Eastman School of Music - Score Yearbook (Rochester, NY)

 - Class of 1940

Page 102 of 130

 

Eastman School of Music - Score Yearbook (Rochester, NY) online collection, 1940 Edition, Page 102 of 130
Page 102 of 130



Eastman School of Music - Score Yearbook (Rochester, NY) online collection, 1940 Edition, Page 101
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Eastman School of Music - Score Yearbook (Rochester, NY) online collection, 1940 Edition, Page 103
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Page 102 text:

SCORE Liggett Serenade Rustic Revelry Just a Worm R ■ Life at Eastman traditionally begins with Freshman Hell Week—this year proved no exception; Frosh talents cli- maxed initiation with a 34 cent Cup Concert, and a liberal smattering of tuning room entertainment for all. After reciprocal dances by Sophs and the initiates, school activities settled down to the routine progression, in ' terspersed with Philharmonic and Se- ries concerts. With Thanksgiving re¬ cess close at hand the Juniors sur¬ prised the student body with a profit¬ able barn dance patronising the har¬ vest spirit. During the remaining days of November Fraternity pledges dodged paddles while the remaining students dodged blue envelopes. By December the Seniors had everyone on the wagon—destination unknown; but the chaperones found it. Extra¬ curricular activities flooded the cal¬ endar; the Eastman Student Forum, the initial intramural basketball games, Formal dances, and drama re¬ hearsals. The Forum series was an innovation in Eastman life backed by group interest in world affairs. A strong Sophomore basketball team trounced the Juniors to pave the way for a successful season. “Die Be- trogene Kadi” and “Die Garterin” started the series of student opera productions which later included “La Boheme” and “Boris Godounov”. The year in opera was climaxed by an excellent performance of Verdi’s seldom-presented work, “Falstaff”, under the direction of Emanual Balaban. What a Nite! Yeah Sophs! Finale EVIEWS AT

Page 101 text:

Mary Helena Purky SCORE gratefully acknowledges the in¬ valuable aid of Mr. T. Lyle Keith, in preparing this book. Fosburg, Fredlund, Swartz, Weiskopf, Nicholson, Purky, Conte, Pressler, Lutton. Kay and Cleo turn office girls for the SCORE. SCORE scoops social life and judiciously selects beauty queens.



Page 103 text:

Bearded Bard Table Talk Grandpa Pickerel Proof ' Cellos Alone” PieTaced Turn Page The first dramatic offering of the “Q” Club was “Another Language”. Florence Porter was hailed by local critics as a “discovery”. The group was so encouraged by this cordial reception that casting for another play was immediately begun. Christ ' mas vacation with all its cold and snow could not keep students from their homes—or Coach Davis from his eternal fishing. First major con ' cert appearance following vacation was that of the Phi Mu Alpha Little Symphony in a well rehearsed pro ' gram of Mozart and Ravel. Hurried preliminary to the Eastman Formal, the dormitory Open House featured a varied program of amusements; the Eastman Pie ' Eating team success ' fully defending its Inter ' City Title. Showmanship ran amuck when Nich ' olson and Weiskopf got together with Kirkpatrick, Woolston and Iturbi to present the first annual Score Convocation. Soon followed the nite of the year when Freddie ( cont. next page)

Suggestions in the Eastman School of Music - Score Yearbook (Rochester, NY) collection:

Eastman School of Music - Score Yearbook (Rochester, NY) online collection, 1936 Edition, Page 1

1936

Eastman School of Music - Score Yearbook (Rochester, NY) online collection, 1939 Edition, Page 1

1939

Eastman School of Music - Score Yearbook (Rochester, NY) online collection, 1972 Edition, Page 1

1972

Eastman School of Music - Score Yearbook (Rochester, NY) online collection, 1940 Edition, Page 52

1940, pg 52

Eastman School of Music - Score Yearbook (Rochester, NY) online collection, 1940 Edition, Page 106

1940, pg 106

Eastman School of Music - Score Yearbook (Rochester, NY) online collection, 1940 Edition, Page 47

1940, pg 47


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