College of the Sisters of Bethany - Ivy Leaf Yearbook (Topeka, KS)

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llIIIIIlIIIIIIIIIIIIIIIIIIIIllIIlIIIIIIHIIIIIIIHIIIIIIIIIIIIIIIIIIISIIIIII T H E I V Y L E A F IIIIIIIIIVIIIIIIIHIIHIIIIIIIIIIIIIIIIIHIIIHIIIIIIIIIIIHIIHIIIIIIIIIHI Page Forty-four 41IIIIIIIIIIIIIIIIIIIIIIIllIIIlIIllIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIllIIIIIIIIIIIIIIIIIIIIIIIIV 1 9 2 7 HllllllllllllllllllllllllllllllllllllllllllllllIlllIIIIHIIIIIIIIIIllIiHHIIIIllllllllllllllllllllllll

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IIIIlIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIlllllllIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII T H E I V Y L E A F lllllllllllIIIllIIIIIllIIIIIIIIIIIIIIIIIIIIHIIIIIIIIIIIIIIIIIIIIIIHIIIIIIII Junior Glee Club First Row-Irene Hanna, Lydia Beal, Sarah Johnson, Elizabeth Abrahams, Eleanor Tidrow, Valerie Whitcoiiib, Virginia Smith, Margaret McKenna, Jane Ewart. Second Row-Mary E. Wikidal, Clarice Scott, Dorothy McKenzie, Helen Millican, Jacqueline Hanson, Helen Tinney, Antoinette Tod. Thirckllow-Janet Close, Laura McFadden, Louise Jobe, Betty Kiene, Gracie Lou iene ,, Fourth Row-Virginia Ross, Sally Fox, Virginia Osborne, Marjorie Dove, Ellen Tin- ney, Gwendolyn Morgan, Lois Dell Finley, Marcia Mohler. Fifth Row--Beatrice Berclaz, Elinor Prichard, Lucy Gibbs, Julia Jencks, Manetta Tinney. A certain class taught by a well-known English teacher is daily entertained by the musical tones of heavenly voices-Did I say heavenly? The opening number is usually a Good Morning To You or something on that order. This selection is fol- lowed by anything from Ring-Around the Rosy to My Country Tis of Thee, ac- cording to the mood of the vocalists. At the ringing of a bell this English class- need I say which one?-is aroused to ecstacy at the thought that perhaps some one has thoughtlessly cut the period five minutes short. Then dawns the realization that the tinkling issues from the telephone of one of the neighboring performers-the kindergarteners. This is inevitably the case when on has been called upon for the literary characteristics of William Cullen Bryant or the doctrines of Transcendentalist Philosophy. The unlucky one stutters along with crest-fallen looks through those last .painful minutes before the bell, accompanied by the scales of a rising young soprano who boards on the second floor of the building. We are bound to become musical some day! Page Forty-three IllIIIIIIIIIIHIIIIIIIIIIIIIIllIIIIIHIIIIIIIIIIIIIIIIHIIIlIHIIIIIIIIllIIIlIIIllllllllllllllllllllllli 1 9 2 7 IllIIIIIIIIIIIlIHIIIIIIIIIIIIHIIIIIIIIIHIIHIIIIIHIIHIIIIIHIIHIHIIHIHIIlllllllllllllllllllllll

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lIIIllIlIllIlllllllllllllllHHIIIIIlIIlll!IllHIIIIIlIillilllllllllllllllli' T H 1 V Y L E A P IIIIIIIIIIIIIlllIIIIIIllIIIIIlIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIHIIIIIIIIIHII Dramatics MISS BROADWELL, Director Everybody has his own theatre, in which he is manager, actor, prompter, playwright, sceneshifter, boxkeeper, all 'in one, and audience into the bargain.-Guesses at Truth. Entertainment By The SENIOR CLASS A Colonial Dream QA Comedy in One Act? By PARKER Under the Direction of Miss Broadwell BETHANY COLLEGE January 21, 1927 8 P. M. Part I Scene-Drawing room in the home of Lionel Wellman. Time-Present. CAST OF CHARACTERS Lionel Wellman . ....................... ..... M ary Noble Oliphint Penlope Prim . ..... Pauline Robinette Peggy ...... ....... D orothy Hanson Anne .... ..... C hristine 'Thomson Nancy .... ....... D ora Stephen . .Verne Wagner . . . .Dena Libbin . . . . .Mervine Ricklefs Sally ..... . . . Becky .... .... ..... Constance .... . . .... .... . . . Patricia .........,.... ........... ....... E l la Barber Mistress Suzanna Love ........ .............. ...... E d na Hawkes Part II 1-Scene-Romeo and Juliet- R ..... ,........... . . ....... . .Mervine Ricklefs omeo Juliet .................. .. ...... Ella Barber 2-Fantana- Edna Hawkes Dena Libbin Christine Thomson 3--Duet- Dorothy Hanson Verne Wagner 4-Character Dance- Girl ........... ........ P auline Robinette Boy ................................... ...... 1V Iary Noble Oliphint HIIIIIIIIIHIHIIHIIIIIIIIIIIIIIIIIIllllHlllllllllHllllllHlllllllIIIIHIHIIIIIIIIIIIIIIIIIIIHIHI 1 9 2 7 HHHIIIIIIHIIHIHIIIIIHIIHIHIIIIIHIIHIHIIHIHIIHIHIIHIHIIIIIHIllIIIIIIIIIIIIHIIHIHHI