Cincinnati Conservatory of Music - Pans Pipers Yearbook (Cincinnati, OH)

 - Class of 1925

Page 183 of 238

 

Cincinnati Conservatory of Music - Pans Pipers Yearbook (Cincinnati, OH) online collection, 1925 Edition, Page 183 of 238
Page 183 of 238



Cincinnati Conservatory of Music - Pans Pipers Yearbook (Cincinnati, OH) online collection, 1925 Edition, Page 182
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Cincinnati Conservatory of Music - Pans Pipers Yearbook (Cincinnati, OH) online collection, 1925 Edition, Page 184
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Page 183 text:

PHI BETA SONGS How-do-Uedo, how-do-U-do. Now that?! the way we welcome you In that wonder bountiful feast of joy and thanks, Believe us, wait'll you see, Wait'll you see the members of our faculty, Then youtll know why we're rootin' and tootin' for C. C. M. Dear Miss Baur, teachers too, M. Owen we're including U, Pack up your troubles, laugh tern away, Come on folks, be happy this Thanksgiving Day. Dr. Liszniewski is a dandy you may know, From his red hair to his toes, He's right there, everybody knows, He's a good director And there is no doubt of that And Pm not talking through my hat. tTune-Why Did I Kiss That Girl'U Why must I take Solfege? Why, 0, Why, 0, Why, Why must I take Solfege, I could almost cry, I'm nervoukso nervous, I'm worried and blue, And if the first does that, What will the second year do? Folks say I look a wreck, I can't sleep at night, Spach says he'll break my neck If I dontt do it right. I'm upset and all because I cant sing my ttre mi fa's Why must I take solfege'! Why, 0, Why, 0, Why? tTune-My Bonnie Lies Over the Oceam Our Ten Have came over the ocean, Our Ten Have came over the sea, And thatts what put him in the notion To teach at our conservatory With zis way and zat way He makes pupils fiddle day by day. Zis way and zat way Shall be their technique to stay. tTune-Doodle-Do-Dm Therets someone worth while, Hets got a broad smile. Thatts Mr. Beddoe-Mr. Beddoe! People have said his hair was once red, But how do we know? How do we know? Come up the drive some sunshiny morning, Herets what youtll hearewetll give you fair waining, Ha-heh, ha-heh, ha-heh, ha-heh. Youtre the stuff, Beddoe! Page 177

Page 182 text:

ACT IV SceneqCampus at five minutes of twelve. A11 is dank dark and dreary, except the actor. A chug in the orchestra and a blue and yellow motor appears. tNote-Jirst introduction of automobile in Grand Operai . Various windows open to find out whose and whence the car. There is apparently only one occupant, but close scrutiny discloses two, Ernest and someone who belongs to his arm. Whispers in the Windows as to Who this someone is. Ernest hears the Whispers and the two occu- pants become definitely two. Gasps of satisfaction from the orchestra. With a roar of octaves up, down and around, Fannie VSchonmuller swirls in. Pieces of eight from the win- dows . Fannie takes out her pocket piano and plays the ten-paged Lisztitizky Octave Etude in the three minutes before she must leave her languishing partner. He is. to say the least, amazed. He Wraps the octaves prepar- atory to putting them in his files, entitled uSouvenirs from lady pianists . Another lady pianist appears. She leans upon a blond pianistis arm and sings a lovely aria My Brahm- sian Carl, My Little Petruchkah. The girl steps inside before she is recognized. Carl modestly retires but not before some looks of longing are cast at him from the windows. And finally the hero appears. Rubin Phillips in all his glory carrying an enormous violin and cavorting with Bernice, his elective aiiinity. He does not know that far, far away in Dothan is another who has the ladyis heart all packed, sealed and stamped. He sings, ttBernice, will you berceuse me to sleep . She answers, Gwen yo' pot Rube . She cioses him up in his violin case and rolls him home. - Several more little intimities, and it is two seconds of twelve. A great rush for Mr. Owen. The lights go out. All is dark and dreary. CURTAIN Page 176'



Page 184 text:

MU PHI EPSILON SONGS tTuneeBach Invention, No. 8t . Whoe'er your teacher be He will make you buy that Evans Book of Bach. And then you'll practice uTa tee ta tee ta tee ta tee . Everywhere you'll hear them, Those above you, those below you, Those across the hall. All the fat ones, all the thin ones, And the dumb-bells one and all, Hear you practice the works of John Sebastian Bach. tTuneeI Cantt Get the One I Wantt Mister Spach says, Get that tone! Then we moan and we groan, 'tSoI, la, sol, do, sol, fa . We've had teachers by the'score, tMaybe less and maybe moret But theytve all been M-A-R-R-I-E-D! I've got a good head, a brilliant career, But Spachie always gets on his ear. Tell me, what can the trouble he? Doggone it! I cantt get the ones I want, Those I get he dontt want! If I get them, Whattll become of me? Utll flunk the boardsJ tTunHExperiencet We all hear Mr. Verd Say, Keep your finger there,,. You do not get that right, I'm telling you I But we love him 50, Though he keeps us on the go. How in the world d,you find that out? Experience!

Suggestions in the Cincinnati Conservatory of Music - Pans Pipers Yearbook (Cincinnati, OH) collection:

Cincinnati Conservatory of Music - Pans Pipers Yearbook (Cincinnati, OH) online collection, 1925 Edition, Page 100

1925, pg 100

Cincinnati Conservatory of Music - Pans Pipers Yearbook (Cincinnati, OH) online collection, 1925 Edition, Page 232

1925, pg 232

Cincinnati Conservatory of Music - Pans Pipers Yearbook (Cincinnati, OH) online collection, 1925 Edition, Page 73

1925, pg 73

Cincinnati Conservatory of Music - Pans Pipers Yearbook (Cincinnati, OH) online collection, 1925 Edition, Page 118

1925, pg 118

Cincinnati Conservatory of Music - Pans Pipers Yearbook (Cincinnati, OH) online collection, 1925 Edition, Page 22

1925, pg 22

Cincinnati Conservatory of Music - Pans Pipers Yearbook (Cincinnati, OH) online collection, 1925 Edition, Page 84

1925, pg 84


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