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Page 58 text:
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Same. Discarded. Adopted Janet Riggs Winking New desk Eva Smill Baby dresses Belts Caroline Jams C 111 Math. Good looks Tillie Weiss Three months’ work A varsity sweater Sophie Charvat Meditation Nine hours’ sleep Florence lleupel Eating candy Grape nuts Emma Appleby Braids Rosy cheeks Irene Guentzler Being expelled Silence Joanna Irvine Loneliness Crowds Mable Groves Loud talking A megaphone Clara Loomis Her beau Second soprano Eva Horton Others' business Her own Florence Reilly Senior office Running Christine Eggleston Letters Business Bertha Kramer Dolls Long skirts Esther Crowe 8:30 bells Coming at noon Alliterations Emma Appleby always aims airily. Francis Bett, banker, bangs “Bach” beautifully. Esther Crowe can cut classes courageously. Gertrude Dolan desires daily “doings”. Florence Evans eats edibles every evening. Herbert Fix feels frigid frequently. Irene Guentzler gains goodness gradually. Eva Horton happily holds “His” heart. Johanna Irvine is improving immensely in industry. Caroline Jams just jabbers jokingly. Joseph Koncana cannot cook curly cabbage correctly. Florence Lamb loves learning little. “Bill” Nutting needs no nutty nutritive. Anua Oberg often overeats on olives. Walter Petuska punishes prunes prudently. Janet Riggs reaps remarkable riches rapidly. Lester Smith shows signs signals successfully. Arthur Thacker turns triumphantly towards typewriting. Tillie Weiss wanders wearily when walking. Merle Yesberger yawned yearningly yesterday. 56
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Page 57 text:
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Skria from ( ur ttiars Name. Discarded. Adopted. Anna Oberg Blushes Seriousness Frances Palevsky Curls Hair pins Meta Molitor Old friends Speed on the typewriter Helen Myers Studying Library books Fanny Klein Front seats Independence Rose R-avitch Giggling Dignity Laura Satava Smiles An allowance Lillian Szczytkowski Chewing gum Red sweater Goldie Thow Initiation Velvet bows Fanny Hertz Comdra Club Dancing Louise Hoewener High collars Curl Doris Klein Whispering Long walks Mary Kutina High heeled shoes Nose glasses Alice Clark Flirting Spring suit Gertrude Grady Rubbers Matinees Albina Geiger Lunch A family crest Ruby Eckerman Car fare Spelling Edna Comer Obedience Teasing Edna Born Rats Sleeping out doors Esther Gorie Reciting Hair nets Merle Yesberger Skipping school Strict attention Frieda Lucht Repartee The senior boys Ethel Rosenberg Temper Teaching German Florence Lamb Perfume Grand opera Margret Grosser Late hours White plumes Eleanor Matchett Awkwardness Sweets Florence Lunte Hair, ribbons Skating medals Marie Casey Sarcasm Politeness Helen Krause Reporting to Room 6 Collar stays Ethel Dewar The “Blues” Answering advertisements Pearl Dclahunt Extra studies A position Hazel Wieck Cosmetics Waiting Amanda Heimberger Debating Cartooning Florence Evans Reading Mrs. Maxwell Banking Esther Iledin Getting permits Crocheting Gertrude Dolan Frills Acting Ethel Kilfoyle Whistling A high coiffure Olga Wlecke Slang Concentration Ada Rogers Sunday night callers Church work Edith Hoffman Writing notes Cooking Sarah Yoelson Bangs Elocution 55
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Page 59 text:
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atu r Alphabet A is for Albertson, friendly to all. Appleby, too, who does nothing small. 13's for Bartunek, a sturdy young lad, Also for Bett. He never feels sad. C is for Charvat, who’s mild and demure, And also for Crowe, in banking she’s sure. D stands for Dolan; for De la War too: For Delahunt also, kindly and true. E is for Evans, so modest and mild, For Eggleston also; she was wise when a child. F is for Fox; Earl is his name. He feels at home in a foot ball game. G is for Gabel, for Grosser and Groves, Guentzler, too, whom everyone loves. II stands for Heimberger, for Hedin and Heil, For Hoffman and Heupel. These people all smile. I is for “Ieh’ Christman’s his name, He closely resembles Ichabod Crane. J’s for Jares, happy and gay, Not an example of work and no play. K is for Kaplan and Korbel and Kirk, Katz and Koncana. They all love (?) to work. K’s also for Ivilfoyle, for Kramer and Krauss; Our K’s are such strong ones they bring down the house. L is for Lamb, a young girl who sings; For Lucht, it stands also; she hasn’t yet wings. L’s also for Lunte, happy and fair: For Long and for Loomis; their sayings arc rare. M stands for McDermott, a stenographer, he; For Murphy, who will a great orator be. 57
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