Central High School - Megaphone Yearbook (Nashville, TN)

Page 32 text:

VOL 0 NO Of0l-1 LESS Ap rIl 1 1944 Copvnght under natmnal copvrxght Comentmn Confede are States of Amenca CONTENTS THIS YEAR S EVENTS THF FOOTBALL TEAM TAKES A DAY GFP BINGO PARTIES BY DOROTHY SWEENEE IN THF DARK Room WITH STANLEY BAKER PNPUMATIC ANTICS BY BILLY CORTNER TFFTHLPSS DATES WITH JACK MAYFIELD Woo OLOCI EKPLAINED BY FRANK ATCHLEY THE SKELETON IN THF FAMILY CLOSFT BY BORUNI DOCTOR LLXINF S NEWEST COURSE IT s THI GIRL WHO PAYS BY CHARLES BACICALUPO RAYMOND HAHN S AMOROUS CONQUFSTS PROFESSOR LOWE S LATEST JOKE FASHIONS C' H S STUDENTS MODFL THF LATEST IN SHIRTS PANTS TAKE A NEW WRINKLP IvIoxII- OF THI YEAR WITH WHOM THI' BI LLFS BOWL NI W SCI NTIFIC APPROACH TO DISCOY ERY BY LEL INI ART PSEUDO SURRFALISTIC PAINTING MAKES INSIFNIFICANT RETROGRESSION THE PHOTOCIRAPHIC ESSAY DRAETEE KISSPS THI GIRLS GOODBYE 'OOO 606 0000 All matenal WhIch In the opInIon of the edItors Involves mIlItary secunty or IS otherWIse unfit to prInt has been submxtted to usually Incompetent 3uthorItIes for FCVICW and approval before prmtmg The Central lads and lassxes pIctured hereIn were photo graphed by Flashbulb Pendergast Llfelesss Worst and least experxenced camera man of the IrratIonal Press NOW a hIgh School grad he goes forth to show the World what he dxdn t learn about the art of taklng PICYUTCS School authorItIes took 'IIS word that he Went to grammar school but have never been too sure of If No self respectmg youth Was safe from hIs lens The bIggest and Worst results are brought to you now The followmg lIst word by word IS supposed to Show the Source of each pIcture Unless you are dumber than we thxnk you are you can tell by looklng at them so Why should we waste tIme tellmg you7 CODIIIDUIIOHS Pxctures must be accompamed by a new twenty dollar bIll and adequate return postage Address ll correspondence about contrIbutIons to DIscard Edxtor Lxfeless MagazIne Room 301 Central I-Ixgh School Bldg Nashulle OO Tennessee ADVERTISEMENT WE CIVE YOU BELOW SOME SAMPLE NUMBERS WHICH YOU MAY USE WHEN YOU HAVE A FREE EVENING TRY THEM ON THE YELL SYSTEM WRITE FOR COMPLETE LIST OF NUMBERS ' CLEVELAND 3333 WEST 08 O NORTH 2367 CLARENDON 1990 'You wIll haxe to ask Informatxon for better numbers Any InformatIon wxll do 0npa9e3f Lost In the bustllng progressne spIrIt of the tImes some ancxent papers were recently recoxered from a formldable recluse In some musty old files at the Metro' polItan Museum of Art In New York CIty An old totterIng Jamtor employee of the Museum for over Hfty years ran across them QUIIC Innocently enough whIle rummagIng through the basement He was searchIng for a Wlllkle button whxch he planned to brush up and place In seruce In antIcIpatIon of the commg presIdentIal race After two Inches of dust had been removed It was seen that some mysterIous Hgures had been represented on the papers Authorxtxes at the museum were un decxded as to the orIgIn of the pxctures Some specu lated that they were the Work of some man of the neolIthIc age ThIs was regarded as unlxkely Inasmuch as paper was unknown at that tIme Cor so lt was thoughtl Some argued that lt Was the Work of some mneteenth century cartoonIst Who was tryIng to be funny These are but two of the theorIes as pertams to theIr orIgIn Art cIrcles were equally undecxcled as to the works classIficatIon as to theory and practIce Certam cubxst elements argued that If was clearly a work of neo 1mpf8SS10n1Sm Neo ImpressIonIsts Indxgnantly denxed the charge and proffered that lf should be Cl3SSl6ECI SurrealIstIc SurrealIstIc advocates found comfort In the Word current In hIgh European art cIrcleS that the Work was defimtely OrIental In taste And So the controxersy contmues Latest query was whether or not the old jamtor who found them could be JaIled on any legItImate grounds Thls was regarded as un lIkely although solace was found In the fact that he dIdnt flnd the WIllkIe button for whlch he was searchmg O66 I , ' . ., . 69 - , I , ' ' 27 ' I I . I I. ..., , 99 4' - 1 .. .. .15 4 f ,. :L , 58 I I f .' 81 ' ' ' If 3 A .I., ,..,, . 555 I I. . .. . ' 1 . ' 81 . :'. 2 3 ,.... . ,, .. ,Oi .1, , . . ,. 37 . I .. . I SCIENCE A 5 E, ' ':.. IO I ,,I.I.,,,I ,.,I f......,..6 ' I I. I I I II I 3 .. .. QI I . II .