Deep River High School - This Year Yearbook (Deep River, CT)

Text from Pages 1 - 38 of the 1941 volume:

1' W the cla s 01 1901 ln deep and QlHCCPG apprec1at1on for her fU1d8WCC rPspectfuW'v arc IOYOIQIV dedvcato thls J ,i e, s .' I , ' ,, . , 'K 1 J ' . ,, , '-lU ,' f 1' U Q ,M ' book to Miss Elizabeth 1. Day. -ner ww' , M.- F n A U40 ff +4 -1 3 ,.-4 '5F, 5'T9a uf 4. XR I --4011 -vs f-1-V -VV---+-- VV .-4 . , , ,, 5 V 4 . V ,JW f, .. ' ' V 'Aff ,fm 1 1 , . -as:KL1f'f:'mQs-25--sv W,,,,N ' ' ,, ' 4.4. - V:-M PM N 4. , . ' 'Q ' PW W.. 5-P Q w-Vfw' N, :M , E 4 V Vfma -V nf V, V. 4 ? 1 ,N 'GV V1 , Y V . , -. , - V V , 7 -W xy., 2 , ,. VVGEMK ff' ,-, M Q ' - , ,,.,- ml, .. 3, ' 1 , pug if i .V X -J Mg ' A k V 'Vg g, ,wg --,, , 9- , M. - 1 , ,- V VVV,,.,,4m.V W Vw 'gg . . , , - f A V 'V V' ' Q , g . V E 1 .- I - wk I E W . 4 V M ,, , . 1 ,, V .. . V e , ,, V, .X .V Q - 4, A VLN, , , t. - . Vi ,g,.V0- V ., ' .rw K , ,A I , 925' 'Q f A X' xl , Q : A ' ' 1., 4 2 - 7- V ' , Q 1 ,I . V 4 . Vg, - . A ,Q . , . V -V ,AV V-s,.-ff. ff L 4 .- yy . ' s - W 1 A 6 wmv- fa , .Y Q' P . -Vw, ' A 5 , i ' 4? 5 in ' , U V, V W 4 4 ' V 1 ' ,. , A K. V V -. ja 5 , ' A '. V L , 1m.11V, ' ,-- f W 1 f ' x f Q ,.- fly' X Y ' ,g5.:5, E4 fm-f, A - ' ,W 4 ' f Z 2 V' 1' E . A I - . ' Q - --- .1 I '14 V Vh...w,.:VXQ. fHf ,j --454 'V A .,V,q , , '- V - A 3 ' -gL V if 'XLJYA-2 A. ' ' , ' ' X ' . , 'K' 'Qi 'A ' X h, V ff ' . V . 'A ' Y,'M: 1-,rs zfx':Qg.fA ,WL 'Lf ' ' Y h N I 1 ku., X ' N V54 TQ- . S V, i ' f - .w.4g' 4 -8 . ' V figlvw . mg N, , . 'A' .V L. ,V -,f- - , , A A M,-,3,.VV,,- J if md w 'Z Q. x f CLASS CENSUS 1 9 4 1 BETTY HBETH ALEXANDER Com ercial Course Chorus 1 2 F, Bronze Typing Pin 'C wo'ds typing? 5, Journalism 4, Asslstant Editor 4 'Speed the sof ln ercoursc from soul to sou H JDJ? ALLEI' College Course Ba eball l Choru l Journalism 4 Assi tant Art Edltor 4 'Had I the heaven' embroidered clothes nnwrourht Nlth gold and sllver livht Y LlLL1AH HLILH ANDERSON Ceneral Course Chorus 1 2 Journalism 4 Ar Vditor 4 oull that thls woman's head were less pol en a out the hair AIGIE NANGH BAYOTI Conner lal Course Baseball 1 Hockey 1 Cho us 1, Typlnr Cert flcate C39 words tyrlngl 2 Joarnal 15m 4 ' ut of t ne own mou wi Jud e thee STEPFE1 lEVhH UIELOT nOmN6TC13l Colrs T U11 HCert1f1ca e C46 wor s t 1D 7 4 S lvc T wnf P C61 words typing 5 lanor f ' raetiee 15 t e es o all lnstruc or ALTON HALLIEH BOLSTER Commercial Course Baseball 1 2,5,4 Soccer 2 T1s hard to f nd a mar of great esta lnat caa Clstinftish flatterers fro1 frlends P TER HPETVH BATKO Com. rclal Course Jronze Typlng Pir Co words typlnil 3 Journall m 4 'lords o ru and soberne s 1 S 1 1 J ' . QQ I . . I ' t ' t- 1. - , , ' J 1 J l S 3 3 5 3 3 S - . ' 0 Q 1 , vw x o I Q I .7 Q ' ' l Y f J g , 5 . g t H, , . 7 ' d .L -1 1 ,, A ,f J 1 b ll Y Y ' I L . , , C' . . . ' vw a .. , , , . - . , , . D , - XJ u 1 .4.L. I4 , ' I 'C hi 1 th 11 I ' 3 .M ' YY HSM , Y' rx J , ' ' eg 'yL'rf ' ' t d YP S QS A 1 'Y YP- J in ' 7 Z Journallsm a,4g Editor-in-Chlef 4g Thlrd Senlor Yr Q1 -I 'P ' sh b t f ' t s.u A ,' . 1 5 4 5 '5' J . 1 . , te, mv 4- . , - H C .1 L 4 L, A 1. s. Q 7' I I ' ' .LJ .J me f 3 ' ' ,J . '4 C C g 'S . 'Y' f t tn s .H ff' f e. 1 ,f , f' 4 .f' ,f'y ,' ,-1 ' XX I lm sJf, Aygww e,f ,ic gcllrwlul-, .,W.,,llg1 J, Ll - - V Y x' 4 3 r I 1 , ' CC1,.1,LfIlIC1.IMEJT PROGFLM DEEP RIVER HIGH SCHOOL June 6, 1941 to June 15, 1941 CLLSS GF 1941 Class Motto: HVincit Qui Lnborotu riday, June 6, 1941, 9-00 F.M COMMENCEMENT BALL Deep River Town Hall Sunday, June 8, l941, 7 50 P W ' COMMENCEMENT SERMON Deep River Bdpti t Ghurch fe Is Wh t You Make Itn Rev llbert Couch Mend y, Juno 9, 1941, 7 00 P M , D CLIQS B N0UET How rd Johnson's Resteurant wether flcld, CODHCCLlCut lou tmn ter Dlno UUCCI CBetty flex nder Pre f t tlon of Glfts Q Altop BOlStef Spe ker 'fn Old F ble HGVlSLdH Beverly mrookes nOur Clos motto Ellen Johnson lot Your ge Shlrley Littl fleld On The Grourd G1 lvln Blelot Wodne dry, Tune 11 1Qfl, 8 5 D LOIMENCFMENT Dffp Rvvcr Town Hall Proce lor l Deep RlVCP Hlgh School Invoc tlon Rev H rold Br d haw SC16CtlOH HRom lno , Gounod Orchestrd Salutdtory Ruth Hxyden merlcd' Contrl u lon o lt r ture C1 s Probrecy Stephen BlO1Ot Songs 'Moonllght Sercn de', Drlgo Hiph School Chorus UThe Song we Sang , Pltc er Hxm6FlC P lnt 1 Plcture Present tlon of Glft to School Present tlon of Awards nd flumni Es dy Prizes Reddlng of Class Will !lbCPt Frank Song H01d Folks It Home , Foster Selected V ledlctory NI Hear IMGTIC Singlng Eliz beth H8mlCh Present tlon of Dlplom s W T Deep Rlvcr Hlgh school Song BGHCdlPt1OH Rev flbert E Couch J F ' U , D I S I T O , x : .M., D.S.F. Q S ll ' , L1 4 LL I U l U I L 5 fl : I 1 O O S C T O 1 0 L 4. xi Q f- o. V . 4 U S . 3 i L . M . . L S 4 S U Q I l I I Q O I I I I . x S X S Q21 -,A , v o 0 a I D - 7 ' C1 , lu f 1. EL ' 1 Q Q . ' W y ' VI S N' Q O I 0 H ,f f H ' , ' 4. A. ' s 0 o o ' C U I . A H - ' ' 1. . Q15 S Q o 0 Q xx I Y' S f u , K L :1 Polls, oSoTa f' J K 1 , ' ' Il ' J ss' la . . , . . . . e ' , ' , fl . I 9 0 0 0 I I I I 71 0- S N ' f- ' H J ' x LL , . g 5 9 Q p Q ' . A -4- 'L I O I U Q O I . Q U I E 1' . . . . If HL. L S b.t T L Q Q as - L Q 4 Q 0 0 9 0 o Q 1 1 - ., Av - - .. . ,A , D .Y I 1 .f h Address to Undergraduates . . . . . . Allan Hammer .U , n U . A. . Q1 1 fi I., S x . fw ' ' 14 ' Q . 5. 1 SL ! . 0 0 U 0 0 0 0 5 , 11 .x 1 ' A e Q 0 a A . . . F . H A - U. 1 ' . cl . u ' C. Y 5 . 5- o n 4 Q 0 Dru 0 Jo Cite . ' 1 ' 5' . . A J n o f Q ' 0 o 0 0 .. 0 A 0 f My ,. :If vu, . I b A, , K -, -1 lv X ' 5 -- I' H W -A-,.,,. Q V' B ,,,.,,,,, ,Q ,.,, ..-,..-.,t--.4i, - ...,........ Defi..- ,,... ,-..e..f.,..,..-......J.f.,, .. I i -,.-,-,. ,. .X HANERICA PAINT Painting, Uthe Queen of the Fine Artsn, had 2 most humble beginning on Amer- 1ca's 'bores klthourh lt has been noted nr t n ea ly French cololy h d profe SIOHH1 arti t to po .',1 'if activltie lt seems that the first ccds of AMCFICQD painting were sown ln the middle p rt of the ClQh+ tecnth century, wh t could be c llod the colon l period As 1 new natlor 18 born comblnatlon of patriotic on roy and rugged indlvidu llsm produces harvest of n tlonll development But n our c 15 x s not lncludc an 1NmCdl1CC QCVC1 opment of the art of p lnt lhg Mcn's mlnds :ere turned to more vlt l thin than rt and the only con ctbtlon held of p lD+lU tr t of produclng portr 1 The flnc rts h d much to overcome 1D AmCP1CW flr t came lndlffcrence n h oplo tion, for the Pdflf r nd Quaker thouvht p 1r+lrL frlvolous nd u l bat Q c sclf m p O Q u c me the f1r t D tron dclphl d Bo ton qulckly lndentlflcd c n tcr of c rly boginn n of Amcric n p intlno In the colonial ptr such SCTttCP1D s of tr dl tlon rel trd to pdlntlng h d barn d rlvtd f om g lish portr lt palntlngs f Reynolds G insborourh xho xcrted the rc test lH fluence ox our rlv pdln cr but ln f t merits ors s 1 P lo of the mod f tholr pr d 7 I-JIS. ' 1 , w ,-x f. 'l-' 'w -t . -sll ,f ,f X. IICTUREH Copley that Americans first took a recognized position in the world of art Although West llved most hls life in England he nel ftheles' had an indl- rect influence on hls coun r nen for hlS uccets n sid' 1 young 8't1StS and 's 3'-1 'ance was bener ously glVPH o American student who found their nay to London Nest's contemoorary John Slngleton Conley, however remalns a vltal factor ln the story f Amerlcan palntlng Copley carrled on the work of his prede cessors and perfected tF61P style to such a degree that he 1S remembered as one of the mllestones ln Amerlcan palnting With the beginnlngs of political unrest between Enbland and the colonies the develonment of palnting stood it a standstlll and the only memorable palnter of he perlod was Charle Uwlson Ieale de not only founded the first art chool called he Pennsyl VQDIH academy of fine arts ln the Un ted States Amerlca After peace had been re stored txo contempolaries alned recognltlon, they xere Gilbert Stuart and John Trumbull both of whom were tu ent of We t London stuart palnted many fine portralts and one that wlll llve 1D hlsto V ln H1 nk lenaeumnthe thl and la t OPlglH81 nortralt of Hashlngton Trumbull's hvghe t con O . . , 4. IJ 4 u l I ,Q 1' L LE. C. In 'K O4 . 'O . 'l l Q G S ' , Y fag' ,, 5, ' ' ' t 's rtivwy 1 L , V J ' - H ' S, ' A F t yas , r ' s s i - . S' llcef f . - ' . ' 1 I 1 hi ms: s- s - . X Z1 , . J' ' J t or ' a e s ' . a -N 12 lk , Y V1 1 ' .1 4 f - A ' I .L . , . D , ' - : A . . . t. . 1. 5 . , -C 6. Q ' I Q A ' fn . A V ' ' fi C . , . . . 7 0 , ,- I' . f L1 L, ' l U C ' - ' .. l use th .v to W 1 1' . , . . .X A ' L V ...' N r- ' , ' A . L Lx I ' ' ,, - . . , 'N v , I A l ' .,: ro . ,. . 51,0 V A . ., TL 4 4 ' .F ' 5 . - , E. ., f' WELS . ,.L L21 V '11 L13 . Q' , , ' rw f' , . ' V, - M , A . 0 Q ,I , - . - tg s g . . , Y , X t ' Q d t en , ' . . 'ff Sl ' ' oft .S CL ' ' ,S fx . f- 1 r' ' ' lr' ' ' Q 1 ' 1 et .J U . . .U 3 -0 5 I . SQ SC 535 ' 1 ' V, L, f . , -- 1 V- t1l:S - , stu e c ill tt 5 . a 3, , - . . Q 1 s -Q t .s of C ' . T.. -, n Av 'I 1-.. 1 ' E1I't3 in AI!1E,I'1Cf1 ,..l'1'I1 xnll- but adbgg 1:1153 flpgt mugeum ' rv. , Q an s A wtri ' t, io, of . . . . , ' HS Lam- Q , ' , , 5 11 'i gs . f . - . .. , C fl . 'J A ' , . , 1od 5 ' ' ' , V . ' f? 9 . Q rr , , Q . ,, . rn m . . V mu J 4. J L - , .A - X ' , . x A A Q, C , , P X Eng- 5 d 3 ',3 in . . . U , fl ., -5 O . . , and n 5 C , , K , , . . . . . V x, 'X gg 'fx U ' ' vo - , T. . f s ' 4- ' ' ' 1 Qi. U Q Lf A . S g C '1 A . . S 5 O L, c A t 6 r S r Q -R 'L 5 5 . , ,S . ' O , L L- ' ,' 3 , ' - ,. cess it wa w t, Jtst and , Q 3 - r , .,q' , ,H v,-. , up r f 1 by ., , . K, f A , tx t . .. I -, , x. - - ..-....,:.........-............,............- ,, .,,,, H... ,.... ,.,.. .... -.-...,,.-..,, ...... .,,....,,.. . , ..,..,...,A... -.. ,.,. , ,... ...,.,......., . v. ,.. .. , ,... ,. . , ,, , ,.. , , .. ,. . .x -, ,A .,l F .5 . V Xi ception of a painter was to be an historian in paint and his works will illustrate his ideas. Among his most famous are HThe Battle of Bunker Hilln, HSurrender of Cornwallisn, and the HDeath of Montgomery.n It has been said that not a history book would be complete without Trumbull's paintings on the Revolutionary War. In the story of American landscape painting we meet George Inness, who was a pathfinder whose originality and zeal for nature bIazgd a trail that has led on to the present notable expan- sion of American landscape painting Inne s tried his hand at engraving, for at that time it the one branch of art that se med most likely to yield a com fortable livelihood But it proved of to exacting a nature for him and becau e he wanted to continue his artistic tendencie sought French abroad French had to diverge from in the rest of his career and C6 cause he applied his owr public reoo, him at l and aim of I are be t undfr stood from his own writings In one place he says, HThe puroose of the painter simply to produce in which a scene h made upon him A work of art does not instruction fror painter here and It was from tnis influence th t h ttributes nition came The spirit ness' work does not appeal to the moral sense I s air is not o instruct, not to edify, but to awaken an emotion As we climb another rung N ' sl nh 'Ku ' 1' A -.1 -. A Q X. 1 on the ladder of American painting we come to what is known as the independent painter and James McNeill Whistler probably the most famous of the group proves an interesting example. More has been written about him than any other American Artist for he was great and he was unusual, two factors of vital importance in se- curing and holding atten- tion through the years. One item of interest in his early manhood is recounted when Whistler entered West Point He changed his mid dle name from Abbot to Mc- Neill, which was his moth- er maiden because he fear- ed that the initials J A W combined with his re dy ard often biting speech, would gain for h rever live tine a e distasteful because of tere t ir im a nickname he down The rou t Toint seemed to Whistler and his lack of in studies except drawing he was discharged In reviewing the art of Whistler we can easily re cognize that he worked in many mediums and excelled in all His etching rank t t Rembr ndt's his l nd cape paintings are unique, and his portraits .mong them 'Whistlers Moth er , and HMlSS Alexand rank with the best por trai s by the old m sters It is ap ropriate therefore he should receive his greatest recognition from the country that gave him after long indifference is now proul to cl im and hon or him Shortly after the era of Whistler the American pub '. -. ,f I . 0 I a ' . fs ' ' s ' , , . . ' . . X was ' ' ' 5 i X! S - ' ' 0' . . 1 , . -,f ' ' ' ' ' t L s f ' A ' 's ' ' z ' ' ' s he 3 'i ' p . S , v, ix 0 Y . . . ' s a ie ' t ' H . . T 1, X 1 0 -' ' K . rj I -u . S I L next o a ' 3 9 ' ' A T' a as f ' ' ' I ' ' to 7 ast. ' 3 n . rl- 2 ' . . - S .J H I 8 I' N V' if . I . 1 0 . .- ' 1 ' L f- U CA. s, Q 1 , ' 1S ' Q ' 4 as . A . ' ' 'E appeal to the intellect. It bipth----the Country Whichw l D I Ax- . t n J. ' t Q gt ' - . ' . . .E 1 4. all . , - . . - 'lf' ,- . ' , .- -.,. D, ' I - 1 , X4 , if A- Ni -I 4-AA H f '-t V F .gh I -. , A 1- V V I X -g- .Q t il ...I . A ,- .gk . V 1, X. .N lx. x lic became interested in mural paintings and illus- itrations and we now come to the early twentieth century painters. Figure and por- ftrait painting seemed to I, x fade during this period and probably the most important treason was the camera. It had by this time reached a fair degree of perfection and people did not care to make from. ten to twenty sittings have their pic tures when they could oo tain them by photography with one an so a new fphase is ushered in to the ,f American public, mural p inting and illustrations, and th t is how we come to Hofard Pyle, the most not ed general illustrator of the day Pyle was loved by the American people because of his hundreds of illus trations which they could understand Pyle first started his art training by writing short storie and illustr ting them dur ing h s Hoff hours They became so popular th t he soon gave up his other bus ines nd dcvoied his whole time to Jriting and p int ing Pyle also vainted murals of distinct merit, and many of these are new located in the Wilmington Institute Libr ry special gallery devoted to his xerks American art is Rockwell Kent who s a schoolboy was a real trial to his teach fers He was not bad but simply had too strong mind of his own nd as a result he w s always at the 1 foot of his class Later as a student of architect . 1 f '. f .,c - n eoo c ,oy,ocooeooe ooo o,co c do X ure at Columbia his stand- , 1 ings were so high that hisji family realized his intel-.i ligence. He soon tired of architecture and as a di- rect outcome he started tdf study painting. Bleak places and sdlitude far away from the haunts of man have always held a fascin- ation for him and his trav- eling naturn carried him tel far and distant places where he retained his mem cries on canvas Kent us- ually visualizes an entire theme before he puts stroke on canvas his paintings have that re alistic spect bout them Mr Kent always had dre ms of going around the world ture more the time most little cr ft to pic still stranger and desolate places been s id t at rt portrays the and this seems the logical nswer for our l test phase of p inting c llcd surre lism This type of painting proves confusing, but it is prob ably the rtists only may of relieveing the tension th t his enveloped all of us during the past decade And row in sumring up Amer ican P inting we find have come a long way since the fir t portr it painters of he coloni 1 period Although our painting has to time by the art of other countries we re new quite individu l and one can truly say HAMGFIC Paints A Picture As arts reflect the spirit of the times so does the youth of a n tion re Continued on page 25 :Y ' f 'f 1 X f I 1 . . S d af 1 and all f ' ' ., 3 Q f ' ' a a . - ' ' , . r C ,- V I - 1 I . ,xi . . . . . 'ln an in a a . -f if . ' . rx , f ' 1 A4 . 0 J? V3 a , ' It has , a h pf ff ' Ha ' 3 . . '- S A ' Q1 su- . ' . . c. EL ' ff ' -S a L - a' ' -- 3 . nfl 5 Q ' ' ' I n 5 . 1 H M. , . Xf ,W . A L a ' ' ' -Q , I ' a ' We H S , , ' c 1 u U ! 't'1 v ' ' Ya' - .,. 5 O 1 f L F C K 5 v 1 A ' ' . Q .V J. 7 D 1 . V .F . . 0 ,-. S' H -J . a in a 3 - Q- ' ! -fl l V t . Q 1 . . . H It it Tve arCh'adv?nturer in been influenced from time!! 1 -'I 1 . 1 f ' fi ' I 0 H , - , Q . , 3 , I . . . Q . . A , r 0 ' e X . L '. F 1 . . 3 n. z 'g a fl Z1 'r' XX . I Q ' .. -, .-4-' - A- ,-v, -, .--.. A VV .- l A .V lv 4 I., A Q! .F -I I wifi..-'fd ,,... -,.. ,. ..., . .. :1-1 .,-...., , ,... ,-,.. . , 'TE , . ..., . , affix .. . . .. 'A .. -o, ,,,,,,,,,-, ,,,. ,,,,.-..,. .... ,... .,...--...--,, .,... .. ...,,,. 5,,,,,..,.-,..,...,,,.. ,...,...,....k,--.., .,, Avuu ., v-.... V-NN 'pak xyxu .MX a, ,X X H ,,z , ,c . , . X 4 c Xxff , . ,r c. i gi uAMERICA'S CONTRIBUTION TO LITERATUREU Members of the Board of Education, Mr. Superintend- ent, Faculty, parents and friends, we, of the class of 1941, heartily welcome you here tonight. We feel honored and pleased to have you with us at our gradu- ation exercises. Hay you enjoy them, and carry away with you pleasant memories of your last evening to- gether. The growth of the United States territorially, in- dustrially and politically, has been so rapid and re- markable that one is alto- gether too likely to dwell on these outstandin feats rather than on the cultural advancement f America Literature however has one hard in hand with the other ackievements and if it las been less spectacu lar it has been no less great Durin the Colonial pe riod, people were oriaarily occupied in the difficult task of gaining food shel ter arc clothin lt is not to be wondered then that fev people ffand enough time to write ny thing e ceot letters though some like John Smith with his nTrue Re lations did do some pio neerinc in the field lite ature these works written in stilted lan guage all historical or r ligious and had little any real literary value Not until America became roused against England did her writers produce any literature of merit Out standing among the works of that period were Thomas Paine's, nCommon Senseu, and Thomas Jefferson's, nDeclaration of Independ- ence.u As Americans became more settled after the war, in a now independent nation, more time was devoted to education and culture. Dur- ing this period Charles Brown wrote, nUielandH, America's first novel. In this era also, Freneau wrote poetry of much dis- tinction that he has become known as America's first real poet. Although the authors of the im ediate pre war and post war days wrote well composed and scholarly lit erature they lacked the creative power that the au trors of the age following possessed This age known as the period of romantic revival produced such writers James Fenimore Cooper Edgar Allen Poe Washington Irvirg and J l llan Cullen Bryant though they wrote on diver sified topics such as ad venture mysteri and relig ion, they all had one qual ity of writing in common imagination Irving won wide acclaim in England be was truly recog the United States such a period of writing Emerson with his essays and poems and Hawthorne with his stories and novels led literature into a more rious vein Characteristic of both authors was unusual depth of thought and relig ious fervor fore he nized After fanciful . U , - 1 5 S - . I o ' . . - - , . 1, ' A U F, A Y 1 . I - 4. - . A L V . w - , A V . , ' Q I s rv . , A- . Q ' - as ' - . 7' . Q 1 M 1 o 1 ' . . : Q u yr 0 - L A 1 1. p -' I 9 Al' - . ,. . 1 +' S- E - . . an , - ' .1 v ' , , U v . , ca J U , 1 V 8 if ' - V X , . . Al- ' ' ' ,I -- A . . . . J I ' V ' , - 1 u - I' n u Q I A - , Of L in . . . Y' , 1 A , , I . G ' ' ' i I J , I , if ' ' 9 . ' , . L 5 e - . ' I I 1.1 ' 1 0 ' . U t A . 1 kJ A 0 f, , --1' X X' ,f ,- U -'.'- . .'.. .M ,v,- W-NLM-, IFQI, ,Q ,,-,. wig- '.,,..-.,' - ,,,-, NA- ,,,,,, U-,Wu-,,, ,,k,,,,- ,,-. h- Mygf ,,,,. ,-,, ,,,. ,031 ,,.A ,,,,,,,.,, ,, ,, ,,,.:A,,, .,,,- ,,..... ,... .,,.- ..., , ,..,. I ,, ..,, ,- -10- Gradually this serious- ness were away and an age of varied cultural writing took its place. Oliver Wendell Holmes, a doctor by profession, became famous for his humorous writing and James Russell Lowell, if he had written nothing else, would still remain a great literary figure for The Vision of Sir LaunfalW Henry Wordsworth Longfellow with his almost epic poem, nHiawathan out above all the others. His genius was so universally recognized, that England placed his statue in the Poet's Corner of Westminster Abbey--the first time such an honor had been conferred upon an American As a nat1on's history always influences its lit erature it was only natu ral that with the growing rift between North and South authors should de vote themselves to the con demnation or defense f slavery 'Uncle Tom's Cab i by Harriet Beecher Stowe raised the anti slav ery feeling to such a pitch that the Civil War soon broke out and Abraham Lin coln later referred to the author as nthe woman who caused the great war Lin coln, himself, won a place in the literary world with is ' ettysburg Add ess Nhereas the war period produced a great many writ ers of merit the post war period belonged chiefly to two individualist poets Walt Whitman and Emily Dickinson Both were dis tinctly original though in very different ways Whit man thref all poetic . Ili ... .. ,. .,.. . ,. .-,... .... .,.. ..,......... H .Y.. ... ......,. ..., ., .. .,......... ,. , .... , . .. .. V.... ...- ..,.,....,,...-..-.......,. . ......l .. ., , , -.5 ' '- .- x, ' . X'-. X: .1, . ., strictions to the winds and introduced an entirely new form of poetry--free verse. Emily Dickinson who had lived a secluded life wrote short poems full of meaning and not influenced by the outside world. Not long after the Civil War, migration to the West began, opening up vast, new material for authors. The literature of this period was colorful, adventurous and full of local dialect. Edward Eggleston with his UHoosier Schoolmastern was the first to use dialect but he was soon followed by Mark Twain nthe Lincoln of literature, and James Whit combe Riley, the famous hu morous poet While the West was fur nishing highly localized material, the East vas in troducing Realism to Amer ican literature Thomas Bailey Aldrich with 'The Story of a Bad Boyn has be come one of the best known realistic authors The his torical novel such as nBen Hur' by Lew Wallace was al so begun in this period with the passing of the age of Realism the twen tieth century was reached The writings of the present century have not had years of reading to test their worth and it is therefore almost impossible to pre dict which authors will re main famous Thus far however several writers have enjoyed such great popularity, that it seems not unreasonable to suppose that their works will con tinue to be read and up preciated Certainly NThe ll of the Mild' and nSea J -., Q 2 .4 fi .f ? tg N5 H .2 if , vf 2 N Y., E N, ? W , 1 'x 9 A r a I .X .X- 1 .-'R I , , x ' . 0 5' f - X J Y ' ,fl 4. - - f A 7 J , ' 0 -E5 ' , - , Q s- , if Y -. n J H ' ' - - r . f , I ll. . . , ' f 1 X, - , - ffl C - u - 'H , ' - , ' , . If 1 'f' - 1 rr H h , G rl Q ' - 15 L .' V' ' . f . -' q 1 1 , ' I . , u I ' ,!'- I 12 D Q I'- Q . 0 . - . I - Q ' Q - . 0 . ' . X , I 1' Pe- Ca - ' F ' N' . . 'R xx'-. . AS- 1' A- K 1' V ,ft -'K ' ff, X. sX - ' H., 'R ,f AR 'M ff R, ' xx XX ,f X 1-Mfg, Iulll, -HM ,,-, .fg3.,,Q ,,--,,, ,,,,,.,, K Qlg,-QV,-I ,U ,,,,, 1-,,, , ,1,jf, ,,,,,,.,,Q:- ,,,,,... .., ..... I-...L. ,.............., B. .,.v. .... a ...IH-.ILM ...,...... up-gl. . .. 3 s I ' xg., Y, I. I ...ML ..,, . .... -- N ., A . .. it ', fl. -,xv ., llbl , .' l ,. , I, it -I, I CAN YOU IMAGINE? Betty Alexander the wife of a certain man who left school a few years ago? June Allen clad in rags? Lillian Anderson with a bald head? Angie haroni not being able to gossip the latest news? Peter Batko looking for a fight? Alvin Bielot a six feet foun symphony conductor with hair down to his shoulders? Stephen Bielot the dumbest student in the class? Alton Bolster without a stick of gum to his name? Edith Brault in love and not telling everyone about it? Beverly Brooks a sulky moody person, never smiling? Oscar Buracchi after he let his beard grow for a month? Eugene Cl rk with an pple for the teacher e ch d y Theodore Cole agreeing with everything? Ameli Cyn r the wife of certain red headed sailor? Albert F nk the capt in of b rve on the Connecticut River? Edw rd Giz in 3 ll for t rting a riot? Elizabeth Hamich not being ble to nswer the question, 'Who was the first presiden '? All n Hamm r s the Dog W rdon of H rtford? Ruth Hayden a the wife of George Raft? Dorothy Jacome c pt in of baseb l te.m at the Olym oics? Herbert Jhcome a million ire? Elizabeth John on noisy? Ellen Johnson president of clock factory vhose motto is nAlw ys be on time ? Hugh Johnson a hen peeked hu b nd? Shirley Littlefield ho tess in .n rmy camp out West? Dino Nucci chairman of the Republican reform committee? Emma Schlott not m king eyes? J n Seeley singin b ss? William Smith member of the presidentfs c binet? Louis Stannard not te sing somebody? William Stoddard president of a ladies' escort bureau? Jennie Tatko writing the advice to the lovelorn column? Juno VanCleef the most forward wom n in the Business Womenfs Associ tion? Phyllis W shbu n gloomy? 15 rw ' rx fs CL '7 LA C. Ca C4 KA. 0 . . . f- -7 Y v . . A A . A . - L- ck ' E. Q.. - vin 1- ' A fx ' .L f.. u. et e. O . . . . . . . ,Q . ' bv 8 il S F. I . . , . N . e - a a A - I . . g H, X t . C CL CL FL ' Q . rw ' ' Q V 1 1 . .1 U S. -. fs. Q J. 5 L ' ' Q . F . . A V .A ed. . - . 9 v .J . .. r., Y J. .. ' LL 4 ' , ft ' YI, or . . ' ' S fl . . ' ' n .-1 , ' n 11 ' ' ex. U L 1.. . . . . . 4 rw Y Y Y l A . bt I rm f' ' ' rr fw V el ' 6 L.. . . . . . n A C. C. ' . . F . m ' el A 1 - . g . Y A I . , Q . . A L H L- Y I , A Q . LA. Y LL . - rs KJ. I . - G L.. I' . .1 X V, y -' .- f -.I A I ' . s , -.X 1. .... , ..,,, .. , ...' ..... . . . '. - .,,. ,,.-,,..... :N .... . ...,. ,... ..,.. A .2 . ..,. ---. ......,.. .... .... ..,... ..,- . . .............,....,....,..L.........,........., ....l. 1 - . 1. X , , , ... . .....,... ..... .. , ,..4 ., .. , , ,, e , ,, ., ,,,,,, , A. ,A., ,, . - - ,, L4, ,A A , 4 o r . , ,, rott . , Q, A .,4 , , . . , 4. - , l . W. LA munities. Even today in the secluded mountain region, grandmothers knitting in rocking chairs, parents at work, and children at play, still sing the old ballads. With the growth and devel- opment of our country, a mu- sic truly American, embodying the soul of countrymen in every corner of America began to be. In the north and along the Atlantic seaboard the stirring, sometimes melan- cholic, sometimes gay sea Chanteys resounded above the dashing waves. On the rocky slopes and goldbearing hills the sweating, struggling miners bewailed their bad luck or cheered themselves with their work songs On the westerr plains the watching eowbovs developed their own music Their patietic laments such as, 'Oh Bury He hot n The Lone Prairie still stir our hearts and bring to us a vision of the days when the West was young And these same songs are anonf the few example of real folk music of America In the south the darkies tolling under the merciless un san their pleainv spilituals and ave us another group of fell songs lhei voices Ja t naturally in harmony xould rise in sac beauty Their nu sic leavy yet sometimes with Hai and rollicking rhythm nroved to be a great contribution American music AS interest in music grew names of certain composers of American music began to e merge the nineteenth century two of the most out standing composers were Ste phen Poster who gave those pictures ue songs of 15 the South, and Edward Mac- Dowell, who is honored with the title of the greatest American musi- cian. Everyone knows and loves Foster's HSwanee Riveru and MacDowell's HTo A Wild Rosen is equally familiar. Also in this century, Dvorak composed the uNew World Symphony,u the greatest ever inspired by our country. During the twentieth century many other names have sprung into promi- nence as certain compos- ers' works have won public favor. Sousa's, HStars and Stripes Foreverng Rom- berg's nDesert Song and uStudent Prince Kern's HShowboat Nevin's uRosa Carrie Jacobs Bond's nThe Perfect Day and U ust hear n' For You and finally Irving Ber l1n's pieces such ' oo Bless Ameri a are among recent American con positions which have had popular appeal Now trere is a trend for the music of America, which begun its life among the humble work songs oi the people to return again to the people Uitr the invention of the phono graph and mo e recently of the radio, music has oeen carried to people in eJe y corne the country Since its first initiation in the public school school orchestras bands, and glee clubs have been formed Uisic is nrevalert throughout modern life and is no longer considered 1 novelty for the few but somethin engoyed by and available to everyone T 1 Xl . . W i - n 3 ' ' L. H , ' - . . Q . - H . - U 1 ry ' H l U A A , I . Y rr H , e J A 1 3 1 .- , .. 1 .1 9 0 0 I , II as , . . , . V A G C , - ,, . . , - C: O 13 -A 1 ' ' r s o ' . . , . l L . . . , . . Y v kj . . , , . S 1 5 . . . -4 . ,N ,Q . . Q Q: ' V cb C ' I LJ F., . . . . . o l F 1 , 1 S g ' L . . 1 I ,., , - . . - . . - .. ' I' ' f, - - ' ' 1 , 4 C ' , . ' , Q , . 1, . A . . . 1 A W Q .' -L . A f Z. O f .Y . . . . . . . . - . . to 1 ' L ' , 'V . . . S , . . . . 1 J A 1 . A A ., X . . .. . . 1 , ' L 1 V 1 A c .L l . . . In W - 9 1 1 1 C. ' Q 1 Qv Q -- , 1 + us ' H ' 1 ' LJ ' 3 ., .h 4. -. -.4 - - ,.- ,.- V 1, 1' R, ' ,--' ,-' X. f' X. ,-A '--. '- NK., 7 x, X .1 I ,f ff X' -. ,,- x -. , N., l A. ff x, -. ,- .- .,.. , ,... ,..,i:1f., , ..,., -..-.....i::1..-,, ..,. -....Z-fL.-...,..-....21... -,...-..Ji.-:1l.,-. ........... 'ram .,.. ---.,Je.f'..-..l.e.e-.,.rIr.-'t',.... ... .. K W xy F It You y 7710 Ilcfm fa csvmdn + 5 Aomare 0..U f7c?ff5 fn f .....,. .....,.. ....,.-...., .,.. ..... ...... ..-.,, ....... -.. ...........,......,........., ..... .. ...., ,.. .... .,........ .. ...., . ....... ...,. .,...,.,... . .,.. ,.,., . ...,... ,.....Y-.,.,.,,,... .I . ., n R .- '- s, .- N, -. , t A - ' '- ' t -. A N. - xt Rr gf if XT xf' my er. fyf 'en EDITH DRAULT leaves her bright smile to Bernice Towner just to add to the one she already has. EUGENE CLARK leaves his place as one of the smaller fellows of the school to Bert Ziegra. Look out you don't overflow it, Bert. BLVLRLY BROOKES bequeaths her ability to betray her presence by giggling, to Charlotte Trojan. THEODORE COLL leaves his ability to use bales of paper and quarts of ink for his long themes to Jepson Hulff. AMELIA CYNAR, that shy young lady who blossomed out flirtatiously this year, bequeaths her heart- gathering hobby to Holly Lewis. EDWARD GIZA bequeaths his red hair to John Baroni to produce a little more color, and hair. ELIZABETH HAMICH bequeaths her studious abili- ties to Doris Gesner. ALLAN HAMMAR leaves his ability as an efficient Senior Class president to Harry Julian. Just a thought for the future. RUTH HAYDEH bequeaths her ardent devotion to r endell Willkie to Harold Berdensey hoping to reform him in his political views FLRBLRT JACOVE bequeaths his outstanding abili ty to hand out fish yarns to lewis Francis don't talk too much Lewis you might let the cat out of the bag' DOROTHY JACOHE leaves her well developed lungs and steadily clattering Jaws to Josie Baroni if she d1dn't already have suffic ent ability in that line FUGH JOFNSOI bequeuths his ability to walk around in a daze to Brad Johnson Isn't love awful? ELIZABETH JOHLSOF leaves her ability to sue oessfully keen her affairs herself to Bhylis Kelsey DINO IUCCI bequeaths his cool collected atti tude when arguing politics to Ernie Lindner wouldn't it help Ernie? ELLEN JOHNSON oequeaths her all time hiah re cord for tardiness for eoste ity with the request 'p ease don't any 'me trv to brea i UILLIAI SMITH really doesn't need it all, so he bequeaths a few inches of his height to Leon Lukie SPIRLEY LITTLEFIETD and EMMA SCHLOTT bequeath their lonesome evenings and daily letter vriting habit to two of Uncle San's men, to Kathleen Sbona and Joan Farazda The Army ani Favy forever' LOUIS STA'1ARD the lyrone Powez of the class leaves his famous profile nu way with the ladies to Parvey Brookes JEAN SLELEY bequeaths her quiet speech and ian ner to Anna Garbarino 19 I I .. . . . . .J , A.. I 1 ' , ' L ' .i I ' ' r - - 4 . Q I . . . . 4 - , as - . . 3 1 . . Q L La I U - A . A J. X r ' x wr .. - J . , W' 1 ' 1 - . . , 1 L to 1 n I ' - . . 1 . - - . 4. . . ' . . 4 1- . ' ' Q , ' A F - .- l o. J V k t. , ,I f, L - A . . ' 0 1 ' ' '..a ' - '1 , ' A ' Y ' - hr .- ' rv A I .- ,, ,, , f 1 . A . --r'v N F1 -, .. . y ' . . F 1 A . c I KA A 1 O 'I U' 'a ' A in I . I.. .xx 'ff 'X ff- xx ,lf V'-1 'xxx if X g....,.....-.. .... 2 .,...,...... ,.-...... .......,.,,. - ....... ' ......,.. ..-.. . ,... .... . .... -. . ..... .,..... ...-....-,.., .,.. ...M .-. W., ., ,, N 1 I .,-1 E. ,v 1. X to ,,. t to , , be , as or S X .2 '-. w. I , s x s 1' 'V w. - - . 'A-A. V, C L A S S P R O P H E C Y O F 1 9 4 1 All Fool's Day, 1951, found me in the Bond Hotel seriously debating whether I should accept the position of vice-president of my present firm, or the offer of president of a rival Making no progress in direction, I decided to visit the Cocktail Lounge. As I walked along the corridor, two young ladies nearly knocked me down. My surprise mounted when SHIR- LEY LITTLEFIELD and EMMA SCFLOTT introduced them- selves as Shirley Bloom and Emra Brav, dollywood ac tres es currently appearing at the St te Theater reached the elevator t last where other surprises were in store for me the elevator I net an old school friend, who was dressed in a bell hop's un form EDDIE GIZA greeted my questions by saying that ne got a thrill eacr time the elevator went up rd dow last I rea hed 1 Cocktail Lounge The dance floor was crowded with naapw people who danced t the rippling rhythm of BILL SIGD DARD'S orclestra witi vocals by lovely ELLEN ANN JCHRSCN There was much to sec in a large place like this Louis STANNARD, dance instructor, was apparentlw trying to JUNE ALLEN the latest craze the Conga, but they seemed to be tak short cut recommended bv Madame LaZon a, uLet s firm. either teach dance to me ine a walked over to the bar, and ordered a glass of milk from a tubby little man, who was humming HThe Prisoner's Songn to himself. There was nc mistaking that this was the same old ALVIN UDOCH BIELOT whom I knew in '4l. It seemed impossible that so many Deep River High graduates were living and working in Hartford. In the dining room JUNE VANCLEEF and EDITH BRAULT were pick- ing up the trays which had fallen while they waited on their customers. Of course, a manager always happens to appear on such a scene like this, but BILL SMITH was different from other mana gers In the lobby however, another interesting scene attracted my attention O a wooden box stood RUTH HAYDEI whose head of curls moved angrily from left to rivht She gave me the im pression of a soap box ora tor, campaigning for some president, a Republican of course I began to leave the lobby when BETTY ALEX AIDER the hotel's ciga rette girl, greeted Betty told me that ELIZA BETA HAMICH and EUGENE CLARK were suddenly married the day before, and that they would reside at Number Ten Bill and Coo Boulevard in Hartford I was outside at last, but only to be bothered by Yet, this a child by was DINO Dino was a school and a mere newsboy newsboy wasn't any means He NUCCI Truly newsboy while n so interesting that he now made it his 11fe's work I bought a paper frem him and .1 ,, 'x K. K 9 I. 5 . .X-I 1 ff f 3' n J I - . H 1 s ' ' L ' , ' , 1- a . I , ' ' ,f If . , , f a , . n y J - . A 1 on - A - r 7,1 Ax' - . - . 'DQ . l - .fr , ' , 1 - ff 1 . ' Av ' ' ., ' ' '1 ' I Q L I- 3 . 4'1 - a. n. 1 1 - 2' C . cl 12116 T , - 'I X. ' n T . I Q 'A I I ' ' ' -3 .jr 1 - X.. . O u Y 1- f I 51 u ,, if ' 1. ' 1 -- 1 I My XR ' - r -Q, I K Uf 0 . 9 4 h r ' ,ff .ff J , if I . ' .A Q -. , - 0 -'A If , ' . ., ' J . u S If 5 g , - , 1 . . ,- fy3teP Thls One 045 - he had found the profession 4 1 ' M - .ki . 4 D r n .Qfgsffi ..,.. Q.g...,ffz'i11ff ..,, '1fis.,f1i'it'f ..,r fffafiif ....., ffi Q'1i'gp-exif ,,,, f1f,i':-aff ,..,. Qiiffe-:'f ....,. ' fin-fiif...,...1T1-ff,fi1Q'Q .,.at., Tisaqif t,,,. fit: -,,. -21- ,!!Xx,f i Py,f'xg-I P1 fJkH,ff was proceeding to walk down the street, when I heard sweet strains of music com- ing from a small hot-dog stand called the nPuppy- Dogn. I inquired as to the owners of the stand only to find FLORENCE ROGERS danc- ing to the accompaniment of LILLIAN ANDERSON'S accordi- on. They served, danced, and entertained at the same time. Again I strolled the streets reading my newspa- per. Suddenly an ad at- tracted my attention: HIf in trouble, see Monsieur Knowitall, the Psychia- tristn, I read. Immediately I hailed a taxi Hugh John- sor opened the door and I gave hin the directions As we drove throigh the city Hugh took a chance on pas sing a red ligit and HER BERT JAeOuE a copper, stopped us But Herbie see ng who was in the taxi, motioned us to keep or go ing, and warned H h a gainst further mistakes I reached my destina tioi, Anoc ed on the docl of tie great donsic 1 Knox itall and was nnoince' J his rcceot onist PIVT S WASHBUR1 Whei I stated y problem, he tel' me frankl that I needed to know more He advised nc to accent the position of 3 nitor in his ouiloing for a time could be quartered in roor next to tnr office, s I could near all th t went on Thus my ignorance would be enlightened Early in the afternoon the next day my cuic v s begun when PETER BATKC en tered the establishment of the great psychiatrist -,,, ,, .,, .. ...Y . .. ,, ,-,- . ,, . :lil Peter told him that he had been in love for the past five years and couldn't get enough courage to ask his girl to marry him. The psychiatrist injecting a arm with the in two hours saying Nwill fIt worked, terll That ANGIE BARONI cured him by fluid in his assurance that Peter would be you marry me.n I learned la- same afternoon and THEODORE COLE strolled through the door with smiling eyes as they held hands. Monsieur Knowitall asked if anything was the matter with such a happy looking couple. Angie said no, but Theodore wanted to know if he was ln his right mind The psychi atrist laughed and told him that he wa all right This 3anito1's positiqn was certainly an interest ing one In the morning the next day three people val ed into the office The psychiatiist wasn't yet tiere, so ELIZABETH JOHNSON llayed HThe Eli ht of the Buzblebee on her violin, while BEVERLY PROOI S and DORCIHY JACOME buzzed a rount her These three il themselves the ' een Hornet Impa tierce li all, drove then out When Moisieur Knowitall reached is establishment, he was followed by ALBERT FRANK and ALLAN HAMMAR They promptly stated that they were detectives look ing for ALTON BCLSTER who had allegedly stolen sticl of Wr1gley's chewing gum Monsieur hnowitall told them to remain at the store where the tieft oc cured for Allie would 22 . . ' , A I , .. . - J. ' . - I' 1 . ' ' 1 Au . iq 'K 5 .L Q Q 0 . . . . . x ., -1 ' . , ' - - . - - ,-1 -,.g . F . 1 1 v I 1 - , . v , . .. , , . -. , . 1 I 1 . . 4- .L .' if Q L V '. K L - 6 4 5 ' y .. A I ,7 1 , ' ug - 1 , . . N , 1 - 4 Q L Cf, ,, ,. U ' ' . - in ' - 1 v I - 1 -1 . ' 1'1 - -- - -J I ' ' -1 xii L? ' ' I - 1 -1 ' fy , rn f' . . , 1.1 - 1 r A - , - , 1 fv rw o . if - I , I . a - - V L,. J L , t , Q V, , v 1- - , 1 . ' A l .. , I' .L 4.1 .Ll C S. .L e fi A 7 X '-T , - ' 4- K, 1 1-1 - f ' '- H - . . .L nl , L- S . - .4 1 ' - ' ' - ' . 7 V 1 ii 1 J A I 4 F X7 x . l - I- .. - . n , ' J. - .- . 5 .L 1 ' . . . . ,, ,, , 8 h 1 - 1 - . . G' - , I I . 4 .4 I , 'N v - Q . , . . 1 .- I O - . , , 5 . - Y al , . ' . ' 5 T7 1 7-' Q - A , A 1 , ' A.. 0 7 ' a . ., W , .a 'L 1 fi -t r 9 IU- C- 4 Lb T 4 V ' 1 Q l . YL . - 1 ' r . . .. ' s K.. lf' 'xi xl f '-N. fx fx' f' , 'f .X -,- X- 'lx' -h X s, gp -Ep ,wf ,,- -H, 17, xg. X, ifnnUM1j'AA . x - - surely come back for more. Peer Allie. I grieved for rlm--but plf6 s Gard es sons must be learned' Soon after AMELIA CYNAR and JENNIE TATXO came ' The' slnply said tr t they were glamour glTlS and wan ted more oempu The WSJChl8tFl t told them eat more MIUHOWS and get more sleep, and IQ tlme they would clammed wlth oemp ' early In the af terneon JEA SEELEY euletly sneeled her w y lnto the es'abl1shment e told hen leur Knewltall that her or 11dn't 1116 vegetables, 6SO6Cl81l5 SP1H8CH What .WW.x.f -.e, Ihuu '-..,, ..b.VV ff:y,jfN ,Aru --,r. , -.. m,qXMff should she do about it? He told Jean net to give him anymore vegetables Jean walked out happy as a lark Then OSCAR BURACCHI walked in with two quarts of milk ffr he psychiatr1st's lunch MO1S16lF Knexltall a keo Osc r lf there was anytnvng tro bl1ng hlm 0 cal sald thtt he was m rrled nd h d a f mllv and ob what else could he want My cure was complet d I accepted neltner the posl tlon of V106 plesldent nor that of vresldent I acceu ted a pOSltlOU as chlef gar bage collector for the c bf AMERCII PfINmS I ICTUWE cCODt1DuCd from e ge 92 f et lts day, nd lt 1S ln the SplF1t of 1941 th t I new ddress you my school m tes Freshman xlll look up to you You f1ll h ve the honor of sbonsoring the school 3 You will belong ' M ke wisn use o your pllvilcges. Se ho mores' s ne t ye rs un lors you wlll re ch the dl tlnctlen of belng upner cl ssmen See th t you re ueper cl ssmen. is Junlors you wlll set the m rk to w rd vhleh the Freshmen nd Sophomeres h ve to lm. Do not be s tlsfled wlth .ny but the hlghest Ind now to you, Junlors' to you next ye r come the chul lenge g1VC to e ch Senlor ss You h vc been long r th n have the other students. Your school h s done much for you. Glve lt the loyal support the UnSO1f1Sh devotion, d the gr titude th t lS poss1ble only from those who truly p3PCC1 te such g1ftS your Alm M ter h s glven you' ff' ' fff 25 u M I. , 1, I f T ' If 4. l .L L -J o 1 A . ' o I 4 A I 7 1 4 K 1' 1. lf! 0 W . , . L I A 13 J J t ...Y l 1 N fn v 1 I' , C Q L - 1 L . -1 1 L ry , If H in. S 1 a - f sxi A QQ- ' ' ' XC, p s I to L l ll I . . s- A f. n ' I . . ' '1 I c -I w ,a 3 1 ,N , A l V' 3' . Sa gk . U fe J . .Q 3E ' be V ' - T Q VI r T'l , : 4 h . I - V I . C . , ' Q Q AQJ W' ' ' ' '- R Q I4 A. , , , , ,. I - - , .. - wg J . I L. , . nl F I . J' ' 1 5 ' 'v 'iw 4 S ,, . J. A - - Alhl- 2 ,X - r . .. A :gg ' A lr .:::iL. .'f.'.V ,, .,.,., ., . ,.,'ff'f3-... ,,... 'ff' ..,. 1,.1.. f , .' I ...xi .Ill X , w I f ja 1 L .L L A 4 Ax S , - x fl -. , A ,, .zo J' Y .ff I - - - .. . . f K 1 M., L T Z1 . C- 'xx ' ' ' rs I IX L. C . . x '-1 , r, - , 'vw ' . ' , 31 . L 1 fl -- s - s . ' . . -I 1 Q '11 1' . w -. 4 5- X-jg Wi 7 N A , N, 1 Cla . a - -- ln ffi 1 - fl ' n X , 1 .flrvt .uOClL,l Cvbnt ef the DCL13 i 7C,F.I'q fu-C an 1 n , n . N . . .' Q. Q ' f Q ,f g I' 1, '1 . 13 .. ' f ' A X S f- -mr N f, J' . 5 . fe. .n. e. Ka 'f xg . . ' i 7 193 f , C' fs Q A 4 I e.1'l , . . . . . V ' . y, i S I 1 a Q 'es Q . ' a a V HJ , X - . . ' fi A - ' 4' C. C- as ,.- 2 ' I 0- - C1 Q e ' I Q . 5 . ,R . A ., , bf- ' X. I o -4 vs fu rs ' if Q .,. L, , ' - Q .V V XR 2 t 5 3 1 5 I i . ! ff' Q X x XX .ff 'K . xx I , N., I '- xt Xxx xx- X ,Aux If If X ! .lflfrif 1f'11'f' , , .......,, Xififf ,... ,.,. ..f.j:1jl1-.-..lgf?s.Q...-- .,., Q:g-.-.. ..... .fii-.41 ., ., .... .. .,..- W -li - -.-....1'::u1i' .. ...M - - . . . , . ts O D E T O 1 9 4 l There is a class,--the Senior Class You may not know too well So read this rhyme right to its end, A tale to you 'twill tell. A tale of boys and girls who soon Will leave Deep River High But who are publishing uThis Yearu Before they say goodbye. There's Lillian with yellow hair, And Em a, not so big, And Betty Alexander, who Just loves to dance a jig. June Allen's famous for her punch It always tastes just fineg And O. Buracchi peddles milk All up and down the line. The phrase UAS quite as a mousen Just fits our Peter Batko, While if you want some chewing gum Apply to Jennie Tatko There's Frank who lost his auburn locks As you have lately seen, His fav'r1te song is now nI'll Take You Home Again, Kathleen S Ruth Hayden and Liz Hamich earned Some honors pretty high So now they have to make a speech When Senior week draws nigh. Amelia Cynar thought she'd leave, But now is glad she stayed, For she will get a sheepskin too, And find that staving oaio There's Eugene Clark who's pretty fond Of Just one lass, I'll s y While Cole Just has no use or girls But stays out of their wiy Hugh Johnson comes a running in At 19 after eight And Ellen also hurries in, But very often late Our Dino Nucci when he speaks Sounds like a megaphone, And have you heard A Bielot drum? He gets a lovely tone! Poor Stephenfs had a ousy t me Our editor was he But e'en with his appendix gone He's done it to a T Bev Brookes, a pleasant smiling lass, 24 ' 0 . 4 . O . U . . . U . . f . . - f . ' 9 - . .1 Q . . 1 1. ' .L 9 Q Q . A vo. 3 1 Q A D ' .L . V .L - C. T9 ' I A Q Q .- I . 4 I O ' 1 . . ' i. - 1 Q 4 J . . . f I . O - . ,a k I V, ..L-A D -n Q N. . . Has been here ev'ry day While Phyllis Washburn you'll agree, Too often stays away, Angie must spend a lot of time A-fussing with her hairg For ev'ry morning you can see It's been arranged with care. Young Edward Giza is so still We hardly know he's 'roundg While Hammar as class president Sometimes must want to pound! Bill Smith has grown up pretty tall, And Louis Stannard, too, Louis is one who really plans To sail the ocean blue. There's Dot Jacome, the busy girl Who's always on the gog She's chewed more gum in her four years, Than Wrigley'll ever know. Next Edith Brault, from up the line And betty Johnson too, H ve earned some dimes a cleaning board , iyl how the chalk dust flew! Our Shirley sometime thro' the yeai Let her apoendix go Jean Seeley, such Q quiet lass, Will never noisy grov, Bolster, the tallest of the lot Will lead the marching line, Jacome, our decoration head Did make thc hall look fine With June Van Cleef I think the li t Is just about completed And may the whole clas meet success And never be def ated By Ni s Eli? beth I Day 25 . A v rw . ' ' 0 C. ' sa vu . . n i ' ..i-- ' 1 W 1 c . L 0 A L V 1 C Q . - A Yu V . 1 A .. -4 . I . i L A . J . V T ' 1 . , , c V . S K. I . C I if ' L. S I .V J 4 1 CL. 9 . . Y' A 'fi A .1 JL. , ff df ..1H,l 1 1 ,f. 'f '- . 1 M f N ' 1 1 :A U Y L N 5b f' :ff f .4 XX- 45 ' if vf i , Q f , I. t fr ' I x HI, T' f , , . f Y I 1 .K r mf, f K A - x 1 ,' Q' f 1 N l If -. , . l, nf ' ' ,,-'J H .-7' w , . J..-' if -, - ---, , ,