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Page 30 text:
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Page 29 text:
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SENIOR ATTENDANTS - Top row: Todd Barrow, Tom Johnston, Pat Kenny, Chris Armer, Brian Landreville, Cory Waxman. Front row: Ann Gombar, Melissa Kiefer, Susan Conlin, Christa Meszaros, Vicky Cunningham. l 37 - o carry out the theme 25th Anniversary, performance dancers began the half-time activities by recap- ping the various styles of movement from the sock-hop to punk. Continuing with the theme, five floats paraded around the track, each representing a certain era. the first place award went to Key Club who used the idea of celebration. The seniors took second place with a portrayal of the future while Happy Birthday was the theme for the junior float. Sophomores chose the 60's with flower children and hippies, The freshman 5O's theme was complete with a soda fountain, poodle skirts, and saddle shoes The highlight of the evening began when eight Mercedes rounded the track carrying the Homecoming royalty. The procession of cars was led by the 1981 Homecoming king and queen Steve Lippert and Holly Griffen, and crown 24 Homecoming f - gi ,I bearers Harry Barnett and Janey Henze. The parade continued with senior attendants Chris Armer and Susan Conlin, Pat Kenny and Melissa Kiefer, Todd Barrow and Vicky Cunningham, Tom Johnston and Ann Gombar, and Brian Landreville, Cory Waxman, and Christa Meszaros, junior attendants Mike Spitalny and Teri Bode, sophomore attendants Wayne Hatch and Alisyn Rhead, freshman attendants Billy Puplava and Colleen Gannon. When the attendants assembled themselves on the platform, anxiety filled the air as Brian Landreville and Susan Conlin were crowned the 1982 Homecoming king and queen. The newly crowned Homecoming king and queen Brian Landreville and Susan Conlin lead the procession of cars ance more around the track. Nu-.nf
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Page 31 text:
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'Afoot' the feature for fall Masque and Gavel distinguished itself with a polished fall production of the farcical thriller Something's Afootf' This musical featured suspense of the true Agatha Christie variety, while its well- developed sense of humor often verged on the absurd. The cast featured 10 eccentric characters, all extreme sterotypes of English personages. Among the hardest things to master were the peculiarities of the English Upper Classf' observed Joe Schaefer, who played a fortune-seeking nephew. The accent was obvious, but the characteristics and mannerisms took a lot more study. The plot, as in all the best mysteries, unfolds as each member of the cast is murdered one by one, and hauled off unceremoniously to the library. Suspects and clues abound, although the final twist, leaving every character stone dead, is a surprise to all. Ms. Annette Lewis directed the play, which is set in 1935 in a mansion in rural England. Mr. Edwin Bertrand played the piano and Chris Denny the string bass under the direction of Mr. Richard Philabaum. They provided incidental music and accompaniment for the songs, which were delivered with zest and a keen sense of style. Rehearsals began about six weeks before the performance and lasted two and one-half hours daily. Work began on the evocotive box set soon after auditions, about S1900 having been spent on the total production. Tlle lovers Hope Langdon and Geoffrey ICathy Crosby and Jesse Schwarzl sing a duet durlng a qulet moment. 26 Fall Play Elegantly attlred for dinner, the unsuspecting weekend guests descend the stalrs. Ifrom left: Garrett Smith, Robin Blanchl,'Joe Schaefer, Mary Beth Bossert, Doug Goff Cathy Crosby.1 Performing a musical number, Fllnt IHugh Mllstelnj dreams of fleeing the murderous household ln his dinghy. Ng!
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