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Page 34 text:
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'LI donit know how to end the warsli' It started all over again. And a third time on the need for money. And yet a fourth time on the prohibition on pot. After the fifth time, 'Tm not allowed to take my clothes off,', we were spared the scream. What followed instead was the lecture part of the program. Julian Beck began with an explanation of the pre- ceding demonstration, the first rite of their eight step 'fPara- dise Now? According to Beck, the company aims at return- ing man to Eden-a state of being, a glow state . His premise that theatre is everywhere-that it is not separated from life-explains in part why his performances involve the audience. The second part of the rite was then set in motion: the audience was asked to go through each of the five tense steps, reaching the release each time. There was Frank and Suzanne and many others of your college friends walking around, confronting us with their frustrations. There was great reaction to this art of the program: participants reached intense emotions-or at least lied to themselves that they did-and non-participants laughed, sat bored, felt fear over the strangeness evoked in their friends, or left in dis- gust. From here, chance took over the program. After breathing deeply one, two, three times, one member of the company dived off the lectern into the arms of a waiting crowd. 'fMan is capable of what ever he believes. Flying? Well, 'fa start,', he said. A few Rutgersmen with a lot of guts followed his performance. After that, audience and actors broke into small groups around the room while a body pile began on stage. It was a do-your-own-thing ending to the evening. Once we dig the struggle, it's a groovy tripf'
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