East High School - Quill Yearbook (Des Moines, IA)

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What lsn't Done in the uill Room lt cant be done lt can can t e c What can be done? Well lt s thls xxay You take a y1rdst1ck and balance four books on the end of lt 1nd then p1Ck It up Vlth the other end Wh1le txxo of the d1gn1hed l7l sen1ors under the supervusnon of another argue It out 1n one corner let s t1ke 1 look around the rest of the pl1ce From ex eryxx here comes the sound of talk 1ng Glfllgh glggles bass roars boy1sh hoxxls an m1xed 1n xx1th It 111 the clattermg of four or hve typexxr1ters the pract1c1ng of the band and Mr Strlttons orders to the adV6I'f1S1I1g staff Oh yes xxe do get some xxork done Over here 19 1 boy do1nq tr1gonometry over there a qlfl Ol txxo d0lnq sl1orth1nd and lo' and behold' one of our hardy students for amusement do1ng 1 Re iders D1gest test Suddenly there are the sounds of frenz1ed xx 11ls and the te 1r1ng of ha1r Why doesnt somebody get some q11otat1ons for the sen1or n 1mes7 Why doesn t somebody hand 1n a p16C6 of xx r1t1ng fox the l1terary sect1on7 Hoxx much hu the sports sect1on got done? One art1cle Ooooh These 1re the CIIES of the edltors Somebody asks Where s I1ne7 Shes out x1s1t1ng her relat1x es th1s perlod What? Yeah Well vxhy dont xxe all? There IS 1 m1d rush for the door And th1t my ch1ldren IQ hoxx Qu1lls are made MARCARET IOIIINSON Rebirth I loxc to look xt 1 cloudless sky When the ur IS brlght md cle11 Fxery house and tree Blmk contentedly As l bllnk xx hen the sun lb hlgh l never ask the re1son vxhy But l feel that God 19 near I love to look at a soft gray sky Through a mlSf of fallmg ra1n l hnd a peace In the dr1pp1nq leaves And 1n the ra1n s soft splashmg Slqh My sp1r1t sems to find a t1e Betxx een the xx orld and a h1gher plane l loxe the beauty of the earth BQCTUSQ lt brmgs to me A yoyous thr1ll And reverence st1ll A s1mple blend of avxe and m1rth Would that xxe all could hnd reb1rth ln the be1uty xxe ill m ly see E1111x1sE111 HARVEY Work Work IS 1 physlcll or 1ntellectual effort d1rected 1t some xccomphshment T011 IS IH ev1table to exeryone though It mamfests 1tself ln d1vers1f1ed amounts It beglns w1th ones hrst toddlmg steps 1nd termmates at h1s death To many people xxork 19 a scourge vxhnch de f1les the art of loaf1ng and ann1h1lates v1luable ex er to some fevx the1r xxork IS the1r play and they manage to der1ve pleasure from the1r efforts These hovx ever are 1n the m1nor1ty and the vacat1on mad lads preva1l Work d1v1des 1tself 1nto txxo class1F1cat1ons namely phys1cal labor and mental angulsh As one advances 1n h1s llfe work l1ttle pleasantrles creep 1n Gorgeous secretar1es pet1te blondes and brunets become ava1lable for the sum of txx enty hve dollars a xxeek ln the upper stratum of the bus1ness xxorld ofhce hours d1m1n1sh xx1th 1maz1nq rap1d1ty A modern tycoon 1rr1ves 1 'ill1Xl'I'lOL1S ofhce xt 1pprox1 mately n1ne a m IS greeted by a corps of subordlnates and proceeds to go 1nto conference and neglect the 1ff11rs of the company corpor at1on or xxhatnot unt1l approumatelx 12 o clock noon A luncheon engagement xxlth some exe cut1xe acquamtance and an afternoon of golf complete h1s tedlous d1y Many 1ngen1ous dex1ces serv1ng the pur pose of avo1d1ng vxork have been pract1ced An ,, . 2 Q . Z .l 2 c 'Z . 14 V, - -v JY K' i , , .. I . v ,.. O V It . , 1 ., etc.. - 1- , .. . Y . . p - i ' , , , K , , , , L . A , Q- - I I ' s L' s O . I . s Y V . , , , , . l , ' -. l . . c. . D ' , ' C 1 m fi - . , Q f 2 ' . .,......... -L -----,QV 4 .. c ' 2 2 . 1 'W - '-' . I.. I' . ' l p-4,vr,i,Tf,T1,T1 1 1 e ' z X . c . E . . ' , . . l c f . ,-.11 ' f 'L 1 ' - , . C H - l ' . , hours xvhlch could be spent at lensure. How- ' ' -. K 7 x v ' r ' ' z . . 1 . . - - I ' . V Q - . 7 ' . h U . . z : . . . . .. . . , ., A . Y ' v 1 f ' V - ' 1 ' K 1 . . s s 1 . - . . 1 ' 'c .1 2 Z K . ' - ' . A 1 1 ' . Y v . 1 . . A v ' ' ' 7 ' . 14. - ' 1 ' f V r' 1 ' ' 1 . c L 1. . . . c c . - C- HL N O ' , Q . . 1 ' 1. . 4 Al 1 vv Al 1 f ' w - L Z. ., . c . c L c ' ' Q v.', , ' , V . , 1- 11 n ' V ' ,' , ,, .. ',, y Y V- . ,' - . , ' . ' 1 1 ' 1 I V D f C . Q . I I , , f r I . C , , L Y . . V. . , 11' 1 f . 1 ' .

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It I9 true that the eldest chnld has an ad xantage over the younqer ch1ldren where clothmq is concerned because little ones must wear the made overs and hand me downs Again this does not apply to me because my slster ls the larqer I cant wear her clothes because they are too roomy but someway or other she manaqes to squeeze into mme Now you are ready to say that being the eldest I have a superlor pos1t1on when the folks are away from home but when ones sister IS red headed and has the traditional temper to match well Im just not the boss and that s all there IS to say In some homes you hear phrases llke this Now Helen you know sister Mary IS a senior thxs vear and you want to sacrifice one or two pleasures to qlve her a nice graduatton Dont you? Of course Helen doesnt but lt would never do to let people know how selfish she IS mslde So she qlves a reluctant consent and does wlthout her new dress After thlnkinq thls questlon over and over I have finally decided that m my famllv there shall be no eldest IAAE MEACHAM The Candld Camera Craze I was 1n the act of stooplng over ln order to plck up a p1ece of paper which was lylng on the qround when a stentorxan xonce bellowed Hold lt' I remamed there petrified with dlsmay fearmq a rent ID my nether garment There I qotcha came the vo1ce much quieter now and I stralghtened up to see a gleeful grm on the face of my frlend who was tw1st1ng at some qadqet 1n his hand Closer mspectton showed it to be a candid camera Suddenly I realized that he had actually taken a plcture of me ln the very act of stoopmq oxer the scrap of paper' With an indignant howl I remembered my bare leqs that were cer tamly no match for Apollos and my rather large feet which were generously splattered with a mixture of tar and cement I snatched at the lxttle infernal machine with every mten tion of smashmq it aqamst the sidewalk thus totally destroymq the source of my embarrass ment and the object of my mdlqnatlon Thus rather abruptly I was lntroduced to the worldwide hobby of photoqraphy The size of this hobby as the size of any other larqe hobby makes for numerous staqes of mterest 'I hese staqes qo from the rank amateur or dud whose most advanced attempts at photo graphy are merely to snap an occasional shutter for a friend to the most sclentlfic enthuslast w ho carries about loads of compllcated equip ment and w ho slmplv cannot take a picture un less he has determlned the time of exposure the correct focal lenqth the proper lens aperture and the many other confusmq details which are so commonplace to a person w ho has studled photoqraphy exen casually It doesnt matter where one ranks he can not possibly know all the pleasures of photo graphy untll he has delved into the mysteries of the darkroom Thls I9 a very entrancmg laboratory with red lxqhts trays bottles of ox erpow ermq darkness In conclusion I say that after you have taken your plctures made your negat1ves and utxlxzed your basement as a darkroom ln de velopmq your enlarqements you may be con sidered a full fledqed amateur photographer Iorm RALSTON Ra1n The ram of sprmq IS llke anqel s tears That fall on the face of the earth The ram of spring carries no fears But brlnqs only romance and btrth The ram of fall is like soldiers feet As they march w 1th a steady tread The ram of fall pounds on the street And carries death and dread The ram of the storm IS the wrath of the qods As thev seek their venqeance on earth The ram of the storm be Its and throbs With romance death and btrth The rim of the storm IS the ram I love Wtth its romance de ith and birth or I understand then how the One aboxe Controls our fortunes on earth BARBARA WIIITIXIER . . 1 I . , x V ' V' I' ' V K ' ' 1 I n x . I . D V ' V . I tb t , , ' . K . . - V . V l 1 ' Y ,1, I L U . Y . L x f . - ,QA fl ' x- . Y I U - I VV I v , ' 1 . . V 1 n u C . r v v ' v ' L 7- 1 Y La. 1 v f v 1 . A - U I Y - . A C I I - . I s I x '14 V . A . Y. A 4 v ......--- chemicals, packages of paper. and an almost 1 r ' Lk. , . .- , ' c . L . . .. x , L . V . . 7 . 7 . . , 1 K . i I i ' V , i c ' t 1 ' . . I V -I 7. ' ' ' 'L' I A.- Y ' ' 'T i'i'T l - Y ' . . u - n V ' C C D - C I , c c . , l C. . V . x c 5 , A . . A- V. C k 1 H c A .' c 1 . Xl D . , . 6 K V 1 I v 1 f 2' . ' .A s ' I - . 2 . ' 1 M, F , ,

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old but IEII able xx ork avoldex as to fexqn a weak heart or some other myury or lllness xxhlch renders the p art1c1p ant ancapable Throuqh these IIILIIIIOLIS maladacs some unenerqetac souls man aqe to evade toll by the craft of thear hoax Throuqh the extensave study I have con ducted I conclude that proletaraanasm should be abohshed Bora HAMBORC exammmq the paper carefully I xx as able to hazard a quess as to the sex of the person xxho xxrote the paper xxlthout knoxxmq the n ame be fore hand I decxded that the rather larqe easy motaon xxould be the boys handxx r1t1nq and the small damtx type vxould be the qarls hand xxrrtmq It xxasn t lonq hoxx ever before I dascox ered that there were nearly as many qarls xxho xx rote p ywawmiwa- QB? You pw 'rip ,paw bcantall atmq sparklmq lovely you Garl of the hour xxath eyes of blue Heads all turn at your qtrl lake qrace As you descend ln xour qoxxn of lace M X Enchantmq excatmq CXQLIISIIC vou Q af IIhe xx om an for ham an th at qoxxn of blue Your eyes seelx the room for has head so falr M 'J F You NIIIIIL xxhen you set ham xxnth qlanee debon tu Oh qul of today rn ax xou ncxer fade And m a 1 you rem a1n as xou ue today Iovely tnchtntlnq excatlnq and qay ISIXIQIVXRX WIIIINIBR On Chlrography Exerybody has a dlfferent style of hand xx rltlng Thas became apparent to me one day xx hen I xxas asslqned the task of correctang a fexx hundred spellanq papers I never before had reall ed that there xx ere so many mdlyadual xx ays of xxratmq the same xx ord not to mentaon the errors an spelllng The saze ofthe letters r anqed from a xxhole space or more hagh to so small that at xx as al most lmpossable to read the xx ords xx lthout the ard of 1 maqnlfymq qlass The slant too I notlced x araed as qreatlx as dad the SIZC of the letters These slants ancluded exerythmq from the orthodox Palmer slant to an almost flat un orthodox backhand slant xx hlch I must say xx as the hardest xxratmq to read that I came across IU all the papers that I corrected I fanashed checkxnq the papers and then for the sake of curaoslty I xx ent over them aqaln trymq to quess by thear style of handxxratmq vxhether they xx ere xx rltten by a boy or a qarl By cox ermq the name xx 1th mv hand and then xx 1th a large easx motlon as there xxere boys In the cases of the sm all da1nty type at xxas number of boys Cjllllfx of 1I'1dUlqll 1q 1n such an eflemanate style Becommq bored and not xxlshlnq to qo any further lnto the study of handxx r1t1nq I turned the papers ox er to the teacher but not before commq to the COIlK.lllS10I'1 that a rather small underslzecl nutshell xx ould be QLIITICIQTIY to con ta1n all I knexx about the subpect of chlroqraphv Bu IY O Buns Drlvel Un xx angs of sllx er sxx1ftness Ideas flexx from me When I needed them Wath the speed of laqht from stars My monex melts axx ay When I xxant It I 1lxe the blankne ss of a clean blaelxboard My mmd IQ When I am called on On xx mgs of s1lxe1 sxxaftness Pumshment shall come For calllnq thas draxel A poem Axorxlx xaous . ' Ia ' ' 1 I '. I ' ' I I . I I ' If-I I c I I I I s I I I . . .I . I ,T E ' ' i ' 1 . r 'I VI K 2 - 2 ' I r r I 5' - 1 .V ..' S C - Y - - l , Ic I . ' 1 I r I ' -' . 1. c I I t .I I I .,........,. I . I I I I 2 I A .. ' I C, . IxtIl IQIII I xv R . . 5 I 5, . ' W xxj x fi 2 ' -' , x 4 x 'a s U J . . M xx ,y ' V V .,f ' . . - , - , . I q lah ,L , ' ' af I ' 1. 'I A , .I .' 1 . . QV- . I R I V V . ' ' f V , I . 1 u . . Q I ,I ,I I . c . c , I' I x V X Lax! I Q 'I E T ' aI'. 'I in r I 1 s V 1 . But may you qroxx' loylier as the ancient jade: true that there WUC OUIYVH C0mPiU'i1fiVflY Small aj LI .S ' Q ' e . . 1 1 - fI - - 'I I J f , I' I 2 I t , ' I I I t , ff K c . I I ,-V . A, 'QV I . I I . 'I IIS I . . I , ,-V,-V.....,-..-.,.. c . I c . O XI I , I I - - .. I I I I , IL Q I ,T1,14,1a,T4,l1,T1 Y - vc -1 is It in I I I 1 c . 0 V .Z K V k I . . . V S ,.' ' hc V ' ' . . V' ' V V' -s . I .I i K c I I I . . c I In ' - ' B ' C V V' A ' ex' 5 't V e., , I I, kt vii . 'Q L. K L I' I 5 5 v . 4 , I I I I , , ' ' .I' I-. z C ' . . s C C C ,' 2 e . 2 . ' I' 3 .2 'is , - - , I I t , , L , r K I. c I . I I I K e .. 2 I a - I -II I V I I . I I I v ' 1 Y . . 4 T I I I II c KI . I I I I II V - .I II I.