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Page 28 text:
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THE PROM WAS: MASS, DANCING, BREAKFAST The 1972 Prom, Day Is Done, was held at Cut- ter ' s Chalet on May 26. This year ' s theme was the same as the first prom held 34 years ago. The juniors and seniors worked hard to raise enough money by selling suckers and lightbulbs, and collecting newspapers, but the biggest boost came from the Mother ' s Club, who donated $1,000 so that the expense would not be too much for the juniors and seniors. The coordinators were Jona Rauch and Becky Kohrman. During the week before the prom, nominations and elections were held for the two courts. The junior court was announced as Julie Hofer, Carol Zollinger, Terri Jones, Tammy Derloshon, Kitty Houser, and Mary Harber. The senior court was Mary Beth Jackson, Sally Laguna, Sarah Gebhard, Judie Seibert, Meg Emmett, and Jana Rauch. Midway through the even- ing, Carol Zollinger was named as queen of the junior prom, and Sarah Gebhard as the senior prom queen. Dick Brown ' s Orchestra played for the prom, and Weinfair played for the senior after-prom at the FOP hall. Top — Folher Walker distributes Communion at the Moss before the prom. Above — Chris Halter odds one lost minute touch before the prom. Right — Senior Queen Sarah Gebhord and Junior Queen Carol Zollinger. 24
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Page 27 text:
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WHERE ' 9 CHARLEY LAST 8PRIN6 MUSICAL AT C.C. Where ' s Charley was chosen by director Martin Tierney as the final spring musical at Central Catholic. The story centered around Charley, played by Willie Hazelton, and his roommate Jack, played by John Tescula. The two girls in their lives were Ann Buchheit as Amy, and Terri Jones as Kitty. When Charley ' s aunt from Brazil doesn ' t arrive, Charley dons womens clothes to become the chaperon. He not only had trouble adjusting to womens clothes, but he also had to ward off a love affair with Mr. Spettigue. Other major roles in the play were Tony Avila as Mr. Spettigue, Barb Charais as Donna Lucia, and Tom Felts as Sir Francis Chesney. The chorus and dancers were composed of Seniors and Juniors. The sets were designed by Mr. Alois Buchheit. Again, Don Palmer was stage manager. Stage hands were Tom Till, Mark Rondot, Rick Brough and Tom Johnson. Follow spots were Gary Moeller, Tony Quinn and Mike Simone. On props were Sarah Gebhard and Jeannie Sitko. The make-up crew consisted of Sue Geary, Denise Daley, Sue Doak, Cindy Rietdorf, Heide Berger, Jamie Emmett, Debbie Rietdorf, Joanna Banut, Kathy Martin and Janet Sample. John Hake was the sound man, and Kathy Imler was in charge of costumes. A special plaque was presented to Mr. Tierney for his work at C.C. He introduced musicals to C.C. and had di- rected them for the past five years. Top Right — Tern Jones, Ann Buchheit, Barb Charais, and Willie Hazelton engage in some girl talk in the Powder Room. Above — The backstage crew of Where ' s Charley? Front; Mike Simone, John Hoke, Tom Bierman and Tony Quinn. Back; Gory Moeller, Phil Rondot, Mark Rondot, T. J., Don Palmer, and Rick Brough. Right — Charley reflects on his new identity as Donna Lucia. 23
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Page 29 text:
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DANCING, PICNICING AND MEMORIES ... .W1., it ' » 1 ' ' , - t-l L IP H % 1 s • L ■ ' ■ , ,J ( Top Left — Tom Felts, John Hake and dates leave the Chapel after the Senior Moss. Middle — Steve Ealing and Mary Anne Derheimer take a break be- tween dances. Left — Ann Streicher and Dan Woenker enjoy the evening air. Above — Sue Dook and Tom Wolfe dance to the music of Dick Brown ' s Orchestra. 25
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