Central High School - Megaphone Yearbook (Nashville, TN)

Page 35 text:

SPEAKI G OF PICTURFS y-nf Campus 111f6I'lUClC P1gSk1Il CL1StOd1lI1S Recess btfllillig I'2I11lI1dEfS of the progress of modern QCICIICC the p1ctures shown on th1s lllCl the 1l11l'D6Cl1lt6ly El1SU1Dg plg6S 1re the product of 1 re1n1rk1bly IIIUCIUOLIS process known II1 the best 1nfor1ned c1rcles 1s photogr1phy The photos IS they 1re so1net1n1es c1lled were t1ken wlth 1Gr1flex C2x4J 1111 Agf1 C4-I-7'4j 1nd 1 Kod 1k C6 35 All 1re of the l1test Ll8SlQl1 lllil fortun 1tely w1ll not be IV 11l 1ble to the publlc Ullfll 1fter the w1r E1ch CO1'Dl7II1CLl 1 new oct1ve lens fe1ture for n1tur1l color p1ctures Strmge to say the new color fe1ture fnled to work However If IQ III outst1nd1ng ex nnple of the post w1r pl1nn1ng wh1ch IS gO1l1g on ex en Ill the CIIUCFI 1ndustry Although the photogr11ph1c1ndustry IS barely 1 hundred ye 1rs old the 1rt h1s re 1ched be 11 good 1de1 to FCVICW 1 b1t ofthe h1story of photogr1phy It th1s pfllllt Perh1ps If wouldn t be At 1ny rite I m gO1I1g to do 1t whether you 1pproxe or do not It SCEIUS th1t there WIS 1 111111 n 11ned D1guerre who 1n1de the first pr1ct1c1l 1ppl1 CIICIOI1 of photogr1phy to quote the CI1CyClOp6Ll1l Only 1 ye 1r l1ter IH 1840 the first Slllillt PICCUFE of the l'1UlHlI1 f1ce WIS n11de by 1 guy l1ll'l16Ll Dr1per of New York Um xers1ty It so h1ppens th It Dr1pers vufe w1s sportmg 1 new PITIS model 1bout the M1le short 1ge mute 3 O5 Sol1d Geometry? - - .. - .. - - J 1 1 'r ' 'I 1 ' ' g .' 1 - - 11 '5 . , A 1 S at K , x A 4 1 rv ' A , ,N W Q Q 5 1 1 A A1 A 1 1 1 1 1 A g A 1 1 . , 1 1 1 , 1 1 1 , ' 1 , 1 1 1 + . 1 1 Ak 1 1 , A 1 1 A1 A A 1 1 . 1 1 1 f 1 1 1 ' A' . 1' 1 1 , 1 1 A . ' , . 1 1 1 f 1 1 k ' 1 1 . ' A A A ' 1 1 , 1 1 ' 1 such ll stage of perfection th11t incredible results 11re achieved by it. Perhaps it would ' A 1 A 1 A A 1 1 A 1 A . 1 A A . 1 1 A A A 1 1 ' . 1 1 1 1 1 1 1 A' Q 1 A'1 1 Af 1 1 , A1 . 1 1 1 A AA A A 1 1 'A 1 1 ' 1 f 1 1 Af , ' . . . ' ,' ,, ' . ' . E A A A ,Aan I A . 1 . 1 1 fl Y 'fe 1-N , N ' Jo 'A A 1' I ' Y 'Av' l ,. QA! Q. A 1 . , . my A . . 1 , , 1 A N . 1 1 , . ,

Page 34 text:

Gmnpm Gapew

Page 36 text:

L1 eless s star reporter Penwxper Pearson wh1le huntmg for bears rn the Tennessee wrlderness wrth F11 hbulb Pendergast wandered upcn 1 rude neglected hrgh school nestled rn 1 wooded X llley The IITSUCUUOII was buzz ng w1th CCHIAUSIOI1 IS wrtnesss the prctures below They were txken ll1Cl1SCI'11T111l1t6lj, by our photogrxpher and wlth stark re ahty lttest to the frct th tt the world msn t Uett1n0 an, better Pxcmc I loxe my w1fe but o you k1d All the w rld belongs to the energetlc town much to the enxy of ill the professors wnes Draper foohshly remarked on how he would just rdore C1fCl'11I1g all of her natural lovehness 1n .1 p1cture Wrth that h1s w1fe sard Why don t you go r1ght over to the labor xtory and 1nvent 1 camera so you can take my p1cture7 Cohe thought she was pretty attractrve tool 90 Driper nnmedlatel, hopped 111 hrs Cad1llac and went str ught to the lab I ex tctly an hou 1n.l fifteen mlnutes Cexcludrng dr1v1ng tlmej he was back home and had most of us IS that we t xke such thmgs as photographv too much for granted Now then the lrt hls progressed through the years one lmprovement followmg the other unt1l rt his been brought to xts h1gh state or p6I'f6Ct1OIl today The present day prmcrples md processes on whlch photography IS based are deep and lntrlcate re qlllflllg sord1d explmttxons For thrs reason Cand also because I don t understand ltl we wrll not go rnto rn explanatron of1ust how a p1cture IS produced Thls takes us 1nto the Held of chamlstrx xnj xnvone who hasn t 1 workmg knowledge ofthe QCICIICP would only le Qreltlx c nfu ed We would haxe to know somethmg ofthe ltomrc theory md emi? at QA Loxe 1l'l bloom Cireful sweet don t fall The three mosqu1tos as ' I , A A z ' 'Q '. A A A ' i A A 1 A . Y. Y 2 , . , , 1 V 2 Y I K 1 ' 'Q 4 1 ' A- ' D ' D' 'f . .- , 1: ' 1 'r' V Y 2 . . Y W I . V I A . z z A 2 ' ' A ' A . A A 1 : SA' Q A 2 V ' 2 V Q t 2 ' - A' A ' A 1' ' . n 1 . ' rg f ' ' ' ' ' ' ' ' made the picture. Now, isn't that remarkable? I should say it is. The trouble with , 2 R I , . . 2 . A 2 . r , 1 I l . . 5 I z 2 .. A . ' , ' , g , 1 C 2 , h. I . . t u , ' fa f 4 1 ' ' ' . A t A . ' ' A ' 5 S . ' 1 ' - A 1 , A z ' ,?. I r I fl I I 'ff f ...if I ri- 's . 'fl r gr. ., X