleans Chapter of the Red Cross,
the students eagerly began work on
a project' that would add color and
charm to the beautiful new recrea-
tion room at the Army Air Base on
Lake Pontchartrain. A
To the students, such a project is
not easily undertaken, and only with
careful planning and much study can
the many obstacles be elminated
and -the project prove successful. In
this instance many problems had to
be met and the students, with much
enthusiasm, prepared to overcome
The first of such problems was to
find an interesting as well as colorful
subject. When interviewed, Lieuten-
ant Conboy suggested that the story
, of New Orleans related on .eleven
murals, would be ideal for such a
room as the one to be decorated.
an Certainly the emotions of the many
4, - boys from hundreds of different
A """ i' ' cities could be stirred no more than
A ,ta 0 by a pictorial review of "-America's
H . a ' Y I Most Interesting City." Since the
. 1 ga ,I K i beauty of such-avtopic was evident,
1 T -H X it was with a unanimous agreement
H L 9 V ' AM from the class that the actual work
Tad! JP i':'g5,I -an :I "ii 1 . commenced.
- - 01 '1:iiQ.f,mf 'Q Qcifili i ' P' .History books cluttered the roomg X
-iss 'l L I " ' - J reference books were seen on each
. y i -3 5, A , if, ' student's desk. For many days the art y
'X 6 ,.. fu- : Q lu Vgjf , class was no more than a reading
T. 1 ' ff! 'N gf 'f is room, a library concerned only with
. - , ag., N J ,
f 1 fc , ': 4, ' l books about New Orleans. A list of
" . - 2 K A sub-topics was comprised and from
'. ' . "-cgt3i7:','.Iifg ' this each girl chose that in which
I " I f .. ' 'f -'L--C544 , she was most interested. Some se-
, - is lk I I lected dates that marked the history.
'. f .4 -'-' 'i, ' 5 of New Orleans, of the world. Others A 4
', 1 ' Q, . if-f ,ua 1 chose scenes that added color and l
, ---H----' L-I cu beauty to picturesque New Orleans. i
1 fi .,,-...LT--:Qi Each student busied herself with her '
RK , , i l -'L":'-:J NIMH- C 5 own choiceg each worked on the
HPV ' i 1 -L"--"'fHTT-"E ' L .7 mural she had planned, sketched, and
I - 'tfld Q - Q ' designed.
i if 1 l i W ui. 1 ol. If-5' Many weeks passed, before the 4
I0 X ::- 1 I: A X . I K AX: . bright colors blended to give the 1
3 'J ' l --- .- !W ED' slightest hint that the time of com- i
in 37 FD 1 -n-T I 'X f pletion was near. Gradually the
. '- 3.01 J ' K ' .
e A -. ,-.7 I N murals were put aside, for the work
A ,,.. I N' QC X ,, on each was ended.
X -' Ii 1 f f A quick review enables one to live ,
f 1 2 ww 'Rs V X in the world of the past, the world
1 X V 1 K ' X of glamorous fabulous picturesque
li x X ' i lp- New Orleans , i l
O ' , Q ' -f .- w ' .
,I J . X It is many. years ago. and- in the
'A X 4 , if.. f X most magnificent building in New
,. lg Z- ,- , -.ii Orleans Governor Mouton is enter-
' ' - -,L K 2 - 'X X taining. A great ball is given in honor
. --1 .l fi -Y 4 , - r A f. - of his inauguration and. the many
' 5,5 7 . 42. A G- " X aristocrats of the city crowd Hotel
M A p p W F- Royale's massive rooms and glorious
O f ' i 4,1 ' -': ' -3 " ' T halls with merry voices and elaborate
V 'ska O garments. In the background is seen
If I ' - ' ' ' ' i' f Yi the famous winding stairway, a gem
' ' ' , Y of architecture. This masterpiece, al-
Grand Stairway-St. Louis Hotel though partially destroyed pby -fire
.L Forty-four ' EC-H-O3EfS
' a 'Q' t "e' at L - ' 'l -"M:J.Qa2-QWTL1' ' 'l
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Are you trying to find old school friends, old classmates, fellow servicemen or shipmates? Do you want to see past girlfriends or boyfriends? Relive homecoming, prom, graduation, and other moments on campus captured in yearbook pictures. Revisit your fraternity or sorority and see familiar places. See members of old school clubs and relive old times. Start your search today!
Looking for old family members and relatives? Do you want to find pictures of parents or grandparents when they were in school? Want to find out what hairstyle was popular in the 1920s? E-Yearbook.com has a wealth of genealogy information spanning over a century for many schools with full text search. Use our online Genealogy Resource to uncover history quickly!
Are you planning a reunion and need assistance? E-Yearbook.com can help you with scanning and providing access to yearbook images for promotional materials and activities. We can provide you with an electronic version of your yearbook that can assist you with reunion planning. E-Yearbook.com will also publish the yearbook images online for people to share and enjoy.
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