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Page 46 text:
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M N., gg: W. , U ui-N W Y , : .Q if nw :Q 1 If E up V . if Kg, ' , , xx 13 5 -, 'W Senior Glee Club
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Page 45 text:
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IlllllIlIlllllIIlllllllIIllllllIIIIIIIIIIIIIIIIIII llllllllllllllllllllllllll T HE IV Y L E AF IllllllllllllIllllllIlllllllllllllllllIllilllIllllllllllllllllllllllllllllll Class Recital March 26, 1927 First movement from Unfinished Symphony. .......... . . Hun gary .............. Ruth Morrison and Miss Wood Louise Krauss A Day in Venice fArr. for two pianosl ...................... Marvene Ricklefs and Miss Wood My Lady Dances .................................... Mazurka ............. . Anna Walsh . . . . . . . . . . . . . In the Ballrorom QArr. for two pianosj ................. Birds Lullaby .... The Meadow Lark. Mitzi-Kazchen fArr. Bagatelle .... Morning Song Three Waltzes 'Caprice ..... Turkish March fArr. for Julia Jencks and Miss Wood Margaret Mary McKenna Mary Ann Fox for two pxanosj .................... Ella Barber and Miss Wood Lucy Gibbs ' 1iibiQf613fQ'1iiEifiQfs ' ' ' ' ' ' '.iri1i.i11'ei1bifs' ' ' ' . . . . . . . . . . . . . two pianosj ..................... Louise Krauss and Miss Wood. Tarantelle ....... ...,................. ........ . . . Ruth Morrison Twilight Service . . . . .Schubert . . . . .Koelling . . . . .Nevin .......Brackett . . .Tschaikowsky . .. .... Lchyth ..........Read Marschal-Toepke ..........Behr . .Beethoven . . . . .Mendelssohn . . . . . . .Schubert . . . . .Teschitizky . . . . .Beethoven ......Mills Lengthening shadows-the twittering of numberless birds-the song echoing down the hall min li 'th ftl h ffl' f t-' th d' l 1' h , g ng wi so y s u ing ee in e nny lg ted chapel, reverent kneeling figures-at the altar a black robed priest deeply intoning the prayers-the gentle old voice of the pipe organ begins Now the Day is Over. -Silence--the twi- light service is over. Certificate Recital May, 1927 Given by Mary Noble Oliphint Sarabande, from 5th Eng. .............................. .... B ach Gavatte, from 6th Suite for cello ..... ................. ...... B a ch I Love the Spring ............... ' ..... Terry Valse-Op. 34, No. 2 .... .... .... C h opin Papillon ....... ' ...... . . . . . .... Lavelle God of the Mountains.. ..... Barbour Page Forty-one IIIIIIIIIIIIIIIIIIIIII . IIllllllllllIIIIIllHIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIHIIIIIlIIlIIIlI!IlIlIIl1illiil 1 9 2 7 IIIUIIIIIIIIIIIIIIIIIIIIIIIIHIHIIIIIIIIIIIIIIIIIIIIHIIIHIIIIIIIIIlllllllIIIIIIIlIHI!IIIIHIIllIlif
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Page 47 text:
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IIIIlIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIlllllllIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII T H E I V Y L E A F lllllllllllIIIllIIIIIllIIIIIIIIIIIIIIIIIIIIHIIIIIIIIIIIIIIIIIIIIIIHIIIIIIII Junior Glee Club First Row-Irene Hanna, Lydia Beal, Sarah Johnson, Elizabeth Abrahams, Eleanor Tidrow, Valerie Whitcoiiib, Virginia Smith, Margaret McKenna, Jane Ewart. Second Row-Mary E. Wikidal, Clarice Scott, Dorothy McKenzie, Helen Millican, Jacqueline Hanson, Helen Tinney, Antoinette Tod. Thirckllow-Janet Close, Laura McFadden, Louise Jobe, Betty Kiene, Gracie Lou iene ,, Fourth Row-Virginia Ross, Sally Fox, Virginia Osborne, Marjorie Dove, Ellen Tin- ney, Gwendolyn Morgan, Lois Dell Finley, Marcia Mohler. Fifth Row--Beatrice Berclaz, Elinor Prichard, Lucy Gibbs, Julia Jencks, Manetta Tinney. A certain class taught by a well-known English teacher is daily entertained by the musical tones of heavenly voices-Did I say heavenly? The opening number is usually a Good Morning To You or something on that order. This selection is fol- lowed by anything from Ring-Around the Rosy to My Country Tis of Thee, ac- cording to the mood of the vocalists. At the ringing of a bell this English class- need I say which one?-is aroused to ecstacy at the thought that perhaps some one has thoughtlessly cut the period five minutes short. Then dawns the realization that the tinkling issues from the telephone of one of the neighboring performers-the kindergarteners. This is inevitably the case when on has been called upon for the literary characteristics of William Cullen Bryant or the doctrines of Transcendentalist Philosophy. The unlucky one stutters along with crest-fallen looks through those last .painful minutes before the bell, accompanied by the scales of a rising young soprano who boards on the second floor of the building. We are bound to become musical some day! Page Forty-three IllIIIIIIIIIIHIIIIIIIIIIIIIIllIIIIIHIIIIIIIIIIIIIIIIHIIIlIHIIIIIIIIllIIIlIIIllllllllllllllllllllllli 1 9 2 7 IllIIIIIIIIIIIlIHIIIIIIIIIIIIHIIIIIIIIIHIIHIIIIIHIIHIIIIIHIIHIHIIHIHIIlllllllllllllllllllllll
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