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Page 32 text:
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RIGHT: Algy (Katy Ives) comes to the front of the stage to sing “Rosie Rosinski” in tribute to his mistress. — ABOVE: Impersonating their respective girlfriends, the men of “The Club” make a pyramid formation for the “Rose Garden” finale. RIGHT: The cast of “The Club”: Andrea Carey, Alicia Rigney, Denise Burchette, Alisa McCain, Cindy Furr, Katy Ives, Tina Chapin. 28
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Page 31 text:
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Derby Day 27 LEFT: Representing the Belk and Wallace dorms, Melanie Cease and Carolyn Dattalo start shaving their balloons as Mary Robinette gives the go- ahead. BELOW: After stepping back another two feet, contestants Deborah Dalton, Cathy Stanulis, Mandy Maultsby, and Chip Patterson toss their eggs to their partners. BOTTOM: As the games begin, spectators cheer their dormmates on in the Sand-and-Spoon Relay.
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Page 33 text:
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FAR LEFT Bertie (Alicia Rigney) and Bobby (Denise Burchette) sing a “competitive duet” about their girlfriends. LEFT: As Club members continue the action, pages Johnny (Andrea Carey) and Henry (Tina Chapin) wait at the bar. THE CLUB Billed as “A musical diversion,” the spring musical production “The Club” — with an all-male cast of characters — reached stage in four performances, run- ning from opening night on April 25 to a Sunday matinee on April 29. Set in 1903, the play centered around one evening in an exclusive men’s club. As cast member Katy Ives explained, “the audi- ence receives a glimpse into the life of men at the turn of the century, their ideas and beliefs — and especially their view of wom- en.” Director Jane Hadley described “The Club” as “a gentle satire of the chauvinistic man; it is, really, a woman making fun of men who make fun of women.” The produc- tion featured songs from the period 1894- 1905, ranging from “Come to the Club To- night” to “Dreams of a Rarebit Fiend.” Playing men wasn’t always easy for the all-female cast; they had to be backstage at least two hours before curtain time to be in makeup, and, as Katy Ives put it, “(We) sing in an unmasculine range.” “The Club” was directed by Jane Had- ley, with musical direction by Dr. Mary Nell Saunders and choreography by Don Brown. Spring Musical 29
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