Dana Hills High School - Mast Yearbook (Dana Point, CA)

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4. Tina Jensen rides on a bus with the rest choir eo route to Expo ' 86 in Vancouve ' 5. Seniors Julie Deleo, Emily Price, Lisa : Altamirano. and Dana Ellison all sang i : ' for four years. 6. The choir takes a break as Till Meyn, I %: Al tamirano, Emily Price, and Burt Hoof form the Manhatten Transfer ' s Java ancouver marketplace. j Choir 99

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.oise, self-confidence, c( fiiW ' .iihT?Ti ' iriT»-«iiTiaiiT r»Ti»i;;v iai. ' t« ' within a week, he really means it. After a year of practice !r), his students are often able to perform solos at the annual dinner show, a ie of talent in which students perform the songs of their choice. Says Woods, on the benefits of choir, Music theory training is an excellent form of logic ig and ear training skills which aid the development of mentals skills such m concentration, focus, and memorj j-shower sopranos and behjnd-the-wheel basses have the option of learning to sing in either Madrigals or Jazz Choir. Madrigals, which specializes in more traditional works, performed works by Mozart, Bach, and other composers. 1 est production of the year for them was Amahl and the Night Visitors, a finB ■fever opera which ran for three nights and drew throngs of interested crowds. K Choir drew participants who were more into swing and bee-bop. They kept Rappearing at the Ritz-Carlton and Disneyland and competing in the FuUerton and Cuesta College Jazz Festivals. mistmas, they caroled in and around the community, and they taped a one- jingle for KDOC Channel 56 in Anaheim. Pierre Agamata, bass, enjoys Jazz ir thoroughly; he said, It ' s really fun for me to sing songs by the Manhatten Transfer — it ' s neat to sound just like they do on records. ffoTh which began in 1984 and continued in 1986 was the trip to the World ' s th vacations, the first to New Orleans and the second to Vancouver, were so sir that Mr. Woods hopes to take his choir to Expo ' 88 in . . . Australia! The 1 annual dinner show, which took place on June 9th, was the first step in t long process of fund-raising for the activM t. ««««5:l, ' ' At the Round Earth, Imagined and Christine Horn carry through a spring concert practice session. MADRIGALS-(Sront) T. Meyn, P. Arce: - le) J. Gable, K. Verdon. L. West, D. er, T, Fisher, K. McCann; (back) R. • k, K, Horn, A. Dull. T. Barak, ro, M. Vi ' lezien, C. Ratcliffe, P. p Agamata. J. Klingsick. %ZZ CHOIR({ront) H. Amelotie, L. li, B. Hoopes, L. Woods, E. Price.A irano, T. Jensen, E. Larson, K. Larsoi foods, E. Horion, M. SavincUi; (back) icr, man, P. Arce, M. Thompson, T. Meyn, A. lichi, P. Agamata, D. Ellison, S. DouU, A. s, T. Varney, T. Harris, L. Williamson, A. i Guzman, G. Wilkerson, K. Coutts.

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araa Club was lar activity; without it the numerous reductions on pages 38-39 would not have taken place. Each performance ned anywhere from 51,000 to Si, 500, esult of the diligence and long hours i that the club members put in. pin addition to working on many nctions, they also participated in eater festivals at Saddleback and CSULB. Sponsor Robb Rigg was nistic about the competitions beca of the club members application ' ' leater and their wide range of tak shespians was another offshoot of t -- ima department: thirty of the fifty-i Sma students were also Thespian C members. The requirements ; imembership consisted of at least dred hours on a specific product! ' ever, the Honor Thespians had o X) hours of service. They were Vicky Patellis, who was also the Thespian Esident, Tammy Froeming (Thesp rarv), Tracy Beard, and Cathy Ge I (scribe). V. Patellis, T. Beard, C, -ock, C. Flores, M, ' ght, A. Cache, M. , . r— J- Purrington, T. ng. K, Shaffer; (third row) P. Kaufman, ,. Schramm. M. Raimondi, J. Meiwald, J. ■ Wernersten, T. Galore; (back) D. on, M. Squire, B. Pipes, J. Fedden. ngela Mamola adds spark to a dance number during a wild party in Manic. u Patellis ' , Tracy Beard ' s, and Kevin prsoDaliiics in Mame are flamboyant W ' and fun.