Daniel McIntyre Collegiate Institute - Breezes Yearbook (Winnipeg, Manitoba Canada)

 - Class of 1931

Page 25 of 124

 

Daniel McIntyre Collegiate Institute - Breezes Yearbook (Winnipeg, Manitoba Canada) online collection, 1931 Edition, Page 25 of 124
Page 25 of 124



Daniel McIntyre Collegiate Institute - Breezes Yearbook (Winnipeg, Manitoba Canada) online collection, 1931 Edition, Page 24
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Daniel McIntyre Collegiate Institute - Breezes Yearbook (Winnipeg, Manitoba Canada) online collection, 1931 Edition, Page 26
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Page 25 text:

D. M.C. I. BREEZES 23 children, probably for ever. She had no choice: the Cossack had fought for her freedom and she must follow her former lover; but rather than leave those she now loved most she made the tragic leap. MARY HUBERT, R. 47. WOODLAND WINTER The West’s gray light heralds now the night, Low bow the woods in mantling white, The leaden skies do darker grow And from the north the chill winds blow In wintry flight. With snow-white shroud are the maples bowed While fall the flakes in a driving cloud Dimming the distant mantled hill On the crest of the winds so shrill And loud. The tall pines throw from their boughs the snow, In eddying gusts to the drifts below, And lone is the road by the forest’s way Heaped with flakes of the dying day In continual flow. Bitter the cold the cruel winds hold As cracking boughs in the woodland told The dread frost bites thru the laden air While beneath the snows is the hidden hare In slumber rolled. O’er the frozen stream the alders lean Divested of the summer’s green, Their slender boughs with leaves no more Are mantled white in winter hoar With icy sheen. To the frosty sky is raised the cry Of famished wolves in the wood, hard- by. Fast sweep the snows thru tangled brush While rage the winds with furious rush And mournful sigh. Shrill is the wail of the whistling gale On its frosty breath the dark clouds sail, And drives the white snow to the road far below, And the dim woods pale. The pines forlorn in the sighing storm Their hoar arms sway and white their form, Yet harsher the moan of the w inter’s blast Whose vesper shades show day is past, And night is born. CLAIRE SKELLY INSPIRED BY A RECENT VISIT TO A “CLOSE” RELATIVE O little piggie in thy pen, I hear thee grunt approval when Thy snout’s immersed in mash. ’Twould be indeed a foolish act, Thy interest from it to distract, An act, ’thout doubt, quite rash. O didst thou think when thou wert born A dinner plate thou wouldst adorn? What’s that I hear? Thou never? When thou wert young in piggish health, Thou thought not of the butcher’s stealth, Which thee from joy didst sever. Although thou art but dupe to man, His admiration thou canst fan, When hunger be his fate. Cavort and gambol day and night; Gain weight, grow fat, so. that I might My hunger satiate. JOE McCRACKEN.

Page 24 text:

22 D.M.C.I. BREEZES literary {Department THE MAUSOLEUM OF MARUSJA BOGUSLAVA Editor’s Note —It may be of interest to the reader to know that the writer of the following began her study of English only four years ago when she came to Canada from Russia. Among the impressive sights of the Crimea is the mausoleum of Marusja Boguslava. Marusja Boguslava was a Russian peasant girl, who, against her will, became the wife of the khan of the Tartars. A few years after their mar¬ riage Marusja committed suicide by throwing herself down from a steep mountain. The top of this mountain was then crowned with a beautiful mausoleum in which Marusja’s body is buried. The mausoleum much resembles a Russian church, only it is much smal¬ ler, and perhaps still more elaborately decorated. The outer walls are grey and weather-beaten, for they have faced many a storm during their long years of existence. The windows, however, are just as colorful as they probably ever were, the designs in beautiful colored glass have not changed. The steps that lead to the large and heavy door, are worn hol¬ low. The door, or rather the gate, is of strong metal and is so heavy that it takes considerable strength to open it. The inside of the mausoleum is flooded with a peculiar, dim light which comes from the sun’s rays through the colored windows. At first one cannot recognize the articles in the mausoleum, but when the eye be¬ comes used to the light, the first thing it will discern is a beautiful momu- ment which heads the grave of Mar¬ usja Boguslava. This is the only ob¬ ject in the airy room. The walls, how¬ ever, are decorated with Tartar writ¬ ing. This writing is supposed to be the story of Marusja’s tragic life. Before Marusja was captured by the khan, she had been bethrothed to one of the Cossack leaders, who. did not fail to undertake many desperate attempts to rescue her, but was pow¬ erless against the mighty khan. How¬ ever, he was not discouraged and was determined not to rest until he had freed her from the harem. Years passed by and at last the faithful Cossack’s efforts were crown¬ ed with success. The khan was con¬ quered: his castle stormed; and Ma¬ rusja was free to go with her former lover. But time had, changed her. She was the khan’s favorite and beloved wife and had learned to return his love. She was also the mother of two children, and going with the Cossack meant parting with the khan and her



Page 26 text:

24 D. M. C. I. BREEZES THE APPROACH OF OLD AGE (A dialogue between Solomon and S. T. Coleridge, based upon the poems “Old Age” and “Youth and Age.”) Solomon—“Sweet is the light and pleasant the sun!” Coleridge—“Ay, the whole world is spring—like when we are young.” Solomon—“But darkness is coming, old age creeping on.” Coleridge—“It cannot be, cannot be that youth is gone When with’ring my body, shrinking my size, And tears taking the sunshine out of my eyes.” Solomon—“Bereft of my teeth, bereft of my sight, Like to the almond tree, my hair turn- eth white.” Coleridge—“Nay, friend, seest thou not that our Father hath made These changes in us a mere masquer¬ ade? If we believe it, Youth lieth beneath, Why think we are old, if age bringeth grief?” Solomon—“Old, age bringeth death when the pitcher doth break.” Coleridge—“Think rather of joys that Life’s blessings make. The ag’d are unwelcome like impov¬ erish’d kin, Then death is desirable, enter joyfully in!” Solomon—“Spirit to Heaven, dust back to earth, Man goeth to God who first gave him birth.” M.B., 53. A GLIMPSE OF GREEN GABLES —P.E.I. From the days of its discovery by the Cabots to its entry into Confeder¬ ation, and during the fifty-eight years that have intervened, Prince Edward Island has played its part in Canadian romance and achievement. It has given great names to Church and State; it has seen its exiles rise to fame in the Republic to the South; it has contrib¬ uted richly to, commerce, to the pro¬ fessions and to the prestige of our leg¬ islative halls; and last but not least, it has seen its sons and daughters rise to fame in the realm of literature. Among the most prominent of the lat¬ ter is Lucy Maud Montgomery, author of the well known “Anne” books. These books have their setting in this crescent shaped island—the smallest province of Canada—which was described by Jacques Cartier as a country where “all the land is low and the most beautiful it is possible to see, and full of beautiful trees and meadows.” Its aboriginal name Abeg- weit, meaning, “cradled on the waves,” most fitly describes it, as it nestles near the south side of the Gulf of St. Lawrence, in a bay formed by the concave coastline of New Brunswick and, Nova Scotia. Perhaps it will be interesting to journey along with one who has vis¬ ited the Anne country. Leaving Win¬ nipeg we travel eastward through Manitoba, Ontario,, Quebec and New Brunswick until we reach Cape Tor- mentine, situated on a picturesque point jutting into the Straits of North¬ umberland. Here our train is drawn slowly on what is known as the Car Ferry, which speedily bears us in a northeasterly direction towards the Island. As we draw near the port of Borden, P.E.I., we are struck by the appearance of the shore which makes an exquisite picture with its high banks of red sandstone standing out in contrast against the deep blue of the water and the verdure of the fields. As the rails have not, as yet, ad¬ vanced to Cavendish (the Avonlea of Miss Montgomery’s book) we shall continue our journey by automobile. Leaving Borden for the Northern shore, we traverse some of the most

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