Cooper Union College - Cable Yearbook (New York, NY)

Page 23 text:

MR. ESMOND SHAW Nighl supervisor During The lasT years The arT world has made sTrides Tor The expression of Treedom and liberalism. IT is noT only righT ThaT This has carried inTo The meThod oT Teaching of The arT TaculTy, buT was a necessiTy Tor The ever- demanding sTudenT. To Those who Take This field as Their profession, only The besT musT exisT and only The besT will survive. ThereTore The insTrucTors are direcTly responsible Tor The welfare oT These sTudenTs and Tor Their success in The Tielcl. Our insTrucTors are capable and Their sTudenTs have proven Themselves The same in This presenT-day world. THE ADVISORY COUNCIL Mrs. Ludlow S. Bull Mr. Thomas Craven Mr. J. Andre Fouilhoux Mrs. Sherman P. l-laighT Mrs. John Kean Mrs. WalTer S. Maclc Mrs. D. Percy Morgan, Jr. Mrs. l'larTord W. Powel Mrs. JohnsTon L. Redmond Mrs. Schuyler SchieTlelin Mrs. Cornelius Sullivan Miss EdiTh WeTmore Mr. John F. WharTon Mrs. Lucius Wilmerding, Jr.

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ABT UTHETITUH GUY GAYLOR CLARK The educaTion oT The ArT sTudenT is never compleTed, so remarked Guy Gaylor Clark upon assuming The direcTorship oT The Cooper Union ArT Schools. The New DirecTor has held Two Cornell scholarships and has done noTable work in The Tield oT adverTising design. DirecTor Clark would like To see closer cooper- aTion beTween The specialized phases OT arT and The adverTising and design world. BoTh True arT and The general sTyle oT commercial arT could beneTiT by such an associaTion. To be successTul in The com- mercial world, The arTisT musT have The views and criTicism oT his public consTanTly in mind. This does noT inTimaTe ThaT The arTisT should bow To The whims and Tancies oT The greaT masses buT should aTTempT To lead and educaTe These masses. The arTisT in The commercial world does noT have To obey The dic- TaTes oT The general public buT musT keep in mind The TacT ThaT his arT is meanT To be appreciaTed and does noT end wiTh The lasT sTroke oT The brush. The evoluTion OT The modern sTreamlined auTomobile has Tollowed The reguiremenTs and wishes OT The general public as well as The dicTaTes oT The engin- eer, neverTheless, The arTisT has exerTed his will all along The developmenT To produce a modern prod- ucT which is indeed arT and sTill saTisTies The uTiliTar- ian demands oT an advanced civilizaTion. I8

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THE DAY AND NIGHT ART SCHOOLS INSTRUCTORS Deco rafive Desiq n ArchiIecIuraI Design a nd Consfru cfion Archiiecfu ral Pradice Archifecfu ral Technics ArchiIecI'uraI I-Iisfory Drawing and Painfing Plasfic Design ScuIp+ure Graphic Design IIIus+raIIon Hand-Lefferinq Cosfurne Desiq n Fashion IIIus+ra'rion Cuffing and Draping Adverfisinq Design The Office CAROL HARRISON ADDISON LAMAR HENRIETTA SCHUTZ ANNA W. FRANKE ESMOND SHAW WILLIAM T. PRIESTLEY, Jr. CLARENCE W. DUNHAM C. DALE BADGELEY MICHAEL L. RADOSLOVICH BRUCE RABENOLD RICHARD G. BELCHER SAMUEL ENTWISTLE CORNELIUS M. FLYNN PAUL ZUCKER ERNEST FIENE STUART ELDREDGE BYRON THOMAS ALAN TOMPKINS SIDNEY DELAVANTE TULLY FILMUS PAUL FEELEY LILA ULRICH DIKRAN DINGILIAN CHARLES RUDY HOWARD WILLARD GEORG SALTER ESMOND SHAW JOHN PAUL TURNER CHARLES BRACKETT EDMUND MAREIN RUTH H UTTON ELIZABETH BONNER WALTER WESTERVELT RAYMOND DOWDEN ISABEL MCNEELEY VIRGINIA RIBLET RUZA MAGLOFF