Edinboro University - Tartan / Conneautteean Yearbook (Edinboro, PA)

Page 20 text:

'EIHSEEHSEEEEEFHQHEHQI TBS, ERTEZ 1931 l':FN:E':F1':I:u':EEFu':E':FnE H31 t 55 H31 t 55 55 EH 55 EE EE EE 551 'QE 55 EE EE E EF 55 ':F EF: EE we If Yet G adm, tell it EE If ry truth: might I not ju bl t I:-E ll-E escape from the 'Whi1'Zp0oZ'?' Ha ISF! -Ch bd' EFI i EE 55 HZ: E i i E3 H5 55 E3 EE EE 55 H3 A 55 EE EF: EE EE EFEE5Cn55EE59H5EHEE':l?59H55f555EE':E':Eb'5':E':f:u':l:1':FuEF1kFuEF1t -1 112 lv- 1

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':l--il:l71':l:1':l31El-i':l:H:1':l:H51I 'T F163 ERTEZ 1931 l'1'i:ll3Cl'IEEi:l'IEi'l:l':l:l5q'1F1 WEEE555555EEEEEEEEEEEEEEEEEEEEE Mona Lisa It has been the habit for years to find some hidden meaning in the Mona Lisa of Di Vinci. There is the mystery in the deep-set eyes, the mystery in the enigmatic smile, the mystery in the calm repose. Many prominent writers have written volumes on the Mona Lisa, attempting to either explain what the artist meant, or to interpret the painting in their .own way. But let us recall that Mona Lisa is a portrait of the wife of a nobleman of the fifteenth century. Let us remember the importance of the nobility-and their consequent haughtiness. The Mona Lisa is then the portrait of a haughty noblewoman who views the rest of the world superciliously and indifferently. The mystery of the eyes is indifference, the enigmatic smile is a sneer: and her soul, we cannot know. An I1zz'e1'prefaz'1'on-R. Ill. L. Mona Lisa Before I had ever seen Mona Lisa, I had heard about her smiling eyes. I don't know just what I expected: perhaps it was a Santa Claus twinkle. Any way I still think that too much has been said of that smile. Mona Lisa seems to me a woman who has just had something come her way. She shows repose, and satisfaction, and a sort of studied measuring of something, which makes me think that she is considering the favorable results of some good piece of strategy. A n I nterpretatfion-D. G. EH EFEE':l5El:1E1':1':n':15'31E155'5':lf155El3E1':1H:1':.lf1':EE-E':H'n':1':EHiiEF15':1iF1':l31 -if 111 lk'

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