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Page 31 text:
“
l h e P a q e a n t Our fall pageant, embodying the spirit and growth of fourteen cen- turies of Benedictine culture . . . the motto of St. Benedict . . . ORA et LABORA is depicted by the two friezes. Barbarians in interpretative dancing show the uncivilized state of Europe before Christianity . . . the lighting of the huge bonhre by St. Benedict symbolizes the intro- duction of Christianity to barbaric races , . . the flames represent the spreading of the light of culture and through an interpretative dance drive oft the borborions. The fourteen representative saints are pre- sented torches by the flames . . . the barbarians come back as peas-- ants, scholars, and princes. After the folk dances of the Christianized peoples, the chimes ring out bringing all classes together for Com- pline. The most Rt. Rev. Joseph F. Busch, Bishop of St. Cloud presents to each freshman her academic cap and gown . . . the culminating point of the pageant is the presentation of the lighted torches by the saints to the new freshmen, symbolic of the passing on of the Benedictine heritage. Script by Sister Mariella, O.5.B. Dances by Constance Zierden. Princes: Donlin, Phipps. Freshmen from four corners: B Beatty, California 3 Berger, Texasg Rowan, Minnesota: Romero, New York. ' His Excellency Bishop Busch.
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Page 30 text:
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Frieze of Prayer. 4 Frieze of 'Work. !' Flames: Fritzvold, Merickel, Hunt, Kiner. Barbarians: Rigg, Trainer, Boulger, Cardinal Rehearsal. Peasants.
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Page 32 text:
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Staff poses for a change . . . Donlin, Notermann, Kelt- gen, Erickson, Flynn, Hunstiger, Olson, Boulger, Smith, Nelson, Mitchell. Our editor . . . Mary Erickson THE FHCULH . . . the youngest of the school's publications appears in this, its second volume. Ah to relax and think up new captions people same as above And in our room we slave . . . and laugh . . . and slave some more ...Standing are Keltg, Mary Toots, and Bougie fshe is the girl with the pencil behind her earjg those who seem to be occupied with work are Junior, Marge, Harriet, Pidge, and Tessie . . .
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