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Page 97 text:
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-' ,l 2AVQ1.Q,1El!5,3i.-e -K has l 'ELX t Uh LINES TO OUR JANITOR He keeps our school house neat and clean. And ne'er a speck- of dust is seen. The polished panes admit the light, And help to make each classroom bright. The temperature is correct, And ln that way he helps protect Our health, and safeguards every one With fresh. warmed air and kindly sun. The gym is kept in spotless trim, And instantly, at every whim, He moves the benches here and there- Gfood hunxoredly, with cheerful air. He tends the lawn most carefully: The grounds are green and fair to see. In winter. sidewalks need his care- He shovels snow to keep them hare. He's like our mothers who, each day, Work long, that we'll have time for play. We do not know how much they do 'Til we attempt to do it, too. If we worked in his stead one day We'd find we'd walked a long, long way! He seems to do it all with ease- The secret, Mr. Fleishmann, please. Long may he stay at our High School, And demonstrate the golden rule, We fare well under his regime. He is Custodian Supreme! -Virginia Adams 'fy . ,W A fXfXfXf s ,age Page 98
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Page 96 text:
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DAWS ON IAN . 2'--.2:..2'w fX...a. 'K 4 A, ,I F 7 fx A TALE Man works from sun to sun. The won1an's work is never done. The play cast and our play coach too, Find labor in the things they do. - Practice! Practice! Come tonite. Uan't be here? Oh! That's all rightg Seven-fifteen: now d0n't be late. Your other dates will have to wait. All's not well, the hour is near. Wherein the actors do appear. The painting scene and dressing too, Produce a most exciting hue. We'll sure be late. Why, where is Hugh? liis absence now will never do. We burn up all the wlres in town Trying to run that actor down. Five minutes pass. We can't divine Where he could be. Must be on time. Public CH1l't be satisfied lf time and place be laid aside. Great tension now. The minutes flee. The crowd is here. Where can he be? What will our public think of us? Put on a play. Yet, actorless? Why! Bless my soul! Our coach IS smart While playing well her ruthless art. Beneath a gob of slimy goo We find our most desired HUGH. The Play's all right: we dont mind that It's gettin? ready-that's the part. It's over now though. Act and Play. Remember, there's another day. Charles Haggerty Page 92
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Page 98 text:
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aa-'S SPECIAL FEATURES Reuben Fisher s trombone play ing Barbara Danglexs walk Happy Roberts Honor Roll Record Mick Hatterscheid s attentneness 1 0 xx homj Flsie Tomalxno s halr Mary Fw elyn Matheson s blush I harles McDonough s voice Nlartha Dunkerley s recltations lt iantes Manly s typing speed Jerry Johns niceness lloyd Line s general ability Mr Perrigo s Jokes Bleanor Mclntyres curls Margaret Walsh s grades Julia Bornall s nurror garing Wilbur Kldder s xx holesomeness I e-one John s carriage Thelma Johnson s smile Ifldon linms brllllancy Leone Haskells dramatic ability Miss Oswald s play-directing. Roland Peterson s salesmanship. Sis Walseths musical ability. Marian Hanly s horsexnanship. 14 lna Hoffman s blank stares. Gordon Kidder s extempore speaking... Richard Batzers chemistry ability. loe Hammerel s yell leading. Marian Nclson s make-up. Helen Taylor s marks. Gwendolyn Blankenburgs height. Roy Foss and Arnold Quanlnien s football playing. John Kollings eyes. Iimmv Kings and Oscar Hansens basketball guards Louis Bloom-basketball forward. I unille Helian s studiousness. Fat Healy s sense of humor. Gertrude Lonson s sweetnc ss. ll illis Haskell s eal-twiddling. 0 -- M lMW50NIMq ' ' K .Q L 1 Q .. L .4 .. . Q -- . , Y .. . , . - s 4. n s ll sf 1 - , Q ' . . . . . f . . , . 4 . , v ' 1 r r . 1 fy. v 1 , . . r ' ' . i. . 1 , , 9 v 9 . - . V ' Y A , l V Y. , . 1 1 A t . V s , . . E l Q.. 1 v - - y , . . ,L U . 1 A . ' . s . l . . 1 s - v fl - ' as 4 4 l .. . ' r l . . . . , . r l . 1 . t L .. 1 w s , n . r t ,v l . . 1 1 4 ' r l v l t ' Y v 1 J 1 9 . , v l s . s n t v s - . l . l V l t v 4 ' ' f S tl uv ,y l K l v ' . l t H - v v I l Z45?'14'3 '3'Q, . 'QQ ' Page 94
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