Del Campo High School - Decamhian Yearbook (Fair Oaks, CA)

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, . ., -..H .-. . ., , ,. ..,, . UMA..- -- - fi ,- 1 I x ti You've completed driver's 'education class and you think you know all the rules of the road. This multiple choice exam will test how much you really know. You g must answer a, b, or c, and ,there is to be no talking l during this test. 1. What does the sign No l UTurn mean? a. no turning around at a stop sign or signal b. you must turn a- round. You can't go straight c. no driving in circles 2. What should you do when you feel a sneeze coming on and you're in rush hour traffic? a. keep driving and .yy hope for a split second NN I! I I' 'S X ' ALL as av. ' A AAA spa. Jim Joelson Brandon Johnson Jeff Johnson Matthew Johnson Ramon Johnson Chiedo Jones Wendy Juvenal Nikki Kaffee Matt Kamper Paula Keith Elizabeth Kellner Carole Kelton Jason Kenney John Kenney . ............,.......... el .... .... ...,. Do you qualify for the driver Hall of Fame? 3. What doyou do when the red lights are flashing on the back of the school bus? stop at a reasonable distance behind the bus and wait for the lights turn off drive on the sidewalk to go around the bus because it's in your wa calllzulate the number of points you get for hitting a school child 3. b. c. 4. What do you do if you enter aone way street the wrong way? quickly turn around and continue in the correct direction of travel pray no one is coming down the street oh well, it doesn't matter which way 3. b. c. ward try to accelerate for- ward and if you hit the car behind you, it was their fault for parking too close release clutch, roll backwards, and hit the car behind you b. C. 6. If your car starts to slide on ice, what should you do? a. slow dovm gradually b. accelerate and swerve until you stop sliding slam on our brakes so you stop skid- ding C. 7. If railroad tracks and a train is coming, what should you do? a. abandon our car if it is at all likely to be struck by the train b. ask the car behind you to push you out of the way c. call your dad on the car phone for instruct- ions your car stalls on 8. When driving in fog, what lights should you use? a. regular headlights b. highbeams only c. the flashlight in the glove compartment For every a--3 pointsg b--2 pointsg c--1 point 16-24 You should be honored at the Driver's Hall of Fame. You know your car and the safest way to travel. Maybe you could give a few pointers to your friends. 9-15 No one should be terribly afraid of driving with you but a quick review of the driving manual is advised for the safest driv- ing. 0-8 The best place for you is locked inside a box because if you're out on the road, the roads aren't safe. Go di- rectly to room 2 without passing go. nothing drastic hap- I'm going r pens 5, b. pull over to the side of 5. When starting on a hill . U the road and sneeze in a stick-shift car, what -.- ' c. ask the passenger to should you do? steer the wheel while a. gently release clutch the sneeze becomes while accelerating reality to avoid rolling back- 0 .-:gf 4 M ' if -'Y' - --. Z., Wrnnn, ne--..nl no .s 4an'1--fnfligfffig-:fn-'- ' - sa l Sophomores 1.f?21,3 i' RC 'Q A ' ff '

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Billy Gallion Ethan Gardner Mike Gardner Missy Gardner Tom Garrett Gary Gear Katherine Gerity David Getchell Brett Gibbons Leo Gibbons Kim Giffard Tanya Gillim Traci Giordano Shawn Gizinos Josh Glasgow Annette Glass Julie Gleason Susan Goodman Heather Gordon Darrell Graham Shannon Grammer Bill Greenhalgh Nathan Griffin Kyle Groom Tricia Gruneisen Christopher Haas Liz Hagopian Zak Hall Jenny Hamilton Michael Hamilton Mike Hamilton Tasha Hamilton Colleen Hannigan Kristina Hansen Jacki Harding Jennifer Harold Chantell Harris Ted Harris Toufan Hayatdavoudi Christy Hayes Mike Hazlett Jamie Henderson Nicole Henshillwood Kelley Henson Jeffery Hewitt Scott Higashi Darrick Hilbert Rosy Hill Jennifer Hilsinger Tabetha Hinckley Tracie Hinds Patty Hineline Alan Hix Sonya Hogan Holland Hollingsworth Jill Holton Robin Hornbuckle Bryant Houston Chris Howard Kristina Hurst Sabrena Ira Harold J acobus Stan J ennings ' ii ii 2 2' ka 4Y'f In aux 'l'f ' Q7 ff it f 7 iw? J aa? ff ,ff . ram x tw Q. 5 S 'S x fffy X721 K Q J 2' if . ff ' X6 M gl I--ff 4 fs Q film-4 , N , 4 K A fl 5 4, 'ter f rw T1 .Q sl -w Q Yoi edu thil of cho mu mu the dur 1. U'l 2. wh co1 rue

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Plilipa Kientz Julia Kim Jason King Scott Klacking Paul Kofoid J aitan Kucherka Suzanne Kuhl Budd Lacey Scott Laeber John Lamora Holly Langworthy Angela Larson Andrew Lawson Michelle Le Noir Elizabeth Leclercq Jay Ledford Jamie Lee I Sarah Lee Tanya Lien Joel Lim Lee Lindgren I .....it..........i,.............o....o...i....,.. ,... ..,..,....,.1........,,.,,... Sophomores enter the profession of modeling I'm different when I model, I'm myself, but I have to act more mature. At school with my friends, I'm meg I'm 'Valerie,' care- free, said Valerie Smith, a model since August of1985. I always used to look at magazines and stare at the girl on the cover and say, 'I wish I could do that.' People encouraged me to do it, and since I already wanted to, it was just the little nudge I needed, said Smith. Even if she doesn't have work, a model is always modeling. There are more capable models in Sacra- mento than jobs. You just have to be in the right place at the right time, said Smith. Smith began with small fashion shows in the mall and moved her way to such things as modeling clothes for Earthwear in San Diego. Photographic modeling is not the only form of dis- playing one's beauty. Keep- ing composure while walk- ing among glimmering lights and scrutinizing jud- ges took discipline and de- dication. After completing modeling school in 1984, Charlotte Dills was involved with jobs such as modeling new Es- prit clothes for advertising photographs. I decided to wait until I get my driver's license so that I can go to San Fran- cisco. I decided to do beauty pageants because they're close, and that's what I'm doing now, said Dills. She recently was involved in pageants such as The West Coast Sunshine Pag- eant and Miss Northern California Teen, in which she was among the top 16 finalists in 1985. I love the evening gown competition the best because you get to be dressed up and strut your stuff on stage and try to look beautiful, explained Dills. Both Smith and Dills have come across some disad- vantages in their modeling careers. It was hard at first. I had braces and every- one said, 'Come back later, ' said Smith. People are blunt. They tell you exactly what's wrong with you and how you look, said Smith. When every- one hears of something I've done, it embarrasses me, said Dills. Regardless of these dis- advantages, Dills and Smith agree that the benefits out- weigh the drawbacks. Mo- deling teaches you how to deal with people and how to present yourself. It teaches you how to act in front of the camera, said Dills. It gets you out in the world, in an older world. You have to act like an adult, and people treat you like and adult. It is really rewarding, said Smith about modeling. Regardless of the draw- backs and the time com- mitment, modeling enabled Smith and Dills to be all settled in their decisions a- bout their career and future. I pretty much know whatl want and what I have to do to get it. I want to model but not forever. My major pri- ority is college, some type of business major and have modeling. on the side, said Smith. Modeling made me ma- ture a little more. You have to grow up when you deal with those people. It helped me make decisions about my future and now I'm working towards it, said Dills.