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Page 24 text:
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20 — Behind the Scenes
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Page 23 text:
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•— Now we can't start a rock fight,' complain the young boys. Corey Hels and Tom Nynas. after hearing the school bell ring. 1 Jones. Jason Schlrshlight, catches a terrified Mayor. David Webber, who has leapt into his arms after hearing the Griffin roar. j«OW CAST; Front Row: W. Wasrut. S. Smith. D. Webber. D Peterson. R. Berdahl. M. Johnson Bock Row: C. Runke. J. Schlrshlight. M. Markovich. R. Kempf. iy. C. nets, J. Kohnen. T. Rautlo, J. Plombon. T. Nynas. Not Pictured: A. Lee.
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Page 25 text:
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Scripts and sandpaper Though the spotlight never shines on the tools, opening night reveals the work of cast and crew The short amount of time that the actors actually spent on stage during a two-hour performance represented over 200 hours of work behind the scenes. The actors first responsibility, learning hundreds of lines, took a great amount of time. The actors developed their own ways of tackling this responsibility. One interesting way included tape recording themselves saying their lines. Then they played them back repeatedly while driving or doing homework. Steve Zahn, who played Harold Hill in The Music Man. said. I take one scene at a time. I'll read a scene through five or six times. Then I'll give the script to my mom while she's making supper or something and see how much I can remember with her reading my cue lines. While many cast members considered learning their blocking, which is stage directions, and choreography, or blocking done to music, tedious, they also recognized the importance of these rehearsals. Dancer Julie Schirmacher said. Some mornings I woke up so sore from rehearsals, but all that soreness paid off. Many people who never appeared in the spotlight prepared the stage for shows. Paul LaBissoniare and his technical crew spent many hours, even on Saturday mornings while others slept, hammering, sawing. and painting to build the sets for Good Grief, a Griffin.” the fall production. Stan Hahn did the same for The Music Man. Some mornings I woke up so sore from rehearsals, but all that soreness paid off. — Julie Schirmacher Becky Kopp. who played the piano for all of the musical productions of the past three years said. I enjoyed working with the people and found it interesting to see how you go from nothing to the final production. Behind the Scenes — 21
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