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Page 6 text:
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CONTENTS DICDICATION .,....,..,...,..........,...................,........,,.....,..,.....,..,..,........,..,. 1 FACULTY OF MANCHESTER HIGH SCHOOL CENTRAL ..... 2 THE STAFF ......,,.,........,,,..,..,.,...,..,,.,...,.,.......,..,..,..,.................... 3 CONTENTS ..,.. 4 LITERARY ..........,........,,..........,.... ..........., . .. 5 Let Flowers Decide-Anonymous ........,..,..... 5 . Opportunity Knocks--Sally Berdechowski ...,... 6 Our Actor Speaks-Richard Moher ...,.,..,... 6 Tale by a Stage Hand-Nellie Rassias .,.. 7 To Canada, 1936--Rita Clzarcst .....,...... 8 SCENARIO SHORTS I The Last Bomb-Beatrice Dubois ..,., 9 II Braving the Storm--lane Clark ....., 10 The Old Story ,..,....,.......,...,,.,..,...,..,..,..,............,..,.... 10 A Child and the Sea, Verse-Kaleope Hnriofelis ..,.... 11 Our Opercttas-Olga Koukzu .....,,....,.................... 11 That Which is Old-Barbara Grant ...... 11 To Central, Verse-Dorothy Mercer ...... 12 The Wind-Charlotte Williams ......... 12 Rut-Russell Woodbury ,.........,................. 12 A Greek Wedding-Helen Papadaplos ...... 13 Meige-Lorcne Comstock ..... .,.. .,..,..........,........... 1 4 Each a Leader--Donald Perry ,..,,... ..,.. .,.......,......... 1 4 On a Dark and Stormy Night-Elizabeth Torrey ..... 15 Contentment, Verse-Crofton Thorp .,.....,.. ..,...,...... 1 5 Skiing at Mount Washington-Edwin Moore .. 16 A New Hat--Barbara Head ......,.....,,...,......,...... 16 Vacation Days, Verse-Adore: Grenicr ....... ,.,.....................,.,.. 1 7 Kentucky Broadway--Marjorie Lindahl .................,...,....... ,....... 1 7 Introduction to a Swimming Pond, Verse--Donald L. Irving ..,.,. 18 The Sport of Fall-Ioseplz Urban ...........,.,.................................. 18 Porcupines Aren't Pets-Ruth Dearborn ,....,..,..,.,.,................,.. 19 Thoughts on the Murals--Compiled by Rose George ,..... 19 A Design for Living-Shirley Rich' .....,..,.,..,,.....,......,... 20 Distant Rumblings-lohn B. Cram ...... 20 My Dog and I, Verse-Ruth Gilmore ...,.. 21 Waiting-Roger Sanborn ....,........,..,..,,.. 21 Un Petit Coin de France I Lc Petit Salon-Sylvia Estfan .,,. 22 Brothers, Verse-Thomas Bartlett ...............................,........ ...,....,.......,.....,..............., , 22 Scene from LES AMERICAINS CI-IEZ NOUS-Translation by Lillian Lefabre 23 THE CLASS OF 1937A ,.,......,...,......,.......,.....,..............,...,....................,,.,..,,...................... A 25 Graduation, Verse-lohn Bluteos ..... 25 Pictures .......,.......,....,....,.......... ..,..... 2 5-53 EDITORIAL ,.... 71 LOG .....,...,............ 74 EXCHANGES ...... 79 ALUMNI ......,..,........ 80 BOOK TALK ........,.........,.............,...................,..,.....................,......,.,.. 82 HUMOR ,................,..,,........... .,..... ....,......... .,.......,..,.,,.........................,.. 8 4 FASHION NOTES FOR HER AND HIM-In the Advertising Section
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JUNE AGLAIA NUMBER OF MANCHESTER HIGH SCHOOL, MANCHESTER, N. H. VOL. XXXIV JUNE 1937 NO, 4 LITERARY STAFF EDITOR-IN-CHIEF KNOCKS Patricia Hickey ....,....,,.,.,,,.............,........ 1937A loanne Lowther luvu H in 1937A ASSOCIATE EDITORS Paul Gordon .... .. .. .1937A Russell Woodbury .....,...........A........,..,..., 1937A lean Vallee H H H1937A Richard Hitchcock ...... . ....,.. 1938B Virginia Holden 1938A Eunice Weed ,.......... .......r... .,.,. . . .1938A Harold Neill 1938A Howard Hill ......,..,.,,......,,....,,.. .,....... 1 939B ' ' THE L06 Betty Bennett ., ,..,,... ,. ,.,,. 1939A Thomas Bartlett , ..........,.,....,.,. ....,.,.. 1 937A EXCHANGES Philip Silverman .,...,.....,.... ....,.... 1 937A Robert Cushon H mmi937A Fortika Basdekis ....... .... ..,. 1 9 37A Charlotte Wiiiiims i937A Carolyn Carleton ........ ....,..., 1 937A ' ' Isabel Clough A iiiiviiiil liiiii 1937A Betty Lawlor ...,......,..,..,......... ..,,.. , 1939A Sung ......... ...,, . ALUMNI u im a ........... ..... ,.,, Alvin Iacobson U iiiiil -HHQ Q N H nl939A Barbara Head ...,,..... ,.....,...,..,.., . .,., 4 1937A Frederick Iohnston ..........,,.,.. .,..,.... 1 939A MUY Buck --AP ---- - 4 -- --- -- --1939A Philip Goodell ....,......r..,..,...,..... ,......,. 1 939A FASHION NOTES BOOK TALK Philomena Charas ....,...,...,........ ........ . 1937A Maxine Iohnson ..................,,..... .....,.., 1 937A Rose George ....,.......,.......,....... .,....... 1 937A HEAD TYPIST Shirley Rich .,,,. r......, l 937A Kaleope Hartofelis ..4,... ....., 1937A BUSINESS STAFF Circulation Manager Paul Costello , . .,l937A Richard Moher ...,, ., .,.... .1937A Philip Gilmore lvii E H i937A Arszstant Manager P l G l 1937A Leon Eckman ........,. ...... . .1938B au Ou Cf ' i4dm,,m.ing Manage, Dorothy Mercer .,.,. .l937A Robert Houle .,.....,,.. ....... . 1937A Mary Partridge H '19-37A A.ss'st tManager Sta1iletynMoore ...,..,.., ......... 1 937A Robert Rheault ' 1937A Sian- Members Crofton Thorp ...,.,.. .. ..l937A William Connolly ...... .....,.....,..,....... 1 937A Arthur Ingram . .,..... l939B Adams, Richard Backer, Richard I937A AGLAIA COMMITTEE Comstock, Lorene Covey, Wilton Green, Frederick Harriman, Gilberta McLane, Loretta Owsiana, Helen Bond, Virginia Cram, Iohn Y ,, , env Keane, Dorothy Perry, Donald Bom ouios ioim D D th f A jf -9 Klapsa, Emily Sellers, Clare P aVFyv Oro ea i- Kyragokis, Helen Smith, Dorothy Charest, Rita Fortier, Marcelle Kyriacos, Melbai Symanski, Mary Clark, lane GIIIUOFC, Ruth EEE' V Lindahl, Marjorie Teas, Iulia Collins, Mary Grant, Barbara S if t' McDermott, Iune Thomas, Hervey Pulvlislmed in the interest of the Manchester High Sc11oo1 Central four times during the academic year. Entered as ncond-class matter April 10, 1918, at the Post Office at Manchester, H. Subscription price, 51.25
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Xl Ml! X T X X If - 2, LET FLOWERS DICTATE fFor Men Onlyj To you, boys, who are swing-conscious, graduation doesn't mean diplomas, it means Reception. Reception represents many things: soft lights, hot music, and on this occasion not any sweet young thing, but the girl of the hour. If you want to be sure your feel- ings are partially reciprocated, don't fail to brighten her gown with a corsage. To the average male, a corsage is just a small, flat-looking bouquet of flowers tied with tinsel or cellophane, and ribbons. But you don't want to be ordinary on such an important occasion. To remove any such impression you must deal with the situation with the skill of a connoisseur. The flowers which you select will prove your true worth. The most important essential in this cor- sage business is to contrast the flowers with the dress. In case of necessity, you can be- come a Sherlock Holmes. Her friend, or even a friend of a friend, can easily inform you of the exact color. Beware! Don't rely on brothers or male cousins. They haven't the feminine eye for color and detail. Un- less they are artistically inclined, turquoise- blue will look green to them, or the new thistle shade will be just pink. The color question once solved, you will know your limitations and may proceed with caution or gusto. Roses are an old standby, gardenias are fashionable, but oh, so un- original, and nowadays, next to good taste, Hllzfvl LKTJ N it's originality that counts. At this point you may be grateful to the Greeks for their in- vention of floriography. Any girl with a sense of humor cannot fail to appreciate your at- tempt at novelty while indulging in the language of flowers. Rest assured that such a girl will not feel ruffled at receiving a cor- sage of nutmeg geraniums fif she can recog- nize them as suchj, for do they not mean an expected meeting? Even the pale little bach- elorls-button means hope in love, which cer- tainly is a compliment to any young 'teener. Never, never send white roses if you wish to prolong a courtship! No girl can be flattered by a statement of dead love. You must choose wisely. Select the flowers to match her per- sonality. If she is Highty, then it's butterfly- orchids for gaiety. If she's pining for some- one else-the cranberry blossom means a cure for heartache, if she's shy-the four o'clock means timidity. In case she has a great sense of humor, then it's harlequin for one who laughs much. Should you not be able to re- sist her, and donlt know why, the satin-flow- er means fascination. If she is a gold-digger, and you know it, and she knows you know it, then possibly she won't take offense at re- ceiving auricula, which simply means- wealth is not always happiness. Having decided upon the kind of flowers, the style in which they are arranged is next to be considered. The florists, who are ex- perts in corsage make-up, can suggest various forms-should you take the pains to consult
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