Eastman School of Music - Score Yearbook (Rochester, NY)

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rke Cambia Keith Foley Bill Watson lnny G0lSon Ee R0bl1'lS0n Lance Rubin ION Radway ,liver Nelson Frank Zappa don johnson lharlie Parker aarlie Lagond ck Mangiong 31 bi' lack End Ted Piltzecker 1 Doug Walter Traditional Oliver Nelson aj' Repaying its debt to him for having gotten the group officially started, the Jazz Ensemble led lack End in his soth Anniversary Premiere of his piece for Soloist and Jazz Ensemble on April 14 and 15th with the composer conducting. Mr. Beck ably supplied the solo trap set and timpani parts. Sounding a bit dated pro- grammed next to Ray Wright's students' latest arrangements, the piece was en- hanced by Mr. Beclds professional playing especially on the timpani cadenzas. As usual the Theater was packed both nights. Funny how the Iazz Program got the extra alumni concerts this year. But it did give a chance for some more excellent arrangements by Ray's students to be performed and con- tinued to demonstrate the popularity and success of the Contemporary Media and Jazz Studies Department. burden of playing all the 99

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PROGRAM Eastman Iazz Lab Band composed :Sz arranged by Mike C b' LITTLE DIPPER aru ia TOGE-I-HERNE55 composed 8: arranged by Keith Foley SOMETHIN' use Composed 'Sl affaflsed by Bill Watson KILLER JOE composed by Benny Colson adaptation by Ianice Robinson SORRY JIM composed Sn arranged by Lance Rubin MORE TODAY THAN YESTERDAY arranged by Ion R d Eastman 8 Way Eastman jazz Ensemble B 3,21 1, 0 y composed 8: arranged by Oliver Nelson Chuck Mangione, Conductor IT MU51' BE A CAMEL composed by Frank Zappa arranged by Gordon johnson BILLIE5 B01-JNCE composed by Charlie Parker arranged by Charlie Lagond E BQY WITH TOYS composed 8: arranged by Chuck Mangione PIECE FOR SOLOIST AND IAZZ ENSEMBLE composed 8: arranged by IackE d Jazz Ensemble 14 Run, S H Chuck Mangione, Conductor un Rest III. Shout Iohn Beck, soloist Jack End, conducting PAPA CHU CI-IU composed 8: arranged by Ted Piltzecker SIMPLICITY composed Sn arranged by Doug Walter DOWN BY TI-IE RIVERSIDE Traditional arranged by Oliver Nelson l 98 w -'auf-Lu ,af- f X-Flies' ev I I l ' Xxx: 'I LK-

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Eastman Philharmonia Bruno Maderna, Conductor April 16, 1972 PROGRAM IBERIA, Images Pour Orchestre No. 2 Claude Debussy I, Par les rues et par les cheminS II, Les parfums de la nuit iii. Le matin dim iouf de We BIOCRAMMA Bruno Maderna IWorld premiereb FIRST SYMPHONY, Opus 38 tSpringJ Robert Schumann I, Andante un poco maestoso - Allegro ITl0lt0 vivace II. Larghetto III. Scherzo: Molto vivace IV, Allegro animato e graZi0SO W' -afrs 1-di QUIK 'UP' In BIOCRAMMA Bruno Mad h i , , erna as sought to realize in music the lim itless dimensions existing in one obiect or abstraction. There are three contin uous sections - A, B, C - based on the same material in contrastin ' s , . - - or OH Canva ' - feels that any work set down in musical notation, IH Words' - ' - develops its own form. ln paraphrase, all forms or Varian ts of Organiiiation . . be recognize ' , , 8 Organi- have alwa s exist d, t t be d scovered as new but oI1lY to I 5 zation. Mr. Maderna describes the overall mood of the work as one of alive- Througlhout BTOORARAMA all sound Ipitchj is fixed. Little frfeiffsagn ness , evolving mainly from the knowledge that it was being writt f II I ' ' the duration o Cer 31 Young people and to be Performed by' them, en or a owed the players except Occaslonal leeway In tlv at the ' , b t these are IT105 BIOCRAMMA does not employ standard musical forms. Mr. Maderna Sag? and the order of notes In other passages u con uctor's discretion at the moment of performanfe- 100 I jus' I of I 95- a F R04 C ora trei ent I wee of I sce bar i inis Eas 'I out one I ver per I mil wht nor l Slri cal exq Onlj E lv 1 Ibe, I Wis S011