CHS Class Will We, the members of the Class of 1945 of the Crandon High School, having reached the end of our high school life, do bequeath and bestow all desirable habits, worldly possessions and any private property which we may have left behind us. ITEMS: To the Juniors we bequeath our ability to hide our ignorance from the teachers. To the Sophomores we give our ability to get away with, what we got away with, and wish them better luck than we had. To the Freshmen we bestow our dignity, superiority, and poise. Please handle ;hem v ith care as they are very fragile. To the teachers we give our ability to sleep in class. To the principal we leave our ability to run down stairs and not get caught at it. We now make the following personal gifts: Kenneth Aubol’s shyness around school to Darrel Deaton. Dorothy Bazille's studying ability to Bill Duff. Doris Bushwicler’s quiet manner to Betty Bonack. „ Bill Cook's bass voice to June Woodbury. Donald DeHart's lipstick problems to Jim Boodry. Dick Dixon's faithfulness to Ralph Chartraw. Patricia Flannery's high grades to the Junior Class. Rhoda Flannery's blond hair to Allen Stranz. Francis GambiU’s success with women to Jerry Plummer. Betty Ginter’s soft voice to Peggy Tallicr. Jane Hoffman's extra credits to anyone who needs them. Apply early to avoid the rush. Gale Jaeger’s sincerity to Harold Lamond. Ruth James’ exciting nights to Catherine Tupper. Melvin Johnson’s constant devotion to Bob Marsh Audry King’s ability to whisper and get away with it to I ois Kulinski. Jim Kitzinger’s physique to Neal Pence. John Kruse’ dashing manner to Guy Mullins. Rose Marie Kugel’s smile to Maiie Bushman. Dick Marsh’s voice to Frank Sinatra. Nctzel twin’s chccrlcading tights to the future cheerleaders. Helen Ory’s giggling to Alice DeMars. Myrtle Packard’s walk to Pearl Bailey. Ruben Petrick’s bass horn playing to Francis Ison. Rita Richard’s liking for Mr. Hansen to Mrs. Hansen. Henry Ritchie’s good looks to anyone who wants them. Line forms at the left, please. LaVerne Schmidt’s dramatic ability to Rolland Schumacher. Marion Shield’s sex appeal to Shirley Petrick. Mary Steele’s bluffing ability to Lydia Gumm. Jane Tyler’s dark eyes to Regina Stewart. Delores Wald’s short skirts to Betty Petrick. Shirley Walrath’s leisure study periods to Ardcna Kendall. Valeria Wojtecki’s shyness to Marilyn Gieschen. Doris Woline's search for tall men to Lorraine McMillion. Joy Yocum’s figure to Jean Spencer. The Senior Class’ adoration of Gerald Donahue to the Geometry Class. 11
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