Cincinnati Conservatory of Music - Pans Pipers Yearbook (Cincinnati, OH)

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HELEN ZIGLER AND FAY BOND Scene from Prune1la Page R3

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. DRAMATIC ART RAMATIC art and music are kindred scientific D arts; both appeal to the mind and to the emo- tion. So why is it incongruous to find a de- partment of dramatic art in a school of music.' Dramatic Art is not an individual thing, it is uni- versal in its contact. Where would the opera, danc- ing or singing be without it? The range of dramatic work is indeed vast beyond all comprehension; only by careful painstaking study may it be appreciated or understood. The richest literary treasures in the world are plays, and our lives are the richer for hav- ing borrowed from them. Will I ever forget the nights I used to sit in my room, four stories up above the campus, where the little statue of Pan gleamed in a patch of silver against the shadow of the trees, and think about my chosen work? SO will I ever forget how I dreamed over Leonora Ulric as Kiki; thrilled at the thought of Cyrano played by Walter Hampden, and adored Cyril Maude in tiArenlt We Alli Oh! the glamour and delight and endless adventure of this wonderful thing, dramatic art. It is always so; it always will be so, and that is the sole reason why I have written this. Anyway here it is. eBlanche Cordell. Page 8!?

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GIRLS FROM DRAMATIC CLASS Page 84