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Community Women Alta Brubaker 5
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Yearbooks force people into boxes. Alphabet- ized, labeled, and smiling in convenient poses, people are likely to die, not live in the pages of a yearbook. Very little EMC life is lived in neat rows. Ap- pearances like dorm halls, classroom seating, and cafeteria lines are, in the end, just appear- ances. If a yearbook is to capture the essence of a year between its covers, it must be ready to ac- knowledge the issues that live behind appearances. EMC students are alive, changeable, and eclectic. They are not isolated from the vital controversies and differing opinions which are found in any healthy student body: religious questions, the place of sports in an academic in- stitution, conflicts about residence halls or male female relationships. Photography has learned to capture this human flux and motion. The slice-of-life frame of a basketball player rebounding has won out over tired rows of grinning athletic teams. (Un- avoidably, underclassmen will be under- k I CTj g«%, mu» classmen in classic FBI mug shot fashion). But what about literary coverage? Some peo- ple have lost faith in writing. Especially when it is weighted with academic” verbiage and strung together like sentimental charms on a heavy bracelet—it's impressive, but the meaning is obscure. Writing, when attempted at all, has usually kept people in the grip of sys- tematic sterility. Literary editors act as though they can capsule a year with long lists of soccer scores or predictable accounts of equally pre- dictable activities and organizations. In some cases an enterprising editor could keep his cabi- net stocked with rubber stamp descriptions of campus life and, when called upon, simply pound out the yearbook. There has to be another way. Perhaps in the 71 Shen words can be persuaded to sacrifice the neat-row theory of writing and other preten- tions in order to produce with facts what pho- tography produces with film: a representative slice-of-life, a living action frame of the undefined energy that is EMC. 7
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