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Page 15 text:
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A Man and His Dog By Robert Watkins Institute during the day and on certain evenings of the week took private pupils. He was known among the students at the school as the little man with the dirty face, because he al- ways got the colored chalks he used in lecturing all over his face. He had an incurable habit of putting his finger to his nose when at a loss for a word or phrase, and invariably he left a little circular spot of color on the tip of it. He was highly sensitive. One day he sent a boy out of class for laugh- ing at him. All day it bothered him. When he came home that night he looked into the mirror and decided that there must be something very comical about his appearance-he did not notice the spot of color on the end of his nose. He had always felt self-conscious while standing before his classesg after the incident of the laughing boy it took all the will- power he had to drag himself before the students. The rooms in which he lived and painted were in an old house on On- tario Street. There were two of them. One a kitchen, equipped with a gas- stove, a cupboard, a battered table, and a noisy clock, the other fulfilled a three-fold capacity as studio, living-room and bedroom. He had bought himself a studio-couch and this, with a small square stand for his paints, a model's throne, which stood before a large north window, and a few scat- tered prints on the wall, was all that the room had in the way of furnish- ings. He did, however, own an easel, but he kept that in a little closet off the kitchen except on the occasions when he used it. When the weather was nice, he took long walks along Michigan Boule- vardg sometimes to the south into the downtown district, but more fre- quently northward into Lincoln Park. Often he would stand by the lake shore and watch and listen to the waves as they rolled in across the sand. At other times he liked to sit and gaze down the boulevard at the glowing lights. But whatever he did, he did aloneg wherever he went, it was always without a companion. His life was oppressively lonely. It was one unusually fine late-autumn evening while he was taking his customary stroll that he met Flip. He had crossed Chicago Avenue and was safe himself on the opposite walk, but behind him he heard a screech- ing of brakes and turning beheld a little dog half way across the street, an automobile. Schurz called him, and after a moment he came loping across to him. He was still a little terrified and stood off for a while, eye- ing the man half suspiciously. He was only a puppy. One ear hung over standing with his tail between his legs and blinking at the bright lights of H ENRY SCHURZ taught the principles of artistic anatomy at the A9 'QE iv Page Eleven
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