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Page 16 text:
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K | f Howard Crego leaves his mighty oratorical power to Robert Dowe. We hope it doesn’t throw you, Robert. Harold Stearns leaves his knowledge of the River Road Twists to Gardner Mercer. The latter can’t help making the grade now. Earnest Turner leaves his rather queer facial expression, used on certain occasions only, to Everett Heagle. The com- bination is guaranteed to frighten little children. William Klasmier leaves his bulging muscles, and tumbling act to Donald Flaherty. Go slowly and you’ll be able to take care of everything, Donald. Allen Dunham leaves his long legs to aid making home runs. Who’s going to hit them? Warren Virider leaves his brilliantly colored ties to Kenny Adsit. They might match some of his sweaters. Velma Hobbs would leave her much used typewriter to Al Oppelton, considering the type. Robert Henderson leaves a small donation towards a fund for a school taxi. Michael Sawyer (our talented Thespian) leaves his uncon- quearable, unbelievable, unwarranted, inconceivable ability to expound, to the aspiring (perspiring) young amateur— Robert Emerson. Charles Greene as a parting wish, leaves a kindly prayer for the Junior Class before starting on his new career of the ministry. Carolyn Doran fittingly comes in last leaving a trial of questions floating behind. ,, Lastly: In witness thereof, we do subscribe our name and affix our seal, in the year of our lord, one thousand nine hundred and thirty-seven. WITNESS: Jeanne Gere WITNESS: Peggy Harrington — , ',V . • ' ; .V 'C , -.... • ■ • , c: oh vnaaox i::' .; .Ji O ...... COST;.' ' • r .Mr: cutAWOit v. .t vrxjj Yl .r I ‘ : W SIJJ 15
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Page 15 text:
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Edna Dunham and Catherine Voorhees leave too, but not so quietly. Charles Peters leaves his brother Wilbur to carry on for him. James Parry leaves his power of collecting girls and still more girls to James Weeks. Russell Virginia leaves his wicked golf swing to Freddie Pulver. Freddie might be able to use it in his band. Helen Thompson and John Navin—will they leave dear old B’ville? Robert Morehous, living up to his brother’s reputation, leaves his school-girl complexion to Malsom Furbush. , Frances Dunham makes bequest of her dainty steps to Clarice Fergeson. Mildred Moss leaves her subdued manner to Leopold Mger. Leopold! Geben sie acht! Stephen Golden leaves his “Ivanit ch” beard to the 1938 football team. Just so they can Russian to victory. Lewis Johnston’s laughter f?) is left to boom thru-out the corridors for the next 10 years. Fred Sullivan leaves his Grecian ( ?) profile and elongated form to “Sunny” Goodfellow—You’ll be able to reach him- now-Nency. Marjorie Myers leaves her sleep to whoever finds it—It seems to have gotten lost somewhere. Ethel Parry bestows her unfailing dignity on Pliylis Pul- , ver. Wonder if Donny can live up to it ????!?! Lucy Ann Davis’s incessant giggle is left to Marion Fur- bush. Together they will drive somebody mad. Donald Rowley (the African bushman) leaves his crop of feathers, crowning his head, to Leonard Socia. Now he can wear a hat ! ! Norman Kingsley leaves Pliylis Huntley to some of the younger generation. Adrian O’Brien’s own interpretation of “La Dance” is left to Richard Cramer—You’re off with a—start, Dickie. Dorothy Ge.tman leaves her small stature to Leland Rice. Growing, Growing, Grown. 14
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Page 17 text:
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i Class Statistics Spends most Name Appearanceof lime: Best suited for B. ALLEN vivacious on a horse frontier nurse I. APLIN molherly at home keeping house R. BOND solitary tinkering mechanical engineer V' C. CENCI efficient on senior committees teacher ) E. DAWLEY serene out of sight war nurse F. SULLIVAN unruffled with his radio radio engineer ' V. HOBBS diligent typing • type artist WM. KLASMIER dynamic developing films newsreel photographer j J. GERE striking reflecting mannequin 1 E. TURNER witty whittling capitalist A. DUNHAM tall with the Scouts i Eagle Scout L. DAVIS helpful helping guidance director H. STEARNS dandy in his cause a doctor K. WEST polite caddying golf ace M. SAWYER refreshing in gas station Ideographist I E. DUNHAM athletic skating exhibition skating • C. VOORHEES cheery singing torch singer -V F. DUNHAM agreeable walking executive • - W. VIRKLER pleasant in overalls builder C. PETERS obliging fishing Icthyologist L. JOHNSTON blustering in the truck super-salesman i I. SPRAGUE lady-like sitting secretary ; S M. MYERS rosy in the ketchcn dietitian ! E. NOSTRANT indescribable exploring explorer •4 D. GETTMAN cute doing for others beautician i- E. PARRY learned concentrating realist J. PARRY jolly at Bond’s garage repairman ■ ' 1 M. HARRINGTON nonchalant writing to Alabama postmistress R. VIRGINIA confident golfing a “champ” K. NEUPERT good looking courting crooner D. ROWLEY erect drumming about tap drummer ' : H. THOMPSON healthy in the country milkmaid .. M. MOSS timid with commercial books President of Sharp Point Pencil Co. 1 A. O’BRIEN well dressed dancing ballrocm dancer C. GREENE artistic drawing commercial advertiser :V S. GOLDEN bookish doing bookeeping auditor R. MOREHOUS aloof soliliquizing a monk E. MADDEN optimstic on the water midshipman B. CREGO contrary in his Dodge farm insurance adjuster H. CREGO blushing in the garden farm specialist 1 ; J. NAV1N muscular reflexing physical director 1 s C. Doran good natured having fun radio comedienne N. KINGSLEY vigorous snrinting Olympic sprinter • R. HENDERSON polished with Warren foreign ambassador i. F. CLARK considerate doing shorthand court stenographer BERNADINE BARTNIKOWSKI MARTHA SULLIVAN — oOo Jj The Musical Revue of 1937 r i ? BETTY ALLEN “Empty Saddles ISABEL APLIN “Here Comes the Bride” BERNADINE BARTIN1KOWSKI Our Big Love Scene” ROBERT BOND “The Man on the Flying Trapeze” CARMELLA CENCI If My Heart Could Only Talk” FRANCES CLARK Parlez Moi D’Amour •• BOWMAN CREGO “The Love Bug Will Bite You” HOWARD CREGO “The Object of My Affections i u LUCYANN DAVIS Let's Call the Whole Thine Off . ELIZABETH DAWLEY Dark Eyes it 16
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