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Page 22 text:
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The Organ Concerto by Samuel Adler is, l believe, an important landmarlc among works tor organ and orchestra, Mr. Adler's work is a partita in five sections and is characterized by a twelve-tone technique, controlled-aleatoric passages, intricate rhythmic patterns, and other compositional devices that set the work well apart from most organ concertos which lean heavily toward the traditional. The impact of the introduction, the intricate variation for percussion, the momentum of the final sec- tion, and the proportions of the whole create an overwhelming experience. As a per- tormer who has dealt largely with traditional styles and rhythms, the greatest prob- lem for me in learning the work was becoming comfortable with the varying rhythmic patterns that today s orchestra players know thoroughly, Although it has numerous technical difficulties, the concerto is idiomatically quite suitable for the organ. I have great taith in the Organ Concerto and it is my hope that it will have many perform- ances in the tuture. i David Craighead Samuel Adler, Wayne Barlow, joseph Schwantner, Theordore Price. 4 's X n 4 9 . if QM
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Page 21 text:
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xr, x.,L X re . , A ,e e ,, , . , ,N X e f , e - ff, 5, , , iiirfeeiieeifissrteeeefbr?Otfeemaimirforeiseetea r V tsrsi 1157, r r Summer of 1970 t t Qfaiehrsad and the Eestmem t ro parrita, Since the eee- bstr father see e furtherance utter meme, ef some t weve it becomes e ' e a Q r P ale :taken from m' meiefeeem on all aught of standing out it an orchestra rather g in the middleolont very weak knees and 9 in the stomach l, along with otlitt '5 Certificate cantli' overed that Plallnga he orchestra Wdtalll th a n we imagined ll e, h irsttimtl Lil-ee t e 1 adm rtarlft duf' J I O ' A he entire Ofcllisll t me The lftlil' fl 0 ' li ewaflllllf Q tC ' Concgfll Igylflga I t ltr? helped femloll r, theft? was ol mY lmpo nce them PWCEU per nf me' Ellen Bailey all :CONC erf ill writ 40, if rrtt Zh H f ' so 351 1 r chord forming estff 't P' r r , e little paeeaset , V lfwifff 7i'fQff.ifi 5 flf? KMKL NXWUVNQ 'W' 'X W f'Xrf5WX 'X X NWN! F fVmWX?e'7f'St Q I , f mares 598' X N X X C the re? YWOP O 165 iesffa Wh1Ch'lsadS f .rf-.ey ff, It W eg f X e,4aeXfeUfXo e fe, Q X lm,-2 -.aw .UmQ'-'1hY?ffV,VE ZPVM ff Niki me , fx ji , A XWSH 'HY A f4.41.41-mgff-rrf-A-me e My M f fa e mx,-aim Fax XM! S, WX ewm my fm, Ze X Q f X f fr.. e ,-5, efe 4 -'1f 2 5 wee X ge e 2 , 0 fe X, 1 .sea X 7, are ,N X e if affX , X4 - KX Sfiftjf WV W3 JCWF ff f , ' . , , U7 aft s's 1 fflieifclii fo? 'fretff-'tri'a:4:fsfvsfesgee Xa. ':'fS'effe5'feJ1JX'X X L TX? ff 'fs f W iffw W 7XX a -is 0 wa flrfye :',Xejf, X9 ,aw ,,fwfgm,f si, KW' Vt ff f f f ' ' far r dimes ln X moscow - s 1 S fxfxf - rL iW5pXfifeW?if QtfXf'fQ-.70 'X'N Vw 'MQ F 'W ew j X,fe W yka wN7V0 X SZ, Wie ' X to 7, W 0X'CRQsZYfai Z fufiifkla-'b. A :ph ,, ' W. , ' a , f f I 7, tram hmmm. ZX., WWXWVW ,EW N, ma, me 5 a me ,XW A ,Qag,fX,e, a,f,aefere,e em ey , ,ev 3 5 f -, f my f X r V rfb C C ea is r r r f mapa 1 X f oryfe X ,a ef eefergaraexsmseeatfoes 4 owo X 1s wares fuzz. ravi aaam ,foo-Q' f,aeXre- eayff X,' ef t fr aware ra , 'gf f, -'M ,gr ,, Q ,,.gim,,ia as e 3.72 at-,fee ,f -5X sw ,, ar-, mf- W iw if em W r X.,Xw a,tre4e.fX wi 'f Www a - ' Q , I f r ,f r 4 f, , ,ezeleiaemeaa f ,Nl xX,,, N ,ear my e , fe? I, X f, X , fx ff ,Moe 7 awe 4 ga 5 f , ,, , r owe XQVCW 895' I 4 f,X f,yXXmgmXX,XaffoX WmeffXyJX, fX,fX,feXfWXrm ,mage yyafff XXX ff f f X f f J' Wm ea WXXCXXLX Xfw mfiwel NNW Km? New 4 fsrsfaffi?XfXfE:w1av fa Q W 4 K , . I ff t P ft eQYffzXQf?lDi11 ISUC 4 98191 M ningrerleasdingaetlaenatebgaaeeagaesatabwamaeio , Qzlildtflfteft O is aaa , ,, , , re, X, ,eaf,,!SacyW,,k?,,XW foam fam , 4,7 We e, y,,XW, A sw 5 NWXWZW fe, I W f aan am, , , ,V V , I wr ' ' f 15 f X a rm Q 4 f f f sapplti 'IWII1 fslfktfitift'f,CsfP1'8V101:lSf4QnQ9 , 9f0,f e,,. ff , 3 - F7 G , r r ts M ,Qt -rV,, r rr? Viewer ka,Ea5MeQ5,X,eQe ,. e- If X, - , , L ' fwfff'E . r 52235 ' ' ,fff fel in 'ee I at eff e this - 'ffL,'r- 1 fr fi Q f I ' ' u Y, r ,.,L i r 1 f V X V ,cf it , -'-' 0 g I11S,tf1I'17 ' 94 of r to 'era X 1 'tre ' t P ' it ' rdererettaftes ssraltaasafslafawI1asf0f5Mhfffemwes-5 0 15 ms fu' is fr , ,L A ,f Xa 4 If ff ,,,- Q 4 r gm fasamffgffeqer , , w - fsse f s is - f t , ,.,. ,, e fr X C ,e ,r ,. , f M , f f . - ,ff wfeasf.-zxf'.4X,XQMew!-ZW-We-W Z 0 ZX ,XJ W f f w. Xf J 'aw sf ef ma f f f ' rw , ,- ., fri ew M. a 1 aww WWW w XX fw Q r TWV f e ee af ,f e r, .f ., Eastman Philharmonia Lake Avenue Baptist Church November 12, 1971 Program Prelude and Allegro for organ and orchestra Wdllff l7l5l0Y David Craighead, organ Concerto for organ and orchestra Samuel Adler David Craighead, organ Symphony No. 3 for organ and orchestra, Opus 78, h c minor Camille Saint-baens David Craighead, organ
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Page 23 text:
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EASTMAN PHILHARMONIA ORCHESTRA Violin l Eden Vaning Marcus Lehmann Kenzo Azuma Katherine Shulman David Alber Marian Egge Diane Hermann Deborah Miller James Durham Rebecca Pettigrew Dana Edson Paul Krausse Sandra Dackow Matthew Okada Violin II Terry Peyton Steve Ognavic Anne Peyton Helen Coulson David Greenwalt Emily Gaines janet David Elizabeth Pistolesi Ronald Satkiewicz Aaron Appelstein Rhea Epstein Deborah Torch Viola Valerie Garabedian Iudson Griffin Christina Woehr Patricia Daly Robert Maddin Nancy Uscher James Hopkins Louise Mathews Lois Martin Raymond Helble Personnel Violoncello Catherine Lehr David Geber William Grubb Mary Ann Elder Richard Weiss Deborah Dabczynski John McClellan Yvonne Caruthers Kathleen Murphy Sally Mulholland Bass David Young William Eckfeld Theodore Pauls Nancy Becker William Bussey Russell Gill Philip Smith Flute Adah Toland Ian Harbough Janet Ferguson Linda DiMartino, picc. Oboe Melissa Bohl Faye Bailey Janelle Snell, E.H. Clarinet David Glick Robert Crowley Max Mogensen, Bass Bassoon john Hunt Arthur Stidfole Richard Hotoke, contra Horn Nicholas Smith David Angus Mary Hickson Linda Radl Ted Wills, Asst. 1 Trumpet Geoffrey Richter Allen Vizzutti Carol Warner Trombone lames Pugh Lawrence Yagodzinski Arthur Linsner Tuba john Stevens Harps jennifer Sayre Constance Harding Timpani Eugene Sittenfeld Percussion Ernest Muzquiz, lat Richard Cheadle john McNeill Bradley Stouffer Edward Moore Dean Witten -.ist ...u4'4 David Craighead i I
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