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Page 105 text:
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...., , U ' ' ' we -- 2 vi . ---- .. . .. I IZ: a.llm.um.-mlmliisqldim lflliitallnallieal lisillxellliilllI:ll.SWIMlnE!i.SiHIlIai1lE2in-il KJ flhe eMusic Qf the Ages RUTH IGARRICR. '25 By tracing the line of ancestry it is found the beginning of the human race was near China in Asia. 2,300 years before the Christ, Music was an important feature in the Chinese Government. The Mandarines of Music ranked higher than those of any other Science. The Chinese had eight sound giving bodies, Stone, Metal, Silk, Bamboo, VVood, Skin, Gourd and Clay. Chinese instruments are on the same principle as ours, but the tone is shrill and piercing. A Chinese singer makes his voice as high and shrill as possible also, keeping the mouth nearly closed. Very similar to the Chinese are the Japanese instruments, so much so that they might be called Utwin nations . To the contrary, the Ilindoo Music has a character and rhythm all its own. The art of song was held in high esteem in their courts and religious ceremonies. Probably this was the reason why music did not develop more with the India men. It was held apart by the priests and surrounded with Holy Laws until to hear it was considered a sacrilege. However, one who managed to learn music, was at length admitted to the priestly Caste. The Archeologists digging in buried cities found many evidences of the progress of music, in Babylon especially. The instruments, chiefly harps of different tones and sizes, were played by plueking the strings. Music was held in such respect in those days that it is said that one ruler spared the lives of all his captives who were musicians. The Hebrews devoted their energies entirely to music and poetry, sculpture and art being closed to them. They were very religious and made Psalms and chants, which were probably accompanied on the lyre or harp. The Psalms of David and Solomon are preserved for use in the Bible, but other than that, no traces of the sacred Chants have ever been found. To the Greek, however, are attributed the scales and base of modern music. After the fall of Greece, these were passed on to the Romans, who by utilizing them soon bc- came the center of the universe. These in turn were passed on to the Gauls and then to the English, where wandering minstrels went around the country, singing of the brave deeds of men now gone. The Italians are the ones who brought music up to the present day. Perhaps it was because they made such a careful study of it. At one place where there is a famous echo, they would sing and criticize themselves. Music grew rapidly after that and the new methods spread through Germany and other countries until it reached us. The peasants had their music in the folk songs. These expressed in a form, their life. The gay, swirling happy songs of Spain: Italy with her quieter strains of moonlit romance. The Swiss songs happy in their outdoor freedom and yodeling as they herd their goats. The solemn dignified songs of the Polish nation. A minor strain, plaintive and subdued for the Russian people. Then the gay, lilting strains of the Irish and the more rugged Scotch songs. I suppose because we are such a new nation, we have no folk music, but there is the plaintive negro melody, the Indian music, with its weird ceremonial chants, floating up from the misty forest. Jazz is as near folk music as we have. The queer sounds of the saxophone to represent the queer things we Americans are said to do. The hurrying rhythm to represent our spirit, and the care free strains of the dance to represent the attitude some hold toward life. Then we have our patriotic marches, stirring us to be up and going. The republic spirit which makes us leaders in the world. With these, we have a fitting representative. rl I U ll 4 I I ,, A-I -- :-r''-1's'I -sr'''a--wis-:ssanE:Ira:ugens:IWe.aasnzaeeasu:smezzzsa::s.:::as.IisLanaszazsscasszzsaiaaezzaa R1 ai .....mn......4m .4 '- --- I --- ' nal .' 2 M- mgf High: .,.n if
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