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Page 101 text:
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Mary Helena Purky SCORE gratefully acknowledges the in¬ valuable aid of Mr. T. Lyle Keith, in preparing this book. Fosburg, Fredlund, Swartz, Weiskopf, Nicholson, Purky, Conte, Pressler, Lutton. Kay and Cleo turn office girls for the SCORE. SCORE scoops social life and judiciously selects beauty queens.
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Page 100 text:
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ARTHUR A. NICHOLSON core 1 • 9 • 4 • 0 OFFICERS Arthur A. Nicholson Mary Helena Purky Robert C. Weiskopf T. Llyle Keith - - - Editor-in-Chiet Associate Editor - Bus. Manager Faculty Adviser KATHRYN SWARTZ CLEOMARY CONTE OLIVE FOSBURG BERNARD PRESSLER CHARLES LUTTON KENNETH FREDLUND EARNEST HARRISON HARRY W. HOFFMANN ROBERT C. WEISKOPF [ 86 ]
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Page 102 text:
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SCORE Liggett Serenade Rustic Revelry Just a Worm R ■ Life at Eastman traditionally begins with Freshman Hell Week—this year proved no exception; Frosh talents cli- maxed initiation with a 34 cent Cup Concert, and a liberal smattering of tuning room entertainment for all. After reciprocal dances by Sophs and the initiates, school activities settled down to the routine progression, in ' terspersed with Philharmonic and Se- ries concerts. With Thanksgiving re¬ cess close at hand the Juniors sur¬ prised the student body with a profit¬ able barn dance patronising the har¬ vest spirit. During the remaining days of November Fraternity pledges dodged paddles while the remaining students dodged blue envelopes. By December the Seniors had everyone on the wagon—destination unknown; but the chaperones found it. Extra¬ curricular activities flooded the cal¬ endar; the Eastman Student Forum, the initial intramural basketball games, Formal dances, and drama re¬ hearsals. The Forum series was an innovation in Eastman life backed by group interest in world affairs. A strong Sophomore basketball team trounced the Juniors to pave the way for a successful season. “Die Be- trogene Kadi” and “Die Garterin” started the series of student opera productions which later included “La Boheme” and “Boris Godounov”. The year in opera was climaxed by an excellent performance of Verdi’s seldom-presented work, “Falstaff”, under the direction of Emanual Balaban. What a Nite! Yeah Sophs! Finale EVIEWS AT
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