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Page 33 text:
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..., wvlvy' Q a , ' 3 ' f 43-'F' ' dn 'I ,I is 11. v .1 13:22 'f ,g 353.2 1 'JJ 'qq H' arx,.a .A Q, L.:-1 ..f:, , S1JOl'fSlll2ll GEORGE YEALY 1'S Club '34, '35. FRANK LOOMIS ZEIGLE uzigfs Operettn '34, '35g First Aid Club Club '34, 'I-15: Glee Club '34, '35, Speaking Sports Ed Club '35, '3Gg Orange itoi' '34, '35, '36. Hill R, JR. '34g Stump '36: Public and Black
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Page 32 text:
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Page 34 text:
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PRGPHECY THE CLASS OF 1936 It is the evening of November 2, 1954. A city street lies drab and deserted beneath a misty rain. A man appears in the light of a street lamp. He glances furtively about him and enters a nearby doorway. Several minutes pass. Two more muflied figures ap- pear from opposite directions, both looking backward over their shoulders. They turn at the same instant and each starts violent- ly as he perceives the other. They evidently recognize each other, and they disappear together through the doorway. They mount a steep stairway to the top floor, where they enter a large room. There they join a number of other men who stand about in groups examining the apparatus which lines the room. In the center of the room stands a large table littered with instruments, before which is seated a man with a white beard. He raps for attention, and the men fall silent. They listen attentively while he ex- plains in technical language the principle of his new space-and-matter-penetrating ray, with which he hopes to be able to see any event occuring at the present moment in any part of the world. He concludes by saying that they will now witness the first testing of this device, He presses a button on the table before him and a screen at the end of the room glows faintly. He makes some adjustments of the controls before him, and a succession of blurred shapes rushes across the screen, finally one scene remains stationary and focuses into clear- ness. It is the interior of a concert hall. Mary Allison, the famous concert pianist, is the soloist, and the orchestra is directed by the eminent French conductor, Monsieur Jac- ques Hopkins, in a new composition of R. Dmitry Bortner. Among the members of the orchestra are Ray Swartz, playing an oboe Without a reed fthey've found it sounds much better that wayig Paul Shearer playing a tuba, and Harold Shoe- maker, who plays a left-handed French horn, while Clair Kaltreider hammers the bass drum. In the audience we see Kathryn Hos- tetter, music critic for a New York news- paper, Robert Klunk, Communist candidate for President, with his wife, the former Jane Fisher, Clair Hoffacker, who made his millions by creating a breed of chickens with three drumsticks, and his wife, Mar- jorie Rhoneg Norman Witmer, the famous portrait painter, Robert Miller and John Trimmer, co-author of that best-seller, How to be the Life of the Party, and Mary Hoffacker, the first feminine Secre- tary of the Treasury. The scene dissolves and another focuses on the screen. This is the annual session of l32l the Liars' Club, and Chief Prevaricator Fremont Bollinger raps for order. Herm Garrett rises to tell the first one, but is promptly booed down. Lavere Masemer and John Cleveland, the big game hunters, start to tell of their adventures, but when they disagree on the number of whiflle- spoofs they caught in the Plum Creek, they are thrown out by Chief Bouncer George Yealy. When Donald Kellenberger tells how he shot a pink elephant in his papamas, E the members adjourn in disgust to the ar. The scene again changes. This time it is a busy airport, a Stratosphere Plane stands ready for the night hop from Newark to Moscow. The pilot and the co-pilot, Dennis Morelock and Gherald Plank, climb aboard, followed by Roscoe Horner, the radio op- erator, Robert Lippy, the navigator, and Betty Hopkins and Mary Witmer, the stewardesses. Meanwhile, a steady stream of passengers files aboard. They include Robert Stonesi- fer, the new ambassador to Russia, Harold Little, an engineer commissioned by the Russian Government to construct a dam on the Vodka River, his wife Mary Kellen- berger, and Jean Moul, who plans to write a book on Russia. The last passenger is aboard, and as the hatches are bolted shut by Ike Gobrecht and Russel Wilson, the scene fades from the screen, and another takes its place. We see a hill in the foreground on which is a ski jump and a bob-sled run. Charles Weist stands poised for the take off at the top of the ski jump, while Harold Artley and Mark Baker wait for him at the bottom with a first aid kit and a coffin, A bob-sled dashes around the curve in the run, carry- ing the American Olympic Team, Allen Schwartz, Louis Eck, Bob Erb, Laverne Worley, and Bernard Hoover. In the background is a flagpole, on the top of which George Waltersdorff is trying for new record, with Glenn Worley hover- ing beside him in a helicopter while he secures an interview for the Dissociated Press. At the foot of the pole Harry Firor waits to serve a summons on the flagpole sitter. Some distance to the left a long line of trees grows suspended from sky hooks about fifty feet above the earth. It has been found necessary to move the forests off the earth on account of crowded conditions. As lContinued on page 3Sl ' Editor's Note: How did the elephant get there? Author's Note: Your guess is as good as mine.
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