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Page 8 text:
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Violin I Eden Vaning Marcus Lehmann Kenzo Azuma David Alber Mairan Egge Diane Hermann Deborah Miller james Durham Rebecca Pettigrew Dana Edson Paul Krausse Sandra Dackow Matthew Okada jeffrey Cox Violin ll Terry Peyton Steve Ognavic Anne Peyton Helen Coulson David Greenwalt Emily Gaines janet Davis Elizabeth Pistolesi Ronald Satkiewicz Aaron Appelstein Rhea Epstein Deborah Torch Viola Valerie Garabedian judson Griffin Christian Woehr Patricia Daly Robert Maddin Nancy Uscher james Hopkins Louise Mathews Lois Martin Raymond Helble Bassoon Arthur Stidfole john Hunt Reno Fusani Anthony Prybyla Horn Richard Decker Teddy Wills Laura Angus Mary Hickson Linda Radl Trumpet Geoffrey Richter Allen Yizzutti Carol Warner Michael Luxner Trombone james Pugh Kenneth Bruce Lawrence Yagodzin Arthur Linsner ski Violoncello Catherine Lehr David Geber William Grubb Mary Ann Elder Richard Weiss Deborah Dabczynski john McClellan Yvonne Caruthers Kathleen Murphy Sally Mulholland Bass David Young William Vaughan William Eckfeld Theodore Pauls Nancy Becker William Bussey Russell Gill Philip Smith Flute Diane Smith Linda DiMartino jan Harbaugh Glennda Dove Oboe Melissa Bohl Faye Ellen Bailey Perry Clissa Thomas Munger Clarinet Robert Crowley Max Mogensen Glen Ueieo Pamela Poulin Tuba john Stevens Harp jennifer Sayre Constance Harding Timpani Eugene Sittenfeld Percussion Ernest Muzquiz Richard Cheadle john McNeill Bradley Stouffer Edward Moore Dean Witten Eastman Philharmonia Strong Auditorium Overture to 'iLeonore , No. 3, OPU5 72 3 October 1 Concerto No' 2 in g minor for piano and orchestra, Sergei Prokofleff Opus 16 Andantino Scherzo: Vivace lntermezzo: Allegro moderato Finale: Allegro tempestoso Katherine Collier, piano Symphony in d minor Lento - Allegro non troppo Allegretto, ma non troppo Allegro non troppo Surprise, happiness, sadness and bitterness all greeted the first Philharmonia seating list. But, these were quickly pushed aside as Philharmonia embarked on what looked like a most promising and exciting year - after all - this was the soth Anniversary Year. Veteran Philharmonia mem- bers looked back on Philharmon- ia's super concert - the Res- pighi Roman Festivals -- that opened the 1970-71 school year and anxiously awaited Mr. Hendl's stern command of the orchestra. The orchestra was greeted with sternness by the conductor but no excitement - a grim fo- reshadowing of the year to come. The wind section struggled along with its perennial prob- lems of intonation, the strings started to get some of the sum- mer creaks out of their fingers and the brass sat exasperated as they discovered Mr. Hendl wouldn't let them bury the rest of the orchestra with volume. Forced to use Strong Audito- rium on the River Campus with the renovation of Eastman Thea- ter, Philharmonia crammed its way onto the stage for the final rehearsals. Katherine Collier had set the orchestra on its toes with her superb playing and the or- chestra was basically up for the concert. Even the confusing tactics of Mr. Hendl allowing each of his three conducting students, john Balme, Bruce Hangen and Mike Pratt to con- duct parts of an already well- rehearsed orchestra at the dress rehearsal didn't dampen the spirits of the orchestra. Miss Collier was superb that evening and Philharmonia got off to a good start toward becoming a strong performing ensemble - or so it thought. A- -,fifi:ZQlPif1-'1-1ii:'Z?Eialslstf-142fhHP2f4?iiififiisss1iwii2e2iss.zeisiiziiiiiiifaziesr1:ifi?hE-lisa-llwff:54ff11?f?22ta+v'e--'JM'11-- 1-1?-5
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