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Page 14 text:
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Eastman Quartet Kilboum Hall November 9,1971 l lame L-.aiu lxox mid l.w:x.xr.l Millard Tavlor, Francis Tursi, Warren Benson, 10 A A I' x - : XQ V3-Z? l - v i I
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Page 13 text:
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f X V: ,,,,,, 4 ' Q , --new ' ir if 32455lgggg.....,'...'..... uu- f, 5 it 3 ,f,, , ,, . gf ....- 'I 4 y g an Q it - 1 Q t ,Ji M A , NN '- , , t ig , . , y Z f , S, W, f ' ,- ' '1 ai, 5 ,, 4 ff at ad ', M wc 5- The Eastman School of Music ushered in its second 50 years with the first of 22 special anniversary commissions last night in Kilbourn Hall. Ulysses Kay received his master's degree from Eastman in the early Forties, and has since established a stable reputation as a compositional craftsman. His Facets for flute, clarinet, oboe, bassoon, horn and piano, given its world premiere last night, was performed by a faculty ensemble conducted by Walter Hendl, director ofthe Eastman School. Facets is an 11-minute mosaic in which silence plays a logical role in the association by timbres which weaves through its three con- nected movements. A declamatory curtain of sound, immediately set in motion by the piano's jagged upbeat to a deep-throated G-flat octave, introduces a free . l ll T-.-'ang -,,,,,g,,,,,, .W ,AX PV y . ' 'tif' .-, W '. iv X i y l k x .P -- l C' - fantasy, followed by a three-part study rich in lyricism and the tinal rondo with its retrograde-reflection structure. Kay's new piece is laden with many nuanced gestures that almost seem to caress the very nature of the instrument for which they are written tlilce the bassoon solo set against the pianos law arpeggios tol- lowed by an oboe restatement of the same phrase. But its central fasci- nations were how the piece gravitated toward and away from natural silences as resting points, and the fertile, imaginative development of facets of its first phrase of declamation. - Theodore Price i f f ' I
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Page 15 text:
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5 n 1 i l I f 1 i 1 l l l , . , gn fT'T1Q1'17i4'.,xff?'F?::g11 4, A- , ' 'K har..-.1,, Program Quartet in A Major, Opus 26 Johannes Brahms 11833-18973 Allegro non troppo Poco adagio Scherzo: Poco allegro Finale: Allegro Capriccio for violin, viola, violoncello 8: piano 119713 Warren Benson C1924- J Quartet No. 1 in C minor, Opus 15 Gabriel Faure 11845-192-lj Allegro molto moderato Scherzo: Allegro vivo Adagio Allegro molto
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