Duke University - Chanticleer Yearbook (Durham, NC)

Page 21 text:

OF THEE WE SING Wonicin ' s Glee Club provides sinj ers for Chapel Choir If you pass East Duke on Tuesday evening, you will probably hear strains of music as a hundred talented young women raise their voices in harmony. They are glad to see the Men ' s Glee Club go on tour because then they can sing in the Sunday Chapel I service. They also form the Living Christmas Tree and a selected few join the men for the presentation of Handel ' s Messiah. MRS. J. FOSTER BARNES directs the Woman ' s Glee Club. Mrs. Barnes has led the Glee Club for twenty-seven years. She trains students for Chapel Choir and solo parts. The Glee Club is, in Mrs. Barnes ' words, a training ground. New members sing out with might and main, hoping they will be discovered and Mrs. Barnes will open wide the gates to the Choir, Hoof ' n ' Horn productions, or the Triple Trio. The girls in the club are usually there for the pure enjoyment of singing in a group, and if you ' re lucky enough to be in it, you will listen to the tweet of Mrs. Barnes ' familiar whistle, signaling the time to stop chattering and get down to business. DURING REHEARSAL IN EAST DUKE MUSIC ROOM, WOMAN ' S GLEE CLUB PRACTICES SUNDAY ' S HYMNS. 17

Page 20 text:

I REMEMBER MAMA Sixty iipperclass women guide frosh via W.F.A.C. With a winning smile she greets you on your arrival at Duke, eager to unload the car, show you your new room, and introduce you to your roommate and House Counselor. At once she assumes responsibility for you and makes you feel at home. She is friend, mother, and big sister combined, to consult throughout the whole year — she is your F.A.C. F.A.C. CHAIRMAN Molly Bixby confers with two fresh- men. Molly has been elected to Who ' s Who, is a Phi Beta Kappa, and has been a Chanticleer Beauty candidate. WOMEN ' S F.A.C, grouped beside statue of Wash Duke, left row standing, left to right, P. Roberts, E. Weber, A. Price, D. Tuttle, S. Gerber, H. Kauffman, R. Rae, A. Goldthwaite, N. Miller. Right row standing, left to right, H. Dietz, M. Watkins, P. Cohan, C. Spikes, N. Nichols, A. Taylor, R. McKerley, M. Constantine, A. Faulkner, P. Francis, M. Jacobs, M. Ruos, B. Hall, B. Evans, P. Mood, M. Bixby. Seated in foreground, left to right, Schweistris, N. Hurst, J. Greene, M. Early, D. Jenkins, H. Bryant, J. Ziegler, J. Clark, J. Burcham, L. Taylor, C. Quarck. I

Page 22 text:

. ' ■ -4 -.;»ri«- :m n I i •!»•••» jAiS l.it)cral rts The haunt of the patrons of the finer things o hfe, Asbury is set apart from the main quadrangh of East campus. Headquarters of the Aesthetics, Art, and Music Departments, this gracefu old building is a symbol of the fine arts. Two of the thousands of feet that daily cross th doorsill may be those of a future Picasso or of an aspiring young Toscanini. In the classroom: are piles of frayed scores and even more frayed instrument cases. Trills and arpeggios echo through the listening halls, in spite of the soundproof practia rooms in the basement. Enthralled students cluster around a phonograph, listening t( records from the extensive music library. Pictures are displayed on the walls. Here Duk( endeavors to train talent in the fine arts, and here it displays the fruits of its endeavors