Eleanor McMain High School - Echoes Yearbook (New Orleans, LA)

 - Class of 1945

Page 44 of 68

 

Eleanor McMain High School - Echoes Yearbook (New Orleans, LA) online yearbook collection, 1945 Edition, Page 44 of 68
Page 44 of 68



Eleanor McMain High School - Echoes Yearbook (New Orleans, LA) online yearbook collection, 1945 Edition, Page 43
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Page 44 text:

,If liliiisf 'F' 1.-.4 ' i '11' 1 --' ,,, , ll I :jil- . ...A JI' 4 IZ.. 'Eff -- .ii':'z1. '1 :ig-Q3 . psi ' lily., . if. 5,7 E' VL? it rq' Q. 17'-'NV .-' we- lu.-5 ,Vi if . li' mf: M I 1-glib :ii-fj,fV 55, 1' . ltriowing lt That night they quietly slip the logs one by one out of the lagoon, while the guard sleeps. O awakening he sees Chris plowing nolselessly through the water with the last log. A flerce water battle follows, but Chris is victorious and the logs are saved Q " Cornelia Meigs' keen interest in United States history is manifested in this novel as in many of her other books. Although the main purpose of the author was to entertain the much interested reader, one also learns a great deal about the hard- ships of a steamboat captain and his crew. In the conclusion, Chris re- ceives his hard earned money and re- turns to his waiting grandfather in Minnesota. Vera Wright, 47. Among the numerous characters IS a tall heavily built man who had beerrreared among the Indians and who later struggled with the white men to force the Indians to search for new land on which to live. Angus McDermott the light blue-eyed man was hardly ever seen without h's musket which to him was his only means of protection while living' his rugged life.. When he fell in love with a young girl, his life did not al- together change, but he did become a little less adventurous. An inspiring scene is one in which McDermott searches for the girl for whom he had a deep affection. Earlier, she and her family were im- plored by McDermott to leave their home because of a neighboring un- - " if Muslc And New Orleans? Nancy Phillip ' '46 NEW ORLEANS Amelica's most - interesting city was once the cultural center of the New World- musically, the little Paris of America. As, early as 1837, the first perform- ances of serious opera in New Or- leans were given at the Theatre d'O1'- leans starring Mlle. Julia Calvee and scoring immediately a 'tremendous success. Yet even before this, light opera, opera bouffe, and drama had Y .. ---., - . -wc.. cg- --, ,,. -v -. - f A ,,,.. 'gage-gf-f ,-,vi1-sfqfivsztf-zswfi' 'TZ' 'L' 1" ' 1' . - , , ea., l..5,, rg.-:V -" 1 4- - . 121:'-f1g.E7Tf?fQ3:'f1-Ff""lg - wail A1.7'4f'.1lif f' . ic' f7 i'l"f'L 'Y' ":i"x"s'T,-E '- viii- ., -i- 5 , ., cv... , ...e ,-- -1- l.-e. ...L-rw. . . ..-4 ..q. . .4 l 'L L. i l. g . ..,i,:URQ: 9-5 .-.i , .A H,-, 17,--.,-.-1.13: 3- -, p'1,,if ,AJ 1.- , Us ,f-,Q-P-. xl- g., ff- f.g. L-1 g ,..wIi,:,.--,qqi'. :Q ---3.3 'vi--QQ-,:,g,l.1?.4!l 'sri . 1 .1 'PIR Q , -, c.,- 1f:7n,Jt.i. -+---,EH re I' . Lo". -' .4 , . g i. . . 1"' -. -V V, -i- V' '- -Tv if .-ev"-.--i-- ,T , v .U su -i .. .iz ,J .A r . , int 41. . ri. , l 'x 4 i H4 f ' ' ' ' ' " ' ' f ' l - ' ?' V 1 K. Q J 5' l' 7 1 vi is l , l 'il-. 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Thomas Boyd A ACCOUNTS of the early settlement conflicts between the white men and the Indians are revealed in numerous booksg among this vast list is "Shadow of the Long Knives." In each absorbing chapter, we find a story of fierce struggle between 'the white men andthe Indians, and, ac- cording to the author, the entire story is a true history of early American life, V 1 Open: notes q-1u1n-li...-u-..n-li..-lg-.,iul1..iun1,...l Nancy Phillips, '46 MR. WALTER HERBERT, general director of the New Orleans Opera House Association, has an- nounced the soloists and operas se- lected for this coming 1945-1946 sea- son. The operas will be "Traviata," November 8 and 10g "Barber of Se- ville,'?fNovember 21, '22, and 243 'fRigoletto,'? December 6 and 83 'iflanselland Gretel," December 22 and 235 "'Manon,-" January 3 and 53 "PagliaeEi" and "The Old Maid and the.Thief,'l .January 17 and 195 'A'Car- men," January 31 and February 23 friendly tribe, the Shawaneseg how- ever, on their refusal to heed his warning, they were subsequently captured by the tribe. In his search for Charity, the young girl of the family, he was successful: she was released to h-im from the Indian tribe on an agreement. ' Thomas Boyd, the author of this enjoyable book, probably wrote it to improve the knowledge of those who know little about early Americans and to recount the feelings regard- ing land settlements between the white men and the Indians during' those pioneer days of America. In- deed, the romantic lives of two main personalities prove to be most ideal- istic and satisfying to the reader. Shirley Roberts. "Abduction from the Seragli0," Feb- ruary 13, 14, and 165 and "Faust," February 28'and March 2. The soloists include- a group of Metropolitan Opera-singers: Licia Albanese, Lily Djanel, Raoul Jobin, Thomas Hayward, and Nicolo Mosco- no. Others signed were Hilde Reg- giarii, Ivan Petroff, Charles Good- win, Eugene Conley and Jess Walter. The latter three are returning from last year's presentations. These fa- mous artists combined with the operas selected shall make these win- ter concerts a notable 'season musi- cally. ' , 13411.-...ips-mutantlu1nl...nii.-qiu- been presented. In the 1840's sev- eral famous opera companies were brought from Europe and gave at the orleans, si. Philip, and st. Charles Theatres, as they are now called, many performances of creditable opera. Records today show that many an opera received its New World premier at these theatres. Three of the best-known of these "first-performances" were Donizetti's "Lucia di Lammermoorf' and Ha- levy's "La Juive," which were pre- sented respectively in 1841 and to Lyle Saxon, New Orleans' favor- ite. This is indeed ia remarkable showing for the early eighteenth cen- tury. ' ' Many concerts were given at the St.- Charles Theatre from 1840- to 1855. Jenny Lind, the "Swedish Nighiiiigiilf-i," and Ole Bull, the violinist who was a friend of Edward Grieg, were among the most success- ful artists presented. Miss Lind's success is evident, for the tickets to her first concert were auctioned off, the first one selling for 5240! In' 1853 Maurice Strakosch, who was appearing with Mr. Bull, introduced Adelina Patti, his protegee, who was then but ten years old! But the best and most famous of these musical or-, ganizations had not yet been formed, for the French' Opera House wasfnot to come into .existence until 1859i-, Q4 Among the many' fine' recogniaeld .I . , . Ui 'E.Ca11.0gg:3:' iglsmxl, - ' ' ' ,, -' 4- . . . 1 -, ,- ., . .lc fha-.... Q. , , , . - Q . , . - , . . -, . 4 i . in -,914 3 .i -. . ,V ' M . 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Page 43 text:

lf .-q.-we r V- .41 Y in g'X2'i1?fi"5'i'f-' Yzfs, V 7' if , ' v A. I 2 -.Pie 5"jrlfi3faf:,,!f.,.ix5??if e wiews gi..-...1gl.1n1nu1u1gu-.gl-.l..1 1n1...i.. I Forever Free By Honore Morrow IN March, 1861, the United States was alive with inward struggleg the strong bonds of the Union were severed and bleeding. The Southern States, joining together to form the Confederacy, elected Jefferson Davis to lead them in their fight-for slav- ery, while Abraham Lincoln, the backyard lawyer, was inaugurated as President of the United States. Be- cause the author gives an accurate account of the arguments for and against slavery, one understands the Southern land-owners' great need for slaves, but realizes that the equality of man holds true, regardless of race. Though his appearance does not- merit it, -Lincoln was possessed of a brilliant mind and a charming per- sonality. He awkward height, his too prominent ears, his shambling gait, his huge hands and feet, and the striking sparkle of his grey eyes, full, deep, and penetrating, were merely disguise for a man, whose genius will be remembered forever. Mrs. Morrow' excels in her portrayal of Lincoln and his struggle to over- come many hardships. ' When the time came for Lincoln and Tad, his youngest son, to leave the Union army camp, which they visited, Taddie seemed to have mys- teriously disappeared. Finally, he was found by the bridge, crying 'for his father. On his arrival, Lincoln asked, "Did you get homesick all of a sud- den, Taddie?" f'Don't touch me, Papa,".commanded the tiny lad .in a voice hoarse from long sobbing. "Pm unda' my own a' west. I sent fo' you to tell you I have ,to stay hea'alI night." "What bad thing have you done, Taddie?" Lincoln asks solemn- ly, "I killed something I loved. The co'po'al gave me a little weeny white kitten. Then I stopped hea' to play with itg I played it was Jeff Davis and I was an Indian chief and I threw my bowie knife at it. I didn't want to hu't it but the di'ty skunk of a E-C-H-O-E-S . , knife slipped and went in the kit- ten's soft belly and it mewed and mewed, and I couldn't stop it or help it, and it died. I knew you wouldn't punish me so I'm doing it myself." In this touching scene, the author de- scribes'the character of "Tiny Tad" and his knowledge of his father's sympathethetic understanding. "Forever Free," an intriguing his- tory of Lincoln's life -in the White House, is a fast-moving account of the "Great Em,ancipator's" struggles for the abolition of slavery. Becom- ing familiar with the prominent poli- ticians and problems of the dav, the reader thereby increases his knowl- edge of facts concernnig the Civil War. Many of the everyday happen- ings which influenced Lincoln's mag- nificent decisions arelvividly and ac- curately described by Mrs. Morrow, whose ceaseless research into the life of Lincoln is shown by the length of the bibliography. Exceeding-ly en- ioyable are the scenes concerning Lincoln's relations with his family: his gentleness in the rearing ofhis children is the source of much hu- mor. Highlv entertaining, this en- chanting book should be enjoyed by any reader whol desires a better knowledge of Lincoln's term as Pres- ident ofl-our country. Ann Levy, '46. Red Rock . Thomas Nelson Page THE setting is laid in the' South, somewhere in that vague region partly in one of the old Southern States and partly in the yet vague "Land .of Memory." The people in the story speak of it as, "the Red Rock section," "the old country," or just, "my country, sir." Of the many characters the one who impresses the reader most is J acquelin Gray, the son of the owner of Red Rock. In the opening scenes, Jacquelin and Blair Cary, the beau- tiful young daughter of Dr. John Cary are playmates. When war is de- clared, Jacquelin, fifteen years- old, . , '.-13.14 x I 'I leaves to fight for the South, and when he returns, to his home after the war, he finds many of the old places destroyedg because of' an illness, Jacqulin takes a trip around' the world. Upon his return, his Mo- ther dies leaving his brother, Rupert, and him under the guidance of Aunt Thomasia. With the other men of that section, he then fights the car- pet-baggers and finally overcomes their tyrannical rule. In the end, Jacquelin marries Blair and returns to his former home. Mr. Page, a prominent author of Southern literature, lucidly describes the rolling Red Rock country, the for- ests and meadows, and the sparkling streams bubbling over rocks or wind- ing under willows and oaks. We see the realm of old time courtesy and high breeding, when all men bow low before ladies and wear swords to de- fend their honor. The author has given us an engrossing novel in which he brilliantly combines adven- ture, tragedy, and humor. Rhea Brennan, '46. Swift Rivers Cornelia Meigs THIS adventurous story of the early nineteenth century has for its setting the section of the turbulent Mississippi River between a small Swedish settlement in Minnesota and St. Louis, Missouri. In "Swift Rivers" Chris Dahlberg, the main character, is a young Swedish boy with 'all the determina- tion and courage a youth can pos- sess. Being ill treated by his uncle, Chris leaves him and goes to live with his aged grandfather who abides in a large forest. Striving to find a way to make money to support his grandfather and himself, he cuts timber from the forest and floats it down the river to St. Louis. ' An arresting scene is one in which some of the most valuable logs dis- appear during a wreck which occurs on the trip down the river. Chris and a friend desperately- set out in a small boat to look lfor them. After hours of searching, the boys find the logs in a small lagoon guarded by hostile Indians. Plans are madefor retrieving them without the Indians Forty-one .. ,,. 1.,.U. VN- M - .-X-Y-, ,.-.. Ps .f .. I -- is. , Y 4 gage f',if-'11',,'. :L , fe - 3: ,f-.irgl-':'.1:..fg1P" '-Q,-. ' .- N,-Q,-. f ,151f,i:'-,gr,j..,-r 535+ . rg U 4.43:- s ' -fP.f.Mai-Q?i.2's'zl4ac.,J1-'Euxi'i-f:"3sE.:i1lrt:l5QiQ1l's:'5'..:.sa-aa1i's'l5xfhr-aizf4r'fl-nf?-1: -:rv gi:Q:Lgiesr-ssaiiir-Qstsesfifciifi-fl-. -. -. -1 f Q Vifiilsti . ,f 31, . ,, .- S Qgwa It ' ka 'bl w'.15.'QfiE- Jiilfi'-f Z yi 71" GAT: ',.-Lima, 'V , .,'Tf Ni'--F-G - Mtv. if-lla. . " '--X-15. .,,..5 . ' f 'nik ' u 1 51: -. , ,. , ,S ,' .5732-'l 1 ... .-,-'i.t- , .um-,. ,AW 5 -5 r fhffff . 1 ., B., "--f. 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musicians that New Orleans has pro- duced, there is one that should not be omitted in a discussion of New Orleans music. Louis Moreau Got- tschalk of Creole descent was born here in 1829. Taken to France whenf he was only thirteen, he studied in Paris with Berlioz, and soon made his debut, achieving immediate suc- cess for both his virtuosity and his compositions. The immortal Freder- ick Chopin once predicted that Got- tschalk would become the king of Orleans the musical center of the Southern -States, disappeared into flame, smoke, and ashes.. It was destroyed by a fire just a few months after the death of Adelma Patti the singer who was so closely associated by Orleanians with the old French Opera House. At the beginning of the twentieth century, a new type of music was created in New Orleans by Negro levee workers. This style, which be- came popular about 1915, was origin- ally named jazz. However, it might have been called the "slang" of musical expression, for like slang it . .- N, is 'PST'-:-T..r' . " -"F Carmen ' By Julia Hamrlck 4 EVERAL of our McMain girls had the privilege of attending the Opera Comique version of "Carmen"' in an easily understood English trans- lation. The Municipal Auditorium was packed that April 19, and the visiting troup of Columbia Concert artists was well applauded .and en- thusiastically received. The Bizet music was beautifully rendered by an orchestra of one-half local talent and Tiff 'ir- .-Lf:-,xg '55 QL?-7 , lj '- ai: 5 J .,. 'life ,gr 1 . iii :'- iffy A 7:5 l' :"1', .gg-'r 1-in f "fl "f . --J : A .,. '-Fl? fl if 'fi if ' 3 ' -ij fi can "iw f ,.:. i3TT',i?21'f1f Y ' H3177 -TTWZ' Fi' '-" iTfT'1filiQ'i!4 , f:":f'f , ,-." in " H4-,"' i 'J' , 135-'E-'J-,1':"fffZ 1- w. V Q 'll-:J'f's:f'-,i"'K"' 4' MHKQ5' 'ffl 5.3415 Y' . r A li N 2 T' -at-K NL? Q ,Su-.il . A ,, ,mu ,L un., , -.A N? f. .., ti 51 J AY is H .. 3?- A 6, wi, .sr H... 1 ' ' Q I 9 Q f ,S 5,14 f ' . 2 E-yi, F M1 Hp, Q Q SJW' -' 1 bl . , ' r 1 6 'KVM if . N- r .1 .qu . . -, . S fa . u , 1 4 .1 . pianists and be long remembered. His compositions, like those of Chop- in, are similar to the "local-color" works of literature, for as their sub- jects he took songs expressive of his period-the Louisiana Negro and old Creole melodies, and French-Cajun folk songs. There are a great many others who deserve mention--Ernest Guiraud, the opera-writer Whose first work was presented when he was only sixteen 5 and Emile Johns, a salon-music composer who won con- siderable recognition for his "Album Louisianaisn-but for the Amoment, Gottschalk, the best-known, is suf- ficient. Ten years before Gottschalk's death in 1869, a building was erect- ed five blocks from Canal Street, at Toulouse and Bourbon Streets, that was destined soon to become the center of the social- life of New Or- leans, and the most fashionable opera house in the land. The French Opera House Association, erected in 1859, brought to New Orleans many fa- mous European artists, who usually remained here the entire season. Adeline Patti, who toured Europe successfully several times and who was the favorite of everyone, was just one of the many famous' sing- ers presented-Mme. Urban, Mile, Hitchcock, and Mlle. Calvee. Mlle. Patti's brilliant debut, when she was only seventeen, was made at the French Opera House--not at Lon- don, where she won international fame a year' later, as it is so wrongly stated. Among the many outstand- ingkworks given their American pre- miers here were: Bizet's "L'Arlesien- ne," Massenet's "Herodiade" and "Werther", and' Saint-Saens "Sam- son et Delilah". After sixty years that held war, peace, prosperity and poverty for the South, the French Opera House, which had made New li-C-H-O-E-S ' Q. ' is constantly changing-first jazz, then rag-time, the blues, boogie- woogie, and swing, as it isnow called. Popular American artists like George Gershwin, composer, and Paul White- man, conductor, have done much to better jazz and its derivatives. Per- haps some day it will be classed as ffolkj music typical of the restless spirit during the First world war andthe depression which followed it. In any event, jazz will leave its trace on American music. , As a final word in this discussion of New Orleans music, it can be said that New Orleans is rebuilding its reputation as a music center. For ten years, the -New Orleans Sym- phony has been giving winter concerts to music lovers, and during this pe- riod it has been constantly improv- ing, both in musicianship and size. The Opera House Association has been giving many delightful per- formances of grand opera with guest singers of Metropolitan rank. The location of the Summer Pop Con- certs, which were given in Elk Place just off Canal Street, has been chang- ed to an even larger and better place -Beauregard Square. All three of these musical organizations have unit- ed under the Community Music Fund, which at present has reached only sixty per cent of its goal of S150,000. This winter season, New Orleanians are looking forward to a brilliant series of operas and con- certs with many famous artists. No longer will one recall ,the "good old days", speaking of the French Opera House, with sadness. The conversa- tion will be of the coming perform- ances, instead of the past ones, or perhaps it will be of a new star from New Orleans-indeed, the conserva- tion might be of a new opera written by an Orleanian. one-half visiting musicians, and the singers well-typed to their respective roles. The cast included Mona Pau- lee of the Metropolitan in the title role, Edward Kane as "Don Jose", Donald Dickson as, "Escamillo", and Frances Yeend as "Micaela". The distinguished Leopold Sachse was stage director. "Carmen" herself was lovely and talented, and gracious- ly answered many well-deserved cur- tain calls. Supporting artists, the orchestra, ballet, costumes, and scenery-all deserve a special word of praise. 'As one of the world's great masterpieces, "Carmen" is as modern in spirit and as vital in music today as it was the day it was writ- ten, and its charm has not suffered in the English translation. Orchestra Notes i Kathryn Kirst '46 MCMAIN'S orchestra under the di- rection of Professor Carl L. Kirst gave a concert on May 15 for the public. Such numbers as the well-known "Voice of Spring" by Strauss and a special string arrange- ment of Dvorak's "Humoresque" were included in the selections for that night. "Le'Fileuse", a delightful harp solo by Hasselman, was artistic- ally rendered by Rosemary Stockton. Viotti's Violin Concerto performed by Master Carl Kirst was an added attraction. Catherine Scblueter, the featured vocalist, sang the very pop- ular "It Had To Be You" and "You Belong To My Heart". A chorus of two hundred voices directed by Miss Weiss gave Victor Herbert's "Thine Alone" and Rob' Roy,Peery's "Amer- ica, My Wondrous Land". Both pro- grams were thoroughly enjoyed by all. , i . K Forty-three .4 Q - .1 i-L ..14l-- '-- -- .-".-C - 11.14 J. - .K "'. ' ' ' Il-V . ,- cf' ' fe: Q' I :vw 33715 - li 'jay 4 fr 1 I J .Y Lit? . X.--,, T. 693.4 arty? .. ff' 3:1 , LJ' 'iff' ' izlii' - ,. A CEE? 7 'Il .JH " '. 4 'Sr f 5.9- ,,,. . :' . "2-. -'. - in . . , --., ,Tm ,,! fi ." ' i.4',5Y.ff Y. .,r1....' 1-' ..1,,, . . .., A 5, V ...,. . ,'. NLM- ., v . I. , ,,,..q...7.,,4 . .U . n , .. 'L :ws ' ' Q53-if f Lf!""-'SVT i i' wi 4, X . - 1... 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Suggestions in the Eleanor McMain High School - Echoes Yearbook (New Orleans, LA) collection:

Eleanor McMain High School - Echoes Yearbook (New Orleans, LA) online yearbook collection, 1941 Edition, Page 1

1941

Eleanor McMain High School - Echoes Yearbook (New Orleans, LA) online yearbook collection, 1945 Edition, Page 62

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1945, pg 6

Eleanor McMain High School - Echoes Yearbook (New Orleans, LA) online yearbook collection, 1945 Edition, Page 8

1945, pg 8

Eleanor McMain High School - Echoes Yearbook (New Orleans, LA) online yearbook collection, 1945 Edition, Page 19

1945, pg 19

Eleanor McMain High School - Echoes Yearbook (New Orleans, LA) online yearbook collection, 1945 Edition, Page 5

1945, pg 5

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