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Page 22 text:
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Pictures of the many moods, faces, and situations seen at Culpeper High can speak a thousand words, but one word can usually tell the story. During the course of a day, students meet up with many factors to cause the expression of some type of emotions; some sad, some happy, some almost indescribable. All people are different and interesting in some way. If everyone were the same, high school would be a very dull place. ACCUSATION. In a fit or rage. Martin Snead argues with his fellow students during English class. APPREHENSION. Invariably striken with emot ional reaction, Debbie Jenkins hurries to her next class. MANY FACES CREATION. Art students, Susan Walker, Sandy Smith, and Linda Mackison. practice their art techniques by drawing illustrations of the halls. RELAXATION Douglas Corbin catches a few Z’s during one of the many exciting assembly programs.
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Page 21 text:
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The halls of CCHS are places where all students are equal in their own right to be expressive. In many classrooms, students arc handicapped by desks and stifled by teachers — the halls represent freedom. This freedom that exists is enhanced by not having the pressures of the classroom. Thus students’ actions are convincingly different from those observed at any other time. Students find that in the halls be- tween classes and during lunch shifts that they can essentially relax. Some even find that they can mentally or even physically escape the reality of school. During iheir lunch shift, a group of students get together for a quick game of cards. 15 Leonard Bosworth sits on his trash can throne as he talks with Tammie Burke. Tricia Swan, and Kelly Pickeral.
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Page 23 text:
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AGGRAVATION. Sadie Thompson sits in American Civ class listening to some- one disagree with her ideas. CONSTERNATION. Debbie White, examining a dead pig in Biology, can think of more pleasant activities. MAIMVI MOODS CONVERSION. Taking time out. Bob Hannah and Lee Chichester converse on major issues in government class. CONCENTRATION. Stanley Lewis prepares a film projector for his teacher who is unfamiliar with the equipment. 17
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