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Page 23 text:
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MURDER! First Mr. Hotchkins, then Mr. Spenalzo. Who will be next? hil Darg returned to direct Io- seph Kesseling's, Arsenic and Old Lace, a show he starred in seven years before on the C00- per stage. This time, the role of Teddy Brewster, who believes he is Theodore Roosevelt, was played by Eric Rautio. Along with Rautio, Iason Scherschligt portrayed the eldest and most villain- ous of the Brewster brothers, while Scott Brown acted in the role of the only sane member of that household, Mortimer. Having the part of a set character was a nice change; I knew what was expected, and I could be creative with it, said senior, Eric Rau- tio. Working behind the scenes, the cast and tech crew of Arsenic and Old Lace spent considerable time and en- ergy toward the production of the fall play. With only four weeks to construct the entire set, the tech crew had its work cut out for them. We had a dif- ficult time attempting to build the set itself, and it would have been much easier if the actors weren't there, said student director, Nolan Shackelford. Aside from movement coinciding with pounding hammers, the cast and crew were able to work around each other. With the props and costumes we had, it was easy for the actors and actress- es to get into their roles, said Ted Hesse, junior. The two Brewster sis- ters, Abby and Martha, were played by senior, Mollie Stickney, and junior, Iulie Mundale. Shannon Smith's por- trayal of Ionathon's sidekick, Dr. Ein- stein, highlighted the show and en- couraged the audience's laughter. 9W, FALL PLAY CAST: Front Row: D. Streeter. T. Merkle, K. Tessman, A. Rautio. Back Row: T. Hesse, U. Choin, E. Rautio, S. Brown, I. Mundale, M. Stickney, O. Ansari, I. Scherschligt, S. Smith, H. Johnson, L. Overby. H I After tying and gagging Mortimer Brewster, Scott Brown. his brother Jonathon, Iason Scherschligt, along with his sidekick Dr. Einstein, Shannon Smith, attempt to use inhumane methods to dispose of Mortimer. Their soon-to-be victim will be lucky number thirteen. 4- Iunior Ted Hesse puts the props to use backstage as he tries to catch a quick catnap. Unknown to him, Shannon Smith seizes the opportunity to make a surprise attack. Fall Play - 19
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Page 22 text:
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lTeddy Brewster, Eric Rautio, slings Mr. Hotchkins, Ursula Choin. over his shoulders, intending to bury another yellow fever victim in Panama, which he dug out of the cellar. 1 1 Trying to save his partner, Jane Klein, played by Katy Tessman, police officer Brophy, played by Tom Merkle, administers a sharp blow to the head of Jonathon Brewster. Klein accidentally made the comparison between Jonathon and Boris Karloff, placing her in this predicament. 18 - Fall Play
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Page 24 text:
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FRANTIC Blackouts, corpses, pin-ups typify backstage follies n the fall play, the job of student director took on a new angle for Ursula Choin. Besides organizing props, cueing lines, and assisting di- rectors, Choin had to play the part of a dead body. During the musical's senior citizens show the lights backstage and on stage suddenly went out. While direc- tors and technicians ran around, Chris Cook, a member of the lighting crew, observed, It was really weird, all of a sudden all the authority figures were around us, and then just as fast they all disappeared. On closing night of the musical, the lighting crew decided to play some practical jokes on the cast. Meredith McGrath discovered a pin-up had been mysteriously placed in her mop bucket. 20 - Behind the Scenes Volunteering their after school hours, the members of the musical or- chestra from Once Upon A Mattress discovered that they would have to do more practicing than they wanted to. Connie Borman, junior, said, The score was really hard. It kept chang- ing keys. Stan Hahn, technical director for both the fall play and musical, stayed after school on several occasions with the tech crew to supervise the building of the sets designed by Jeff Phillips. According to Hahn, the tech crew had its first injury award this year. The girl stepped on a nail, so we gave her the nail on a plaque, said Hahn. Although they have fun working to get a production on stage, the behind the scenes people aren't often recog- nized for their achievements.
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