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Page 173 text:
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i itt l I I t xr I ' 'D l ' is , - ,... . . J ..., .,, t Z ,.,::, g W l W g 1 52:23 1s:zQQZ:aa'j'faa 2a2gaisi.:3. ,. 22-xg 4 , iligi-gi In 21 class of creative design Charles Tipps puts his talent to use making a stabile with imagination, paint and wood. sion about three dimensions in relation to modern art. A . ,L g 1: Nw i-f' Jack Madclux finds Mary White an extremely attractive subject to sketch for his life drawing class.
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Page 172 text:
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Paula Falco discovers that abstract art in oils is one of the most rewarding types of paintings to work on. Laura Lea Hooker applies knowledge and skill in cre- ating a charcoal life drawing of a classmate. 1 wr: -1 ilsilw. . 1 SETS? .. .::.:::. i .,,.., r e a t ' ,se f' ' asus- .-w-'taxa f 'N' -.- A so ' gf? ' ,I ,J ,yi - aiiilfa.. Nh I 'g . lse .K- , K 97 x . Design, Life Drawing Rank As Favorite Art Courses Second semester found art students even busier than the first. Creative design students started work in three dimensional designs known as stabiles. For these creations they used wire, broom sticks, roofing materials and any other interesting supplies that could be found around the house. These students presented an unusual picture carrying saws, hammers, nails and various and, sundry other tools to class with them. The result, however, was a collection of beautiful stabiles that could be used at home. In life drawing the students turned to more complicated problems. Work continued with charcoal. The art history classes moved to more modern art studies, but they spent some time studying the history of the Gothic and Roman arches and other forms of ancient architecture. There was a complete reproduction of the Bayeauz Tapestry in the Art Building that was used as another study aid. The Art Department provided Del Mar students with an outlet for their talents and added to overall beauty of the campus and the surrounding community. David and Filberto Chapa engage in a lively discus- K , it til x
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Page 174 text:
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